Community Theatre One-Act

24 pages

2m, 2w

Echoes of Ireland is a series of four interrelated monologues that follow the saga of a single Irish family from County Cork in 1860 to present day New York City. Beginning five years after the end of the potato famine in Ireland, Echoes sees the Cunygham clan on their journey across the ocean to the ports of Manhattan, through the lowly existence of immigrant life in the States, to the assimilation and rebirth of their family as American citizens who never forget from whence they came. The journey is part tragedy, part comedy, part history lesson and all und...

14 pages

2m, 6w

Six alert and active senior ladies meet for lunch each week. Between their arranging chairs, sharing OTC medications, discussing mammograms and men, they give a waiter and his manager a really bad day. This is a hilarious play, full of opportunities for clever business. One Interior. About 25 minutes.

Also join the ladies in these other comedies: "Ladies at Poker" (#1816) "Ladies on Vacation" (#1649)

28 pages

3 m, 6 w

During the wait for the next subway train, the assembled characters think only of their own plights. There's Estelle, an eccentric woman who sits in the station doing cross-stitch and talking with Grover, a street person; Julia, a wealthy woman whose expensive car has just broken down and who is in a hurry to meet her husband; Calvin, a spoiled brat who is supposed to be meeting business associates of his father's at the airport; Marta, a recent immigrant on her way to a new job in a sweatshop; a novice nun with doubts about her vocation; Jan and Jill, musici...

36 pages

5 m, 5 w, extras

The classic Greek tragedy by Sophocles is moved to the fictional Fort Thebes at the end of the U.S. Civil War. The new fort commander, Col. Creon, proclaims that one of Antigone's brothers, loyal to the Union, will be buried a hero. Her other brother, loyal to the South, will be left unburied. Anyone defying these orders will be shot by a firing squad. Fierce, yet calmly determined, Antigone tries to provide a decent burial for her "traitorous" brother. When she is caught, Creon sentences her to death. But other soldiers, an old fortune-teller, and even his o...

35 pages

15 m, 7 w, extras, much doubling possible

The survivors of the Titanic disaster tell you in their own words about their escape to lifeboats in this adaptation of the 1912 Senate hearings, which began just one day after they arrived from their fateful trip. "We have nothing to conceal," proclaims White Star Lines President Bruce Ismay, but then has to explain why he was able to get in a lifeboat. Hear Fifth Officer Lowe's report why some lifeboats were not completely filled when they departed and why he fired a pistol to control the crowds. As parts of their testimony are re-enacted, we begin to see t...

33 pages

8 w, 6 flex, extras, doubling possible

This is the story of a killer, her relationship to the family of the victim and her relationship to her own conscience. The play opens in a courtroom with the murder victim’s blind sister, Whitney, giving a family impact statement. Her personal sentence seals the fate of Cheek, the defendant, far worse than any court punishment of “life in prison” could ever do. “I sentence you...to see the image of my sister's face in your hands. I want your hands to be the constant reminder of the horror you saw in her face as you squeezed the life out of her...I want this ...

26 pages

4 m, 4 w

Professor Featherflowers comes on stage and begins her lecture, "How to Write a Play." You're snoring already, right? That's exactly what the Stage Manager is worried about when he peeks through the curtain and tells the Professor to "jazz it up," that she needs to open with a joke. The professor then tells him she did. "You see," she says, "You don't really exist - I made you up. YOU are my opening joke!" Needless to say, he doesn't believe her and calls for his sound person, Shirley, to come out. The Professor then tells them both that they aren't real and ...

28 pages

5-6 m, 4 w, optional extras

The Imarovas were once the royal family and held sway over the social and political arenas of the country. But a new regime gained power and the Imarova children became captives in their own home. They live under a repressive guard, yet each sibling remembers or knows a different kind of love: romantic love, paid love, love of a child and pet, and most of all, Anabella’s childlike, colorful love of life itself. It is only their family wealth and figurehead status that keep them from joining the work colonies. Today is Anabella’s fourteenth birthday and as the...

20 pages

1 m, 6 w

The ladies meet at Suzie's home for a game of poker which they know little if anything about. Suzie's husband, Willoughby, sticks his two-cents-worth in and the game disintegrates into a sharing of make-up and poker-bridge. As usual men are a part of the discussion!  Also join the ladies in these other comedies: "Ladies at Lunch" (#1648) "Ladies on Vacation" (#1649)

15 pages

6 w

Six alert and active senior ladies go on vacation and rent a condo with only one bathroom. From trying to get all of their luggage into one minivan, deciding who sleeps where and what to eat, to finally selecting the activities, life gets wild and silly, all intensified by lack of sleep. About 20-25 minutes.

Also join the ladies in these other comedies: "Ladies at Lunch" (#1648) "Ladies at Poker" (#1816)

33 pages

4 m, 4 w, 6 flexible, doubling possible

Charleston, South Carolina, sometime after the Civil War. A poor woman borrows a diamond necklace from a wealthy friend to wear at a party. She hopes that this outing will change the circumstances of her life and fortune, and that the other guests will see that she and her husband really belong within the ranks of the upper classes. But things go awry, and she loses the necklace. Pride will not allow her to tell her friend of the loss. Instead, she has another necklace made to match the one that was lost, and she and her husband spend the next 12 years paying...

34 pages

2 m, 2 w, 4 flexible

The House of Frankenstein is in turmoil. Victor Frankenstein, engaged to a woman he deeply loves, has fallen into a fit of despair. The cause of Victor’s behavior is, in fact, a Creature he brought to life. Contrary to what Victor intended, however, his Creature is hideous to look upon. So much so, that the Creature has covered his face so he won’t have to see his own reflection. Desperate, the forlorn Creature strikes a bargain with Victor: If the young scientist will create a suitable bride for him, the Creature will retire with her to the cold and distant ...

40 pages

4 - 5 m, 4 w

Edgar Allan Poe’s famous short story, “The Fall of the House of Usher,” gets turned upside down in this sequel ... of sorts! Far from the Gothic mood of the original story, this is a broad comedy-mystery with a little bit of the macabre thrown in for fun. Some characters from the original story, as well as a few new ones, are now trapped in a different mansion. They’ve been called together on this dark and stormy night by a mysterious host for a reading by Poe. The guests are unknown to each other, yet there must be a connection because one by one they disapp...

23 pages

2 m, 7 w, doubling possible

Adapted Renee Rebman from the story by Edith Wharton. A period piece set in the 1920s, this play provides an opportunity for two old friends, Mrs. Ansley and Mrs. Slade, to sit in an outdoor cafe in Rome and reminisce about the past. Now both widowed, the women begin to examine their strangely intertwined lives. A dramatic and emotional confrontation reveals a startling secret that is explored through well-staged flashbacks. A twist of fate long buried in the past leads to a surprising ending that will leave their friendship marked and the women changed forev...

25 pages

3 men, 2 women, 4 flexible

Adapted by Burton Bumgarner From the tale by Oscar Wilde. Hugh is in love with Laura and she is in love with him. They want to marry but Laura's father, a gruff and greedy man, won't hear of the marriage of his only daughter to a lowly actor. In order to win the girl he loves, Hugh must come up with the astounding sum of $10,000, or Laura will be forced to marry an attorney, a man her father has selected. Set in New York City during the Great Depression, actors and artists, as well as millionaires and beggars, populate this one-act play. Hugh's best friend, T...