School

33 pages

8 w, 6 flex, extras, doubling possible

This is the story of a killer, her relationship to the family of the victim and her relationship to her own conscience. The play opens in a courtroom with the murder victim’s blind sister, Whitney, giving a family impact statement. Her personal sentence seals the fate of Cheek, the defendant, far worse than any court punishment of “life in prison” could ever do. “I sentence you...to see the image of my sister's face in your hands. I want your hands to be the constant reminder of the horror you saw in her face as you squeezed the life out of her...I want this ...

51 pages

7 m, 8 w, 2 flexible

Because of a miscommunication with the principal, high school drama teacher Mr. Morris finds himself with only ONE DAY to cast, stage and perform the school play. In desperation, he turns to two of his best students, Paul and Laura, to take charge and co-direct the show, unaware that the two are in the middle of a nasty break-up and are no longer speaking. Things go from bad to much, much worse when Paul and Laura, practicing with their friends independently, don't realize they are rehearsing for DIFFERENT SHOWS, "Little Orphan Annie" and "Annie Get Your Gun....

69 pages

with doubling, 7 m, 7 w

Leo Mintz, a one-time big shot Broadway agent, now represents bird acts, roller-skating kids who recite poetry and flea circuses. However, Leo's problems are just starting when a known gangster Louie DeMarco "persuades" Leo to represent his protege with no discernible talent, the lovely Christine. As if this weren't bad enough, Leo promptly falls in love with her. "They should just type up a label which reads 'East River' and slap it on our foreheads!" scowls Liz, the secretary and bouncer for Leo's agency. Then, to throw everyone off the track, Leo stages a ...

62 pages

4 m, 6 w, 4 flex

“How’d you like to be on television?” This question, posed by future daughter-in-law Anne, takes Loff DuVall by surprise. After all, he and May June had been running the Hampton Court trailer park for more years than either would care to admit. The last thing he’d want now is to be in some reality TV show. In fact, he was hoping he and May June could get away for a while, take a long vacation from the place. He wouldn’t have to listen to Goose Halford’s long stories, such as how his grandpa has a metal plate in his head. “The kids used to catch him asleep and...

60 pages

8 m, 12 w. (With doubling: 5 m, 9 w)

The blank page. It strikes fear into the hearts of writers everywhere, but not student Jan Clark. She thinks writing a novel is the way to an easy A in English class. After battling constant interruptions of well-meaning friends and family, Jan discovers this assignment may be more than she bargained for. All is not lost. Jan is visited by a demanding Muse, who summons a group of struggling actors to play outrageous literary genre characters. As Jan works to finish her story, the actors complain about the size of their parts, the inane dialogue written for th...

65 pages

Widely flexible cast from 12 to 50

Here's an energetic, engaging look at how theatre developed, from the first actor to speak aloud to the idea of using scenery. The play then segues into a variety of scenes from the great plays of Aeschylus, Sophocles, Euripides and Aristophanes. The easy-to-present scenes show how ancient Greek plays, both tragic and comedic, became classics because they were insightful and entertaining. Features a special music and sound effects CD (#8128T) to immerse your audience into the theatre of 2,000 years ago, available when you order your cast set. "The script is w...

61 pages

4 m, 4 w, 5-19 flexible, extras

Shakespeare's agent options his script "Macbeth" to a Hollywood producer who wants a "few" changes to make the play more contemporary. The trouble is the producer isn't sure what changes exactly should be made. Soon Shakespeare is casting the poor witches alternately as country singers, rappers, and punk rockers, while Macbeth and Lady Macbeth perform their lines as gangsters, farmers and Goths. A member of the audience is even pulled onstage at one point to help Macbeth rehearse a murder scene. If that's not bad enough, the final showdown between Macbeth and...

31 pages

15 flexible characters, approx. 6 m, 9 w, doubling possible.

The Countess Dracula needs money badly, so she's allowing a movie to be filmed at her castle. Everybody's excited by the prospect, especially the kids, Doug and Donna Dracula; the castle muscle men, Wiener and Schnitzel; and the attorneys who arranged the deal. But when the loud movie director, the catty actresses, and the bubbly dancers enter on the scene, there's plenty of chaos and the Countess is stricken. There's a quick trial and justice is handed down Transylvania style, with gravely funny complications. 40 minutes.

58 pages

5 m, 7 w, 2 flex

This modern retelling of the Austen classic places the entire story in an upper-class restaurant. The Bennett sisters are now four waitresses whose world is turned upside down by the arrival of the restaurant owner, a very rich but unlikeable man who seems to bring doom with him. As Piper fights for those she believes in, she comes to realize that she may have been prejudiced against the wrong characters and too proud to admit that she has misjudged nearly everyone. The modern setting allows for easy costuming and props, and focuses on the major relationship ...

51 pages

4 m, 8 w, 2 flexible

When Chris, a popular, straight-A student, suffers the loss of his younger sister in a hit-and-run accident, he is left to struggle through the remainder of his high school career. But Jake Simmons, the star quarterback and class bully, won’t leave him alone and begins to torment Chris about his personal tragedy while taking bullying to a whole new level. Haunted by his sister and reeling in his pain, Chris decides to take matters into his own hands. In Our Own Backyard tells a story of profound loss, personal tragedy, teen angst and violence amongst a group ...

46 pages

10 m, 7 w, extras as desired

Here's an exciting tale about two English youths, one the royal Prince Edward, and the other a pauper by the name of Tom Canty. Because they look so much alike, they laughingly decide to try on each other's clothes. For a few moments they find themselves daydreaming about "being the other." Suddenly, the unthinkable happens! The true prince, now dressed as the pauper, is unceremoniously thrown out of the palace by zealous guards while Tom, now dressed in royal clothing, is looked upon as heir to the throne. On the streets of London, the prince fights to prove...

76 pages

5 m, 4 w, 5 flexible

Kathy, the stage manager, has the play’s first line: “I hate opening nights!” From that point on we see everything that could go wrong in the course of a performance happen to a group of dedicated high school actors and techies. Mistakes, miscues, dropped lines, forgotten entrances, missing props, and a tricky light board you name it, it happens in this frenetic play. As we watch chaos reign in the tech booth and with the actors backstage, we also see what calamities occur onstage in the “play within the play.” It all makes for non-stop hilarity as the proces...