28 pages
4 m, 4 w
The room is a refuge, a rather undefined space with no pressure from the outside world. But how long do you need to feel safe before stepping out? Each character must make that decision himself: Ben, the abused child; Cherelle, acerbic but filled with apathy; Tony, who hides his shortcoming with a smart mouth; Sandi, whose pushiness covers low self-esteem; Jon, who has a real edge of menace, and others. An intriguing drama with no set requirements.
64 pages
3 m, 9 w, 1 voice.
Miles off Northern California's rugged Mendocino seacoast, St. John's School for Girls is located on a small island: it is an exclusive private academy which caters to troubled rich girls. However, it seems that a series of grisly murders occurring on the mainland are now taking place on this nearly deserted campus during Spring break. With the "storm of the century" quickly approaching, the eight girls who remained, as well as three faculty members, find themselves cut off from communicating with the outside world, and only have hours to find the killer befo...
58 pages
Flexible casting: Minimal 3 m, 3 w.
By beginning the play with the arrival of the merchant and his daughter at the Beast's castle, this adaptation of the familiar fairy tale focuses on the many variations on the theme of love. Once the character referred to as “Beauty”' agrees to stay at the castle, the audience becomes involved in the changing relationship of the two central characters, leading to a bond of love that goes beyond surface appearances -- and that will outlast even death. It's a tale of happiness and sadness, of growing and changing. But in this version Beauty discovers her own co...
41 pages
6-16 m, 5-15 w, flexible casting, some doubling possible.
This one-act version of William Shakespeare’s Macbeth maintains the Bard’s original dialogue but changes the setting to a post-apocalyptic world affected by nuclear fallout. The setting allows for many opportunities for creative staging, props, music, and lighting. Three witches arise from piles of mannequin parts, looking as if they were just pieced together. Use of a shadow scrim intensifies the violent and edgy nature of the play. About an hour.
36 pages
3 m, 8 w, 16+ flexible or with doubling 3 m, 6 w, 2 flexible
When Angel was a child, she knew she had wings. She knew she could fly. After telling everyone and enduring mockery, she left her wings on the ground in exchange for fitting in. Now she is in high school, and when she sees her friend Hunter being teased for sharing honest feelings, Angel is torn. Standing up for Hunter now means no longer fitting in, giving up her new possible boyfriend Isaac and alienating the few friends she has. But Angel gains one of the most important insights of all — that she is already loved just for being herself. An Angel Chorus use...
23 pages
4 w
A one-act play about cyber-bullying. For two weeks Amy’s life has been unbearable. An intimate conversation she had online with a boy she likes has been shared so many times that she is now the laughingstock of the school. To make matters worse, she has been receiving threatening text messages, and her family has been plagued by a series of anonymous phone calls which have been intimidating and offensive. The play opens as Amy sits alone in a classroom. She is soon joined unexpectedly by Kara, who is apparently looking for a prom committee meeting. However, w...