29 pages
3 m, 8 w, 2 flexible
Tech week. It’s sort of like trying to hit a homerun with a tennis racket. This tech week is especially challenging because the techies chose the play, Cats from Mars. Broken props and hyper-caffeinated techies are only some of the problems. The other human factors in this play, called actors, introduce chaos: the newbie breaks the laser gun (affectionately named Katniss), the prima donna badmouths the costumes, and the alpha male lead destroys the fog machine in between spates of directing advice. Meanwhile, the director desperately tries to hold the product...
84 pages
13 m, 21 w. (With doubling 5 m, 8 w. )
TELL-TALE is loosely based on the life and death of Edgar Allan Poe. It is, in essence, Poe’s last confession. It takes place in the Baltimore hospital where he lies in a delirium before his death. Poe is forced to look at his life, his mistakes, his outrageous behaviors, and, in the end, he must try to find peace. This peace in death comes by way of the only peace he had in life -- telling a story. Poe starts his story by casting himself as the dashing, tragic hero, but as the play progresses, his own memories slip from his control, turning on him and forcin...
18 pages
3 m, 3 w
A psychotic murders an old man and then copes successfully with the village constable, only to be trapped and betrayed by conscience and a twisted mind. Increasing the story's playability is the addition of two nieces of the old man who suspect murder, and an innocent bride of the murderer. A smashing climax with thunderous "heartbeats" of the dead man. (Please state adaptor's name when ordering.)
21 pages
4 m, 3 w
Poe's familiar story is updated here, set in the modern American judicial system. As part of a competency hearing to determine the suspect's mental ability to stand trial, the caged murderer faces a panel of legal and psychological experts as his confession is videotaped for all to see. As the experts probe deeper into the killer's psyche, the apparently motiveless murder starts to come into focus and we discover the victim's "evil eye" was just the tip of the iceberg. One interior set. (Excerpted from the full-length play, "Fright Night." Please state adapto...
40 pages
3 m, 5 w, 3 flexible (Some male roles have been adapted to female roles.)
On an enchanted island, a powerful man named Prospero uses his magic to create a tempest to shipwreck his enemies on his shores. Once they are on land, Prospero leads the castaways about with the help of his fairy servant, Ariel, who has long been promised her freedom. The conspiring nobles who once usurped Prospero’s dukedom are haunted by Ariel, and their plot to murder one of their own is thwarted. Meanwhile, one of the castaways, a kind prince, falls in love with Prospero’s daughter. Prospero’s monstrous servant, Caliban, meets up with the ship’s captain ...
58 pages
9 m, 8 w, 5 flexible, extras
Adapted from the play by William Shakespeare. A ship at sea is suddenly swept up in a fierce tempest. The King of Naples, the Duke of Milan, and others become shipwrecked upon a mysterious island. Unbeknownst to them, the island is ruled by Prospero and Prospera, the rightful Duke and Duchess of Milan. With their magical powers they have cast the royals upon the island with an ultimate plan. But will Prospero and Prospera's scheme be cut short by their own prisoner/slave, Caliban, who along with the drunken butler, Stephano, have hatched a scheme of their own...
40 pages
11 m, 4 f, 1 Either + sprites, nymphs, reapers and sailors.
The plotting, the revenge, the tempered justice, requited love, compassion and forgiveness is all here in Shakespeare's fantasy-comedy masterpiece. This version has edited the archaic terms and unnecessary business and dialogue. Perfect for high school and college theatre departments. A special CD is available of sound effects and flute songs. (Song sample at right is "Nymphs and Reapers Dance.")
25 pages
4 m, 6 w
Just as the stage manager is getting ready to call "Places" for the start of the school's play, everything comes to a screeching halt. Brandy has discovered that her cell phone is missing and refuses to go on until she finds it. The other actors try to help her re-create her every move to find the exact moment the phone was misplaced, and what follows is not only the quest for a cell phone but a trip through a tangle of who said what to whom. From secret boyfriends, pet nicknames, and the confusion between Tony the boy to Toni the girl, we get a very funny lo...
60 pages
3 m, 8 w, 1 flexible
When the high school principal asks students Dani, Jenna, and Ruby to include new student Lydia in their save-the-planet activities, they’re none too pleased. Dani thinks Lydia is out to trap her boyfriend Dante, whose best friend Gavin is completely smitten with the new girl. The four girls end up trying to clean an old ranger cabin in a nearby state park. But unknown to them, a lot more guests will be secretly visiting the cabin on the same night, all with different objectives – including Dante and Gavin, cat burglar sisters Sissy and Sassy, two bewildered ...
25 pages
Minimum cast: 1 m, 4 w
The ten-minute play form is more popular than ever, and these 3 lively short plays can be performed together or individually. In "Babysitter Brokerage" (4 w), the bidding war is fast and furious and the contenders are desperate. Who will win the baby-sitting job? In "The Drive-Thru Interview" (1 m, 1 w), a teen job seeker shows she's got what it takes to be the next entrepreneur of the year ... as soon as she finishes cheerleading practice. In "Mr. Perry's Test" (1 m, 3 w), three soon-to-be driving teens meet their match with their instructor. All three plays...
23 pages
4 w
A one-act play about cyber-bullying. For two weeks Amy’s life has been unbearable. An intimate conversation she had online with a boy she likes has been shared so many times that she is now the laughingstock of the school. To make matters worse, she has been receiving threatening text messages, and her family has been plagued by a series of anonymous phone calls which have been intimidating and offensive. The play opens as Amy sits alone in a classroom. She is soon joined unexpectedly by Kara, who is apparently looking for a prom committee meeting. However, w...
52 pages
2 m, 2 w, 10 flexible, optional washboard band and townspeople
The little Western town of Possum Trot has been under a gypsy spell for two hundred years, a spell that turned the whole village into nincompoops who are so clueless they sweep with the wrong end of a broom and put themselves in jail. They've never been smart enough to progress with the rest of the world. Seymour Justice, the guilty gypsy's great-grandson (seven generations later), wants to break the spell once and for all. His perseverance pays off when he and his best friend, Edmund, finally stumble upon the lost village. The secret to breaking the spell is...
36 pages
6 m, 11 w, extras
Adapted from his full-length play, “Shoestring Theatre.” Sanders, the director of a small community theatre production, is very upset. The budget that is to fund his season opener is being cut by eighty percent. This play is to be an epic retelling of the timeless classic “Cinderella,” but how is he expected to pull off such a spectacle with practically no money? Then Sanders learns that Mrs. Brakes, the owner of the theatre, has embezzled the “Cinderella” money to fund a vacation for herself on the Caribbean. He decides to take matters into his own hands. “I...
55 pages
Ensemble cast of 6 to 27
The magic of theatre now weaves three tales from around the world together into more than an hour of captivating entertainment for young audiences. In a Chinese play, Little Red Maiden and her older brother learn that riches do not always bring joy. Too bad the selfish dragon learns the hard way! In a native American play, the Cinderella story is retold as Little Burnt Sand endures the cruelty of her sisters before becoming the bride of the new Micmac chief. In a delightful English fairy tale, we find that too much curiosity can be a mite unhealthy. Show the ...
62 pages
Flexible casting
Here are two richly imaginative one-act plays which need the barest minimum of rehearsals. All the action is mimed by actors wearing masks as readers speak the dialogue. In "The Vinegar Man" (4 m, 5 w, extras), a successful wine merchant is devastated when his young wife dies. Ignoring his infant son and the loyal nanny, he turns sour, like the wine he allows to turn into vinegar. But like Scrooge, the Vinegar Man is saved from his own bitterness. In "Finding Happiness" (12 characters, extras), simple Fantodd is sent into the forest by his unhappy father to f...