Musicals

Many of our musicals have fully orchestrated rehearsal and performance music.  The rehearsal music has vocals so actors can learn the song.  The performance music has instrumental music only which can be used during your production.  

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  Pirates of Chesapeake Bay

Musical Theatre Youth by Wayne Simpson Phil Nelson

59 pages

Flexible cast of 16 or more


The pirates are stealing everything and the town council is helpless until the Sutton children, acting as spies, find out where the goods are being hidden. Ten rousing, original songs plus lots of opportunity for fun as colonial townspeople, pirates, serving maids, sea men, and militiamen, roles unique to this colorful period of American history. Performance time is 60 minutes. 

  Donovan's Daughters (Musical)

Musical by Shirley McNichols Scott Keys

77 pages

12 m, 15 w


In 1865 Seattle, there are ten men to every woman. Surely Shamus Donovan can find his eldest daughter, Kate, a husband ("I'll Never Meet a Man"). An old Irish tradition ("Donovan's Curse") demands that the eldest marry first, but unfortunately, Kate has the disposition of a wildcat ("What I Hate Most"). While his other four lovely daughters are forced to wait ("Waiting Out the Rain"), their amorous suitors are reduced to tutoring them ("Lessons in Survival"). Borrowing from Shakespeare's "Taming of the Shrew," the men give Federal Marshal Danny O'Brien tips o...

  Twelfth Night

Comedy Musical Shakespeare by Murray and Large Thomas Large Stephen Murray

65 pages

Large, flexible cast. Approx. 10 m, 10-13 w, 1 flexible, extras


"If music be the food of love, play on!" In this modern-day adaptation of Shakespeare's beloved comedy, the sounds of disco, swing, gospel, Latin and hip-hop music propel an outrageous assortment of characters into each others' arms. A terrible shipwreck strands young Viola on the beaches of Illyria. Desperate to support herself as she searches for Sebastian, her lost twin, she disguises herself as a man named "Cesario." Soon she is working for Duke Orsino, taking his love messages to the Countess Olivia. But the Countess' estate is a tropical madhouse cramme...

  George M. Cohan & Co.

Musical by Chip Deffaa

63 pages

2 men, optional extras


Vibrant and rich with song and dance, this musical tells the life story of the master American showman, George M. Cohan. The framework for the story is an interview between an older Cohan and a persistent young college man named Walter Kerr who wants to write a play about Cohan. In 1937-38, Cohan enjoyed a tremendous success on Broadway, capping a spectacular 50-year career as an entertainer, songwriter, and playwright. Cohan had a good hunch about the admiring young man who would grow up to become a Pulitzer Prize-winning theater critic. Cohan regales Kerr, ...

  Irving Berlin & Co.

Musical by Chip Deffaa

67 pages

12 to 24+ actors: 14 m, 9 w, doubling possible


Inspired by actual events, legendary songwriter Irving Berlin shares his life story with two teens. It's a rags-to-riches tale--terrific for schools, colleges, community theaters, and more--about a poor immigrant kid rising to become the most successful songwriter in the world. Along the way, we get to hear such timeless Berlin songs as "I Love a Piano," "All by Myself," "Play a Simple Melody," "Ragtime Violin," and "Alexander's Ragtime Band." The songs are pure Americana--great for singing and dancing.  

  Sweet Redemption Music Company

Anytime Musical by Marvin Payne, Guy Randle, John Garbett, and Corey Sprague

63 pages

4 m, 3 w, 1 flexible, and chorus from 5 to 20 young people


In this allegorical fantasy an Agent keeps people under control by making them afraid to touch each other. A young woman escapes, however, and begins tending a garden overseen by Mossrag, a wise outsider. The Agent sends a young man to get her back, but instead the couple learn of the sweetness and sorrows of becoming involved in each other’s life. When they try to share these feelings with others, they put the gentle Mossrag in mortal danger. An uplifting show with a fun, contemporary mellow-rock score with such songs as “Love Hurts,” “Superficiality Sells,”...

  Little Red Riding Hood

Classic by Sidney Berger Rob Landes

36 pages

Approx. 3 m, 4 w, 3 flexible


Little Red loves playing in the forest with all her animal friends and doesn’t want any responsibilities—like taking food to Grandma’s house. But a hungry wolf changes that! Posing as an injured sheepdog, he’s able to trap her forest friends into a cave and con Red in to telling him where Grandmother lives. Once there he eats Grandma and Red! Luckily, the ever-cautious Sammy the Skunk saves the day with his brains and his “perfume.” Grandma and Red are rescued from the Wolf’s tummy for a happy ending, including a more responsible Red! A "country and western" ...

  California Here We Come

by Claire Boiko

37 pages

Flexible cast


"California, Here We Come" is a celebration of California History in a pageant of song, dance, and tableaux. The pageant covers the history of California from the early days of the Indians, the present and the future. The pageant is presented in short scenes with music and dance of the appropriate times. Riders with various flags help set the scenes. The stage decor includes a back with a stylized California landscape which remains in place throughout the presentation, and risers on which the various characters of the show are placed as they exit from scenes,...

  The Saga of Dead Dog Gulch

Musical Theatre Youth by Wayne Simpson Joy Kurtz

52 pages

Flexible cast, approx. 10 m, 4 w (or 7 actors with doubling)


A one-set operetta about the 1880s Colorado mining town of Dead Dog Gulch - oops, we mean, Columbine Valley. You see, the ladies of the Beautification Society have purtied the town - the general store is now a pink "emporium," and even the jail - well, crime is down because no man would be caught dead in it! Now the miners are always fighting, that is, until the cowboys arrive and start shooting and making fun of this sissy town. The kids and ladies solve the problem but pretend the miners did it all. Unison songs. About 60 minutes.

  Cinderabbit

Musical Theatre Youth by C. Michael Perry Mimi Bean

45 pages

8 m, 8 w, numerous flexible roles


A wonderful musical adapted from the classic Cinderella story with animal characters. Prince Richard--the Rabbit-Hearted and Princess Tabitha of the Blue Mountain Grove are the center of this adaptation. It seems that when the Grove burned down years ago, Tabitha's parents left her on the doorsteps of the Bugmerks, a family of toads on the edge of a swamp. Life is only bearable for her by her close friend and confidant, Mercedes, a mouse. When the night of the ball comes, the Bugmerks leave poor Cinderabbit behind. And who appears? Gracie--Cinderabbit's Jewis...

  Boogie-Woogie Bugle Girls

Musical by Stephen Murray Craig Sodaro

88 pages

11 m, 17 w, extras as desired


While World War II rages, the Bugle sisters turn their Grandpa Buddy's Seaside Hotel into a canteen where sailors and soldiers can relax. Not only do the girls want to help the war effort, but they want to save the Seaside from the hands of a ruthless businessman, Skylar Schutt, who intends to buy it for back taxes. But when Schutt accuses Grandpa Buddy of being a German spy, the girls - with a little help from the Ladies' League for Coastal Defense - declare all-out war! And it isn't long before a platoon of spies surfaces! It seems everybody becomes suspici...

  Big Bad Wolf (And How He Got That Way)

Comedy Musical by Greg Palmer John Engerman

70 pages

Approx. 11 characters + townspeople


Here’s a rousing musical defense of the wolf, presented in English Panto style. Panto employs hybridized fairy tales, puns, cross-dressed characters, big-head characters, magical transformations and silliness to the max. With plot aspects from “The Three Little Pigs,” “Red Riding Hood,” “The Boy Who Cried Wolf,” and even “Frankenstein,” the pigs are shown to be the real culprits. They're clever media manipulators with strictly their own swinish interests at heart. The two-member orchestra also becomes a hilarious part of the performance as they interact with ...

  Justice in Dusty Junction

Melodrama Musical by Jim Territo

70 pages

Minimum cast of 13 with doubling: 6 m, 6 w, 1 flex


Dusty Junction is in big trouble! The roaming outlaw Ugly Monroe is terrorizing the citizens. First he shoots stable owner Joe and steals his boots; next he shoots the sheriff and steals his badge; and then he shoots the doc and steals his stethoscope. As the loyal community struggles to hold itself together, timid Deputy Shawn needs to step up and prove he is not Deputy Nancy-boy! He is bolstered by Marlene, the kindly saloon owner; Mindy Sue, his fiery sweetheart; and even Bobby Joe, the cute little boy…er, girl…well, child. The final straw breaks when Ugly...

  Stand Up and Shout – Rumpelstiltskin!

Children Musical by Kinerk and Murray

40 pages

3 m, 2 w, 1 flexible


Get the youngsters in your audience twitching their noses, making engine noises, bowing to the king, catching imaginary gold thread, and shouting out names, especially Rumpelstiltskin! With such audience participation, this fairy tale adaptation is loads of active fun. It features a braggart father, his long-suffering wife, their poor but beautiful daughter, a strict rule-enforcing chancellor; a monarch whose kingdom depends on straw being spun into gold, and of course, the mysterious little man who is willing to perform that exceptional feat – but at a treme...

  Presenting Fanny Brice

Musical by Chip Deffaa

79 pages

About 35 speaking roles including a young girl and boy; can be performed from 15 - 40 actors


Here’s a unique and dynamic look at Fanny Brice, the original Funny Girl, and her rise from poverty to become a superstar, then falling for a man who's a crook. This musical couldn’t be timelier with a big-budget revival of “Funny Girl” coming to Broadway soon. In this version we get to meet lots of colorful characters, including Fanny’s good friend Gypsy Rose Lee, Flo Ziegfeld, W. C. Fields, Eddie Cantor, Nicky Arnstein, and Brice's mother and father. Every actress will enjoy singing songs Fanny Brice made famous, as "My Man" and "Second Hand Rose." Other so...