Classics

33 pages

2 m, 4 w, 2 flexible, extras, doubling possible

Here is a hip, contemporary adaptation of O'Henry's famous short story. Bonnie, Bridget and Billy Driscoll are living in a dumpy apartment, their credit cards charged to the max, trying to make it on their own in New York. When Bridget brings home Dolly, a seemingly sweet lost little girl, (perhaps a bit "high strung"), the siblings soon realize that she is the daughter of an extremely wealthy New Yorker. While Billy plays cowboys and "indigenous people" with Dolly, the sisters jokingly write a ransom note on the computer for the modest amount of $25,000, eno...

41 pages

5 m, 8 w, 4 flexible, extras (including a few children from the audience)

In this adaptation of Hans Christian Andersen's beloved tale, all of the town's children gather round a traveling storyteller to hear the story of a wayward little fairy girl. When an old woman wishes on a magic flower, her heart's desire for a child of her own literally blossoms before her eyes. Her magical little girl, only a few inches high, is named Thumbelina, and although the friendly child is very helpful around the house, and very kind to the nearby forest creatures, she just doesn't feel as if she fits in. A gossipy Frog Lady convinces Thumbelina tha...

53 pages

Flexible cast up to 42

Here is a holiday treasure with a beautiful variety of music, from the cheery "A Fifteen Shilling Christmas," and "The Fezziwig Ball," to the dramatic "Link by Link," and "Make Each Day Count." There's also the bright song, "The Spirit of Christmas," and the unforgettable closing number, "God Bless Us, Everyone." The story stays close to Dickens' original novel in dialogue, but adds additional speaking roles for great casting flexibility. Along with the hard-hearted Scrooge, the Christmas Spirits, the Cratchit family and the beloved Tiny Tim, there are carole...

50 pages

Flexible cast, 5 m, 4 w, 9 flexible, doubling possible

(Based on Carlo Gozzi's "Il Re Cervo") King Seren depends on the uncanny ability of a magic statue to decipher a dishonest heart while trying to pick a queen for his kingdom. He desires nothing more that a young lady who truly loves him. When he finds her he calls for a royal hunt in the forest in celebration. The jealous Periglio is out to hunt kings and not stags. The spell of the court magician falls into the hands of the untrustworthy Periglio and he uses the spell to change the King to a stag and himself into the king. Chaos breaks out in the kingdom as ...

58 pages

Flexible casting: Minimal 3 m, 3 w.

By beginning the play with the arrival of the merchant and his daughter at the Beast's castle, this adaptation of the familiar fairy tale focuses on the many variations on the theme of love. Once the character referred to as “Beauty”' agrees to stay at the castle, the audience becomes involved in the changing relationship of the two central characters, leading to a bond of love that goes beyond surface appearances -- and that will outlast even death. It's a tale of happiness and sadness, of growing and changing. But in this version Beauty discovers her own co...

51 pages

Widely flexible cast (14 or more)

Kipling's dramatic and entertaining stories about how the Camel got his hump, how the Elephant got his nose, how the Whale got his spout, and other richly woven tales come to life in this engaging full-length play. Mr. and Mrs. Kipling and their two bubbly yet unpretentious daughters serve as narrators. The story weaves from several animal tales to the final human one, how Man-or in this case an enterprising young girl!--wrote the first letter. Especially engaging is the two-person whale which is a great theatrical device. Easy to produce, this whimsical play...

28 pages

6 m, 5 w doubling possible to 4 m, 3 w

This powerful one-act is based on the first pages of Victor Hugo's "Les Miserables." The year is 1815 and Jean Valjean has been imprisoned nineteen years for stealing a loaf of bread to feed his sister's starving family. Now, after being released, Valjean finds it impossible to find lodging or food. Society has treated him like an animal and he feels like one. Finally he finds refuge at the Bishop's home. The clergyman welcomes him with kindness and even trust, using his best silver candlesticks at the evening meal, much to the dismay and warnings of the susp...

71 pages

13 m, 12 w, 8 flexible

In this adaptation of Frank L. Baum's book, "Tik Tok of Oz," the Queen begs her old friend Dorothy to take the mechanical man, Tik Tok, and rescue the Wizard of Oz who has been kidnapped! The journey will be long and perilous, but Dorothy will do anything to save her old friend. Along the way, Dorothy and Tik Tok meet other colorful characters, all of whom decide to find the Wizard in the hope that he might be able to solve each of their problems. But even after the kidnapper, Ruggedo, is defeated, the fearful group must enter the Metal Forest to find the Wiz...

28 pages

4 m, 4 w, 3 flexible

In this rowdy farce, the ambitious, but foolish, Monsieur Jourdain wants to socialize with the nobility, even though he knows nothing of proper language or social graces. From his highbrow music, dancing, and philosophy teachers to his obsequious tailor, Jourdain makes a fool of himself with his ludicrous attempts to be important. His behavior even allows him to be exploited by an unscrupulous friend who continues to borrow money. Happily, Jourdain’s weakness is played to full advantage when, after an elaborate masquerade, he finally gives his daughter’s hand...

52 pages

Flexible casting

Adapted from tales by Catherine Wells, Guy de Maupassant, and W.W. Jacobs. Three terrifying tales are set on or around Halloween in a New York brownstone. In "The Actor," (2 m, 3 w, 1 flexible), a young girl, who lives with her eccentric parents in a house rumored to be haunted, asks a famous actor to frighten her by portraying the house ghost at a Halloween party. She gets a lot more than she bargained for when she is truly frightened out of her wits. In "The Hand," (3 m, 3 w, 4 non-speaking), an arrogant hunter has his prized trophy mounted on the wall of h...

15 pages

2 m, 2 w, 2 flexible, 3 narrators

In ancient Thebes, Antigone determines to give a sacred burial to her brother, Polynices, who had died on the battlefield. But her uncle Creon, the tyrant king, forbids her to do so under pain of death, because, he says, Polynices is a traitor. Antigone gives up her family, her fiancé and even her own life to do what she believes is right.

46 pages

5 m, 4 w, 1 flexible, extras

This tale of King Arthur's boyhood opens with a band of medieval actors arriving at a village. The role of Arthur falls to an inexperienced apprentice, unsure of his abilities. The play follows Arthur as he grows up in Sir Ector's castle with Merlin the Magician as his teacher. Morgan le Fay, with her servant Niniane, attempt to break through Merlin's protective barrier to harm Arthur before he ever becomes king. On his way to the climactic tournament where the new king will be crowned, Arthur must undertake a perilous journey through the forest where he meets a dragon, a damsel in distr...

21 pages

3 m, 3 w

Adapted from the story by Edgar Allan Poe. A husband and wife are known for violent quarrelling, especially over their cat. Obsessed, the man tries to kill the animal but accidentally kills his wife. He covers up the murder until the cat's howls are heard from within the cellar wall.

42 pages

7 m, 3 w, 2 flexible, chorus, extras

This new dramatic adaptation of "Antigone" offers a voice to characters who were previously unheard in the traditional Sophocles version. Polynices, Haemon, Ismene, and Eurydice -- each becomes an integral part of the storyline so that the audience fully understands what compels them to commit the actions they choose. Inventive new scenes, crisp dialogue, and beautiful choral work help develop the storm between Antigone and Creon to its inevitable conclusion, while tender moments between siblings allow us to see what drives their ambitions, their hopes, and t...

36 pages

2 m, 2 w

Four commedia dell’arte actors perform all roles in this fast-paced, hilarious play. The rats of Hamlin (dressed with black ball caps) are hungry and demand the Mayor “set things rat, rat now!” And so you can see how poor pronunciation of a simple word created a terrible disagreement between the rats and the citizens of the clean little hamlet. The Mayor, portrayed by Punchin, the dell’ arte character with the big, proud nose, asks the Queen of the Cats, the Duke of the Dogs, the Earl of the Eagles, the High Prince of the Possums, and even the Countess of Cat...