2 m, 3 w
An award-winning play about a relevant problem, teen suicide. Without even any skid marks to show he tried to brake his speeding car, the invincible Dave is dead. Although the school play has been cancelled, the other kids try out a few dramatic scenes to see if they can't pull something together. Dave is "with" them, making his usual wisecracks. As the kids start to work through their grief and shock, they unite, realizing how precious life is. And Dave is left alone, wishing for another chance.
11 parts, approx. 6 m, 5 w
Seven teens are brought to police headquarters to tell what they know of their friend's deadly encounter with drugs and alcohol at a party the night before. Through police questioning and the attorney's defense, we find that while no one gave Julia Dark the drugs, no one stopped her from using them either. Some of the "friends" include the cheerleader, the smart aleck, the football player, the president of the student council, and others. The teens know all about the dangers of drugs, but they don't understand the responsibilities of friendship. A compelling ...
9 m, 10 w
Brett Spencer yearns to do more, to be more. So she and her best friend, Nora, form this kind of group thing to help them and their friends get through their senior year of high school without losing their minds. No rules, not even a name, it's just a place to meet and be yourself. Their friends join them - Paige, who tries not to overeat because she feels so empty inside; Juice, just out of a treatment center; Danny, who hangs loose, hangs tough and just hangs on; and others who are seemingly always on the outside looking in at the popular kids...until they ...
5 m, 5 w, 6 flexible, extras, doubling possible
How students cope with the death of classmates due to drinking and driving is poignantly brought home in this one-act. On one side, Lisa is consumed with guilt because she didn't take away her brother's car keys, even though she knew he drank. On the other, Kurt is racked with pain because if he hadn't been drinking, he wouldn't have needed his sister to pick him up and she wouldn't have been in Lisa's brother's car. Then the football team wants to erect a roadside cross in memory of Lisa's brother right next to a cross the girls are planning in memory of Kur...
Multi-racial cast of 7 m, 7 w, 6 flexible
Jim and Lillian Fowler are having a dinner party to welcome their daughter home from college and meet her fiance. Lillian's brother, Walt, a physician, is also there, even though he and Jim get under each other's skins, especially when Walt needles Jim about losing a recent election to become prosecutor because of his conservative racial views. When Janice and her fiance David arrive, the strain increases as the idealistic young law student from "up North" treats the Wycrofts, the family who works for the Fowlers, as equals. The Wycrofts are already uneasy, f...
6 m, 7 w
The drama is based on an actual trial that occurred in Franklin County, Virginia in 1851. Indiana Choice, a black woman, claims that she and her three children are free. She sues Gresham Choice, her alleged owner, for not only her freedom but that of her three children. Gresham, a prominent citizen with political aspirations, denies Indiana is a free black. The events of the trial are recalled by Margaret Oxley who attended this trial as a child. Oxley is especially fond of Jubal Early, the lawyer for Indiana. As the trial progresses, a variety of witnesses a...
4 m, 4 w (all teen roles)
It’s Steph’s high school graduation party. Her friends are all around, her family will be back shortly, and she is supposed to be adding the final touches to the house. But this “commencement” is anything but easy or simple. She and her boyfriend Brandon have news that will devastate her father, has already caused an upheaval with her mother and sister, and will no doubt upset her best friend Gina’s careful plans. Everyone has an opinion about what Steph should do, but naturally everyone tells her it’s “her decision.” As the news filters through her network o...
3 m, 4 w
Ashley, one of the hottest girls in school, is shocked when, on their first date, Peter doesn't respond to her overtures. Peter, a pastor's son, knows the reason why: he thinks he is gay. He’s still hoping it’s not true, that no one will ever have to know he even suspected it. But what about Ashley? After storming out of his house, will she tell the whole school? Then there’s Craig, the youth leader at church, who saw Ashley rush out. He thinks Peter tried to go too far. How could he possibly understand Peter’s fears? But bit by bit Peter’s secret is revealed...
1 m, 5 w, 1 flexible, extras and audience members
Rick, an intelligent ninth grade student athlete, has his first sexual encounter with Amanda, a senior. He has four more relationships before he graduates. By the spring of his senior year, when he tests HIV positive, he has inadvertently exposed more than fifty of his classmates to AIDS. That number has little impact on most audiences until the end of the play when fifty audience members are called to the stage from the names on cards they are handed. When the name on the card is read by the actor playing the doctor, the audience member holding the card shou...
Sarah, a student at a girls' prep school, isn't going home for Christmas. Her boyfriend has dumped her, her grades have bombed, and being at home with her alcoholic stepfather is unendurable. Sarah's friends try to talk her into leaving with them, but Sarah has a different trip in mind, a permanent one where she won't feel sad anymore. Then Miranda, a hippie vision from the '60s, drops in. Her message is infused with humor but unmistakable: There's no makeup exam for suicide. Finally, she tells Sarah, "I know this for sure: You've got a great future ahead of ...
2 m 2 f (can be expanded)
Martin Luther King and Malcolm X are forever linked in the history of the Civil Rights movement. This play featuring four actors playing different roles from history and present day examines the legacy of these two men and attempts to judge where we are today in terms of realizing their dreams. Utilizing the spoken words of both Dr. King and Malcolm X, "How Long Must We Wait" looks both backward and forward in coming to grips with race in America. This is the last in a series of plays that includes "Freedom Riders" and "No Easy Road to Freedom" and is intende...
3 m, 11 w
What happens when a high schooler brings a pistol to biology class? In this tense drama, Wesley, a 17-year-old boy with a handgun, holds 13 of his fellow students as voluntary hostages as he tries to come to grips with the events that brought him there. In the 24 hours that follow, the tension of the stand-off outside mixes with the casual attitude of the students inside. By the end, we see these rich characters relate their own experiences with violence, parental authority, peer pressure, high school and the pains of outgrowing childhood. Finally, too, we le...
3 m, 3 w
"All you have to do is look in his eyes and you can see the wheels turning a million miles a minute. Problem is, not too many people take the time to look for his eyes, past his arms and legs. Sometimes, even me." These are Danny Osgood's thoughts concerning his brother, David,who is entering mainstream high school despite his physical handicaps. When Danny is mistakenly given the credit for David's poetry, friends and family are forced to realize that they, too, need to look past the handicap to the young man within. A poignant, powerful award-winning play.
5 m, 3 w
"Along with success comes a reputation of wisdom." But all the wisdom that Sally has learned from her school successes don't prepare her when her life seems to fall apart. After she gets an F on a paper, is harassed by the school's popular jock, and learns her parents are getting a divorce, she contemplates suicide. Her thoughts about dying are revealed in familiar quotations she repeats - quotations other students think she is writing for an English paper. But then the most unlikely person helps Sally find that "Everything is possible, including the impossib...
Flexible cast, approx. 11 m, 14 w, extras, doubling possible
This play forces us to examine the points in our lives when we make decisions - right or wrong, good or bad - that will define our own future as well as the lives of others. Built upon a series of monologues and scenes, the play depicts young adults dealing with the reality of HIV and AIDS. For some it's simply a threat -something not to be let out of its cave. For others, the monster has become an unwanted part of their daily existence. This uncompromising drama uses vivid and timely dialogue. A perfect competition piece, it features minimal staging, a choru...