6 m, 2 w, 1 flexible, extras
It's 1983. Peter Miller from Chicago, a recent college graduate, is determined to write an account of the pain and suffering caused by the new AIDS epidemic, so he persuades the directors of a clinic to allow him to masquerade as a patient. All goes well until the other patients on the floor discover his pretense. In an intensely emotional scene they hold him down and inject him with what he believes is the virus. In the end, Zeb, the last of the five patients to survive, has the honor of telling Peter of the subterfuge, that he was not injected the “bug” at ...
3 m, 5 w, 5 flexible, ensemble, doubling possible
It’s the final stages of a television talent competition. The show’s immoral and unscrupulous presenter and executive producer Jools wants a particular contestant to win, and he goes to great lengths to influence the public into thinking his way. However, things do not go according to plan. With the pressure mounting under the harshest of spotlights, an unexpected twist shows that in the cutthroat television business, few can be trusted. The play explores how the media can manipulate public opinion, an important theme in today’s unpredictable world. The show ...
2-3 m, 5 w, 3 flexible and ensemble
Based on the work of Federico Garcia Lorca
This play follows the surviving women from the original play by Federico Garcia Lorca. We find that the Mother, the Bride, and Leonardo’s wife are caught in the same circle of bitterness, unable to forget and move on.
Set on a rural mountainside where the mother has erected a tomb to commemorate the one-year anniversary of her son’s death, she catches the eye...
5 m, 6 w (2 m, 2 w, with doubling)
These three short plays all involve crime and they feature people so rotten, you don't care if they come to a bad end.
In “What It Looks Like” (2 m, 2 w), a trio of thieves sets out to rob a place where one of them is house-sitting. They hope to get away with the theft by arranging the scene to make it tell the story they want it to tell—that somebody from outside broke in. But none of the three is trustworthy, and, it turns out, neither is the owner who hired the house-sitter. Nothing is really what it looks lik...
6 m, 8 w, and ensemble cast of 6 w or more
It’s January 1942, in the throes of World War II. Eddie, the owner of Eddie’s Auto Parts Factory in Cook County, Illinois, is struggling now that there is a freeze on the manufacturing of car parts. His secretary, Rosie, wonders if the factory can secure a government contract and be converted to make airplane parts instead— if only they can find the manpower. At a time when the radio and the mail were the main sources of information, and ration books were in every household, Rosie is willing to shed tradition, roll up her sleeves and do her part. She is chos...