Sarah, a student at a girls' prep school, isn't going home for Christmas. Her boyfriend has dumped her, her grades have bombed, and being at home with her alcoholic stepfather is unendurable. Sarah's friends try to talk her into leaving with them, but Sarah has a different trip in mind, a permanent one where she won't feel sad anymore. Then Miranda, a hippie vision from the '60s, drops in. Her message is infused with humor but unmistakable: There's no makeup exam for suicide. Finally, she tells Sarah, "I know this for sure: You've got a great future ahead of ...
11 parts, approx. 6 m, 5 w
Seven teens are brought to police headquarters to tell what they know of their friend's deadly encounter with drugs and alcohol at a party the night before. Through police questioning and the attorney's defense, we find that while no one gave Julia Dark the drugs, no one stopped her from using them either. Some of the "friends" include the cheerleader, the smart aleck, the football player, the president of the student council, and others. The teens know all about the dangers of drugs, but they don't understand the responsibilities of friendship. A compelling ...
2 m 2 f (can be expanded)
Martin Luther King and Malcolm X are forever linked in the history of the Civil Rights movement. This play featuring four actors playing different roles from history and present day examines the legacy of these two men and attempts to judge where we are today in terms of realizing their dreams. Utilizing the spoken words of both Dr. King and Malcolm X, "How Long Must We Wait" looks both backward and forward in coming to grips with race in America. This is the last in a series of plays that includes "Freedom Riders" and "No Easy Road to Freedom" and is intende...
3 m, 11 w
What happens when a high schooler brings a pistol to biology class? In this tense drama, Wesley, a 17-year-old boy with a handgun, holds 13 of his fellow students as voluntary hostages as he tries to come to grips with the events that brought him there. In the 24 hours that follow, the tension of the stand-off outside mixes with the casual attitude of the students inside. By the end, we see these rich characters relate their own experiences with violence, parental authority, peer pressure, high school and the pains of outgrowing childhood. Finally, too, we le...
3 m, 3 w
"All you have to do is look in his eyes and you can see the wheels turning a million miles a minute. Problem is, not too many people take the time to look for his eyes, past his arms and legs. Sometimes, even me." These are Danny Osgood's thoughts concerning his brother, David,who is entering mainstream high school despite his physical handicaps. When Danny is mistakenly given the credit for David's poetry, friends and family are forced to realize that they, too, need to look past the handicap to the young man within. A poignant, powerful award-winning play.
5 m, 3 w
"Along with success comes a reputation of wisdom." But all the wisdom that Sally has learned from her school successes don't prepare her when her life seems to fall apart. After she gets an F on a paper, is harassed by the school's popular jock, and learns her parents are getting a divorce, she contemplates suicide. Her thoughts about dying are revealed in familiar quotations she repeats - quotations other students think she is writing for an English paper. But then the most unlikely person helps Sally find that "Everything is possible, including the impossib...
Flexible cast, approx. 11 m, 14 w, extras, doubling possible
This play forces us to examine the points in our lives when we make decisions - right or wrong, good or bad - that will define our own future as well as the lives of others. Built upon a series of monologues and scenes, the play depicts young adults dealing with the reality of HIV and AIDS. For some it's simply a threat -something not to be let out of its cave. For others, the monster has become an unwanted part of their daily existence. This uncompromising drama uses vivid and timely dialogue. A perfect competition piece, it features minimal staging, a choru...
The effects of drunk driving are brought home in these two very short one-acts combined under one title. In "Only Seventeen" (3 m, 4 w, 2 flexible), Corey Martin is dead from drinking and driving. At his funeral he desperately calls out to his family and friends,"I can't be dead. I'm only 17!" but no one hears him. A fellow student delivers a eulogy full of irony as Corey's friends and family think aloud about the senselessness of his death. In "The Waiting Room" (3 m, 6 w, 4 flexible), young people find themselves in a dark room, unsure of where they are or ...