36 pages
With doubling: 2 m, 4 w.
Before putting "Through the Looking Glass" down on paper in 1860s, Lewis Carroll told a colleague’s young daughter, Alice Liddell (the real Alice in the books), the story of talking chess pieces. The novel, of course, was a sequel to his earlier one, "Alice in Wonderland." This play is set in the early 1920s as a now elderly Alice Liddell reflects on the telling of the story. Faithful to Carroll’s expression of childhood fears of growing up, this adaptation keeps the Victorian charm and merriment by maintaining Carroll’s scenes intact. The audience is transpo...
34 pages
Flexible cast of 19
An evil computer virus - named Virus - invades a disk containing children's beloved fairy tales, stories, and nursery rhymes. He causes all of the story characters to become mish-mashed together. Imagine Little Red Riding Hood's confusion when the Wolf in the woods asks about Three Little Pigs instead of the way to Grandmother's house! Byte and Bit are computer chips who try to set things right and defeat the evil virus before he infects other computers. Things look so bad, even the witch of Hansel and Gretel and the evil queen of Snow White help out against ...
56 pages
Flexible Cast
Welcome to “Kidskits,” a collection of ten humorous skits for stage or classroom. The short, reproducible skits can be put together with a limited number of rehearsals and require little in the way of props, costumes, lighting or sound. To avoid the problem of memorizing lines, students may hold their scripts for most performances. A touch of melodrama can only enhance the scripts’ inherent silliness. Suitable for children of various ages and reading ability, including classes of emotionally and/or physically challenged students. Skits include:
39 pages
5 m, 6 w, 2 flexible
Here’s unconventional, humorous, and easy-to-stage treatment of the famous fairy tale. Rather than one huge ball to find his future Princess, the Prince has met eligible ladies of the kingdom at smaller, separate gatherings called “Choose a Princess Parties.” Now, after 118 parties, where the Prince has danced with “364 clods,” the Zanzibany family has finally received its invitation. The formidable sisters Wartzella and Bageena, along with their domineering mother, go to the party escorted by Cinderella’s meek father and their clumsy farmhand. Cinderella is ...
25 pages
5 m, 8 w, 8 flexible
Cinderella (that isn't her real name!) labors away for her wicked aunt and evil cousins, sneaking free moments whenever she can to read. Her aunt believes learning just monopolizes the time a woman can spend being beautiful and burns all the books in their cottage. Cinderella manages to save a copy of "Romeo and Juliet," but eventually even that is burned. With a little help from a silly fairy godmother, Cinderella attends a palace ball and impresses the Prince with her intellect. After she flees the ball, the Prince pursues her, looking not for a woman who c...
36 pages
2 m, 2 w
Four commedia dell’arte actors perform all roles in this fast-paced, hilarious play. The rats of Hamlin (dressed with black ball caps) are hungry and demand the Mayor “set things rat, rat now!” And so you can see how poor pronunciation of a simple word created a terrible disagreement between the rats and the citizens of the clean little hamlet. The Mayor, portrayed by Punchin, the dell’ arte character with the big, proud nose, asks the Queen of the Cats, the Duke of the Dogs, the Earl of the Eagles, the High Prince of the Possums, and even the Countess of Cat...
29 pages
4 m, 7 w, and 7 flexible. Extras and sound effects/musicians for ensemble.
The drama club members assemble to perform “The Complete Brothers Grimm Fairy Tales,” but realize there isn’t enough time to do the whole collection and still eat the cookies waiting in the lobby for after the show. The actors condense the tome down to their favorite parts, mixing, matching and mashing up characters, while a clever casting director challenges stereotypes to meet the demand for princess roles among the girls in the company. With the help of a group of musician-dwarfs to play and punctuate the story, the characters head out on a quest to find t...
43 pages
From 2 to 12
There’s nothing like real, live storytellers to catch the imagination of youngsters. With these six tales, each told by a pair of storytellers, students can go on an enchanted voyage, whether they’re in a classroom, cafeteria or theatre. Let your young audiences, from grades 2 through 9, connect, learn, and be entertained through these inventive scripts in one of the oldest forms of entertainment -- storytelling! Running from 6 to 12 minutes each, they include: "Anansi and His Children,” the classic African folk tale of a man and his unusually named children;...
35 pages
6 m, 8 w.
In this fast-paced “green” adaptation Jack and his mother are really poor now that the forest has been cut down. Sadly, all that’s left is for them to sell their cow, Milky White. (All Milky White can say is “moo” but her moos are extremely expressive!) Jack trades her for magic beans and by the next morning, the beanstalks have grown out of sight into the sky. Jack climbs up and enters into the castle of the Giant and his wife, Giganta. Ultimately Jack rescues a hen that lays golden eggs, a magic harp, and even more importantly, tree seedlings which will hel...
56 pages
Flexible cast: 9-30 actors.
Gather ‘round, friends. Here are four Appalachian folktales your audiences will love … and your actors will love performing, too! Our favorite folk hero, Jack, appears in all four stories: “Jack’s Mother’s Second Marriage,” “Jack and the Mean Old Man,” “Foolish Jack,” and “Soldier Jack.” All four tales are fast paced and humorous, and still hold true to the oral traditions of the Blue Ridge Mountains. In fact, playwright R. Rex Stephenson gathered some of the material from the archives of the WPA Virginia Writer’s Project and some tales from interviews with l...
37 pages
Flexible cast of 10
From the story "Kaa's Hunting" by Rudyard Kipling. Deep in a jungle in India in the middle of the 19th century a tribe of monkeys come chasing in with the boy Mowgli in their midst. In the middle of their play, Kaa, the great python, terrifies them as well as Baloo, a great bear, and Bagheera, a panther, who are Mowgli's friends and protectors. Once out of harm's way, the two scold the boy and teach him how to make himself safe in the jungle. They fall asleep. The monkeys, eager to get Mowgli to make them huts like his, wake him and drag him off. Baloo and B...
29 pages
6 m, 9 w, 12 flexible characters
Mother Goose and the Brothers Grimm have been in competition for over 200 years and the friction between them doesn't seem to be abating. When Mother Goose takes off on vacation leaving Simple Simon in charge, the Goose employees go on strike. The only way Simon can bring them back to work and get the company out of the red is to agree to appear on a fairy-tale TV special with the Brothers Grimm employees. They, however, plan to sabotage the presentation on the live broadcast, destroying Mother Goose's company once and for all! But Mother Goose finds a way to...
26 pages
Flexible cast
These four plays are ideal for young actors in school, for children's theatre groups, or even for summer camp talent shows. With plenty of rhyming and choral recitation, they can be presented easily with only a few rehearsals. Though each requires strong leading characters, any number of children can participate. Included with each piece are suggestions for simple staging, but feel free to use your own creative ideas. 30-40 minutes. Each play is 7-10 minutes long.
"Lost in the Forest...
49 pages
2 m, 2 w, 7 flexible parts, doubling possible
The characters in this version of Pinocchio are guaranteed to delight everyone. They include Pinocchio, an innocent kid who believes anything; three irrepressible urchins, Zip, Petey, and Dew "Duh"; the Fox and Cat, a comical pair of con artists; and the Blue Fairy, a grandmotherly type who keeps coughing whenever she emerges from a puff of smoke. Easy sets, easy to tour. About 50 minutes.
34 pages
3 m, 3 w, extras
When young Guy discovers that his inheritance consists only of a cat and a pair of boots, he is highly distressed, until he gets to know the cat. Saucy and one-of-a-kind, Boots the cat vows to help Guy achieve his goal of marrying the beautiful princess from next door. Boots also helps free the town from the clutches of Ugolin, an evil ogre who has magical powers to turn himself or others into any animal he chooses. Guy and Boots trick the king and queen into thinking Guy is the "Marquis of Carabas" and also trick the ogre into turning himself into an insect ...