Flexible cast from 18 (with doubling)
The stage comes alive with passengers and crew of the Titanic, speaking to us directly about the disaster. We see the magnificent vessel through the eyes of both the first class passengers and the third class. When Frederick Fleet spots the iceberg, all the officers are called upon to carry out the most dreaded command Capt. Smith ever had to issue: "Get the lifeboats ready!" The ending is an emotional powerhouse as the cast recites name after name of those who survived à and those who did not. Representational sets. (Excerpted from the full-length play, "Tit...
3 m, 8 w, 16+ flexible or with doubling 3 m, 6 w, 2 flexible
When Angel was a child, she knew she had wings. She knew she could fly. After telling everyone and enduring mockery, she left her wings on the ground in exchange for fitting in. Now she is in high school, and when she sees her friend Hunter being teased for sharing honest feelings, Angel is torn. Standing up for Hunter now means no longer fitting in, giving up her new possible boyfriend Isaac and alienating the few friends she has. But Angel gains one of the most important insights of all — that she is already loved just for being herself. An Angel Chorus use...
5 m, 7 w, or with doubling 5 m, 4 w
Adapted By Bobby Keniston from Robert Browning's poem and Thornton Wilder’s playlet, “Childe Roland to the Dark Tower Came.” Roland, a warrior and perhaps the son of a king, has reached the Dark Tower. After years of eschewing death, he seeks nothing but sweet release after lifetimes of wandering the Earth. At the Dark Tower, he is confronted by Three Sisters, each in her own window. While the Amber Sister taunts him, and the Silent Sister pities him, the Dark Sister encourages him to release his burdens by sharing his life story. As Roland travels through hi...
10 m, 9 w, 2 flexible
In this fast-paced, technology-saturated world, can teenagers really survive without laptops, i-pads, cell phones and other mobile devices? Has high-speeding texting replaced face-to-face communication? Do apps substitute for thoughtful conversation? From breaking up on Facebook, to in-class research, to real-time dating advice, this play delves into the world of teens to see how they navigate with (or - gasp! - without) technology. "Screenagers" is a humorous look at how technology is shaping the way we socialize, communicate, and—hang on, I’ve got a call co...
13 m, 11 w, 4 flexible, extras,
Every month many look to their calendars and start counting down the days until the next holiday. But what about those who are working behind the scenes to make these holidays great? What about the everyday problems of Cupid, leprechauns, and the New Year's Baby? Do we ever stop to think about their needs? Their wants? No! And that's why they're on strike. Journey through the bizarre, strange, and riotously funny underbelly of the holiday world as the icons we all know and love go on strike in this comedy. See what happens when hunters try to shoot down Rudol...
5 m, 5 w, 5 flex, plus extras
Mayhem is on the menu when celebrity Chef Guy Stagsly and his outrageous reality show Kitchen Catastrophes! visit French restaurant Chez Jacques. While Guy and his crew bring in cockroaches and rats, conduct building renovations, and stage a rigged cooking competition, the employees strive to carry on. There’s Julie, the level-headed restaurant manager; Jacques, the temperamental chef; and Mickey, the loyal and ambitious dishwasher. Not to be forgotten, there’s also Olive, a shy trainee who needs a lot of supervision. They’re not only struggling to impress ro...
5 m, 4 w, 4 flexible, extras
Dreamy young lovers Lelio and Silvia must keep their love a secret from their fathers, who are fierce rivals. Will a scheme featuring the loveable Arlecchino (whose main occupation is taking money from others) and a quartet of bumbling bandits save the day? Middle and high school actors will revel in this fast-paced, uproarious one act complete with screwball antics and a cast of madcap characters including two saucy servants, a lovable miser, and a host of zanies. It is this type of slapstick humor that makes the performance style of commedia dell'arte a per...
3 m, 6 w
During the wait for the next subway train, the assembled characters think only of their own plights. There's Estelle, an eccentric woman who sits in the station doing cross-stitch and talking with Grover, a street person; Julia, a wealthy woman whose expensive car has just broken down and who is in a hurry to meet her husband; Calvin, a spoiled brat who is supposed to be meeting business associates of his father's at the airport; Marta, a recent immigrant on her way to a new job in a sweatshop; a novice nun with doubts about her vocation; Jan and Jill, musici...
4 m, 5 w
Laura has carefully plotted a day off school in order to find out the meaning of life. Playing hooky, along with her ditzy best friend, she has concocted a foolproof plan to get to the bottom of things. Chaos ensues when her attempts to leave the house are foiled by a lazy cable guy, a rapper who's come to install high-speed internet, a disapproving Mary Kay consultant, a devious Girl Scout selling cookies, and an insecure FedEx driver. It seems all is lost until Laura's older brother arrives with a man claiming to be Leonardo Da Vinci. He, too, knows the sec...
Flexible cast. Approx. 2 m, 7 w, 2 flexible.
Faith and Ivy are best friends for life…and beyond. On the surface, they don’t have much in common. One is respectful, the other sarcastic. One is studious, the other a troublemaker. One is a friendly actress, the other a reclusive poet. And, oh yeah, one is alive, the other, not so much. Ivy has been dead for weeks, and only Faith can still see or hear her. How can a ghost help Faith achieve her goal of landing the lead in the school play? And for that matter, why is Ivy still hanging around, anyway?
4 m, 4 w
Waiting in line? Waiting your turn? You don’t have time! Here’s a comedy in six scenes for those who are time-challenged. In the first scene a desperate woman has only 20 minutes to get to the airport to catch her flight and no matter what her beleaguered taxi driver says or does, they remain stuck in a traffic jam. In a different scene, things start to get physical at a restaurant when a couple with dinner reservations (and theatre tickets!) see others entering and being seated before them. In another scene, a jumpy hypochondriac is forced to wait in a docto...
2 m, 2 w
John and Sharon begin talking about breaking up except unseen voices feed them lines of opposite intentions. They look around for the intruders. Two people emerge claiming to be the writer and director of this scene. They declare that John and Sharon are ruining this script, which was carefully prepared especially for them! About 20 minutes.
From 5 - 13 actors.
Speed dating is a great way for singles to meet other people. Each "date" only lasts a few minutes, and if it doesn't work out, you can hope the next one will be better. For Cindy, those minutes feel like an eternity as she is subjected to a seemingly endless parade of jerks and losers. First there’s Marcus, whose questions seem more like an interrogation; then Trevor, whose career motivation extends only to getting the next new video game. Third is Scissor, an artistic man with an inflated sense of ego, followed by Ernest, a socially awkward guy who thinks s...
Phoebe finds herself struggling through her first day of middle school. She is labeled by her dad, her teacher, and other students in the school. She finds herself accepting all the labels put on her, including IMPOSSIBLE, CHILD, SCARED, ALONE, SHAME, PANIC, FAT, I DON’T MATTER, TOO SMART, DISAPPOINTED, WORTHLESS, UGLY, and SLUT. In a moment of crisis, she picks up a bottle of pills, only to be interrupted by Clarice, a friend or ghost who helps Phoebe discover the unexpected value of her life. Highlighting cyberbullying, this play illustrates how real-life s...
2 m, 2 w, ensemble cast of 4-15 flex
Boy Meets Girl! Boy Loses Girl! But will Boy get Girl back again? Nothing is that easy. Through Barbara and Walter, co-narrators, a boy and girl demonstrate love – from the basic Neanderthal beginnings, to the use of Shakespeare to describe it, then to the Dark Ages, World War II, and into the future – all while an ensemble cast brings humor and action onto the stage. This fast-paced one-act play provides flexibility as any number of actors can be a part of the chorus or perform one of the many smaller roles.