Classics

58 pages

9 m, 8 w, 5 flexible, extras

Adapted from the play by William Shakespeare. A ship at sea is suddenly swept up in a fierce tempest. The King of Naples, the Duke of Milan, and others become shipwrecked upon a mysterious island. Unbeknownst to them, the island is ruled by Prospero and Prospera, the rightful Duke and Duchess of Milan. With their magical powers they have cast the royals upon the island with an ultimate plan. But will Prospero and Prospera's scheme be cut short by their own prisoner/slave, Caliban, who along with the drunken butler, Stephano, have hatched a scheme of their own...

62 pages

5 m, 9 w, 1 flexible.

The story is really a question of belief. Does one believe in the tale of a galloping Hessian who rides through the woods ever searching for his lost head? Will the world end when a comet streaks the sky or a meteor falls to Earth? And what is it about the town of Sleepy Hollow that its residents are "given to all sorts of marvelous beliefs, the people are subject to trances and frequently see strange sights and hear music ... voices in the air." Come visit this enchanted region of the Hudson River Valley and decide for yourself if this is a place of dreamers...

51 pages

Widely flexible cast (14 or more)

Kipling's dramatic and entertaining stories about how the Camel got his hump, how the Elephant got his nose, how the Whale got his spout, and other richly woven tales come to life in this engaging full-length play. Mr. and Mrs. Kipling and their two bubbly yet unpretentious daughters serve as narrators. The story weaves from several animal tales to the final human one, how Man-or in this case an enterprising young girl!--wrote the first letter. Especially engaging is the two-person whale which is a great theatrical device. Easy to produce, this whimsical play...

63 pages

14 m, 4 w, extras

Mistress Page and Mistress Ford are up to paying back the mischievous Falstaff for his duplicity. The Merry Wives of Windsor, one of Shakespeare's most popular plays, features the huge and conceited Sir John Falstaff at his funniest. Because the play is filled with a large variety of character types including two with outrageous accents, students will find this condensed version (which uses the Bard's own words), manageable, enjoyable and rewarding. About 90 minutes.

75 pages

6-12 m; 9 w; 6 or more women as extras

By itself, the sweetness and wholesomeness of "Little Women," the story of a tomboy and her three sisters coming of age during the Civil War, might be a little too saccharine for a cynical modern audience. But this warm, intelligent play is grounded by scenes from Alcott's real life, as a daughter of an abolitionist father, as a published author in a male-dominated business world, as a volunteer nurse during the war, and as a suffragette. Woven into her novel, we see just how radical these independent girls were for their time.

59 pages

14 m, 13 w, much doubling possible

It's the 1880s and Dot Dallrimple and her friend May Fielding are Christmas shopping. A miserly store owner, Mr. Tackleton, has eyes for May and has her fiance Edward kidnapped and sent off to sea, never to return to England. Ten years pass with no word from Edward. Poor May has remained single, even though Tackleton has continued to court her. Meanwhile, Dot has married John Peerybingle and his delivery business has prospered. Two days before Christmas he brings home a ragged, mute stranger. In one awkward moment, John see his wife throw her arms around the ...

46 pages

5 m, 4 w, 1 flexible, extras

This tale of King Arthur's boyhood opens with a band of medieval actors arriving at a village. The role of Arthur falls to an inexperienced apprentice, unsure of his abilities. The play follows Arthur as he grows up in Sir Ector's castle with Merlin the Magician as his teacher. Morgan le Fay, with her servant Niniane, attempt to break through Merlin's protective barrier to harm Arthur before he ever becomes king. On his way to the climactic tournament where the new king will be crowned, Arthur must undertake a perilous journey through the forest where he meets a dragon, a damsel in distr...

67 pages

15 m, 13 w, 7 flexible, extras, doubling possible

Adapted from the novel by Charles Dickens. A coming-of-age story of a boy in 19th century. A young hero battling a difficult youth, we see David's struggles from his childhood days at the family's estate in Blunderstone, to his early life of poverty and misery, to his final, joyful success. Many of our favorite Dickens' characters are present: David's gentle mother, Clara; the loving housekeeper, Peggoty; his cruel stepfather, Murdstone; his schoolmates Steerforth and Traddles; the amusing, ever-on-the-run Micawbers; the lovely Agnes Wickfield, and the despic...

58 pages

1 m, 7 w, 28 flexible

"The Birds" was originally written by Aristophanes as a satire on man's society. In this loose adaptation, three children embark on a journey that leads them to the Great Bird's Nest in the Sky. There they hope to live away from all the constraints of home and school, but instead of living "free as a bird," they find the birds trying to outdo humans in a far more complicated society. The cast is a mixture of children, meddling gods and goddesses, and a rich array of bird characters. Aristophanes' humor and satire are left intact as the play pokes gentle fun a...

59 pages

Approx. 14 m, 15 w, 4 flexible

The magic of Merlin can't last forever, but with the help of the fairy Nimue, Merlin is soon transported back in time to remember the young boy Arthur, who was scared to become a knight; the young girl Guinevere, who was bored as a royal princess; and the young peasant girl Elyzabel, who dreamed of life in the King's castle. These three meet in the enchanted forest and their fates are suddenly changed by the evil magic of Mordrid and his twin sister Morgana. In this charming tale you soon find out what happens when you get the wish you wish for, and how it ma...

80 pages

3 m, 4 w, 1 flexible, 2 boys, 1 girl

This version breathes new life into the supreme classic by Henrik Ibsen. Of course no one can improve Ibsen's original story of Nora Helmer, living an unexamined life of domestic comfort but being ruled by her husband, Torvald. The foundation of everything she has believed in is put to the test when she is unable to pay back a loan she made in secret to save her husband’s life. She has to contrive ways to pay back the money, for if a solicitor reveals her secrets, the household will be torn apart. Rather than stiff and stodgy dialogue from other translations ...

57 pages

Flexible cast of 15, extras, doubling

Adapted from the novel by Mark Twain. Sir Boss, a computer wiz, is transported back in time to the age of King Arthur and his Knights of the Round Table. After proving his "magic" is more powerful than Merlin's, Sir Boss begins to modernize Camelot. The new TV station has Morgan La Faye as chief newscaster and Merlin as the "predictor" of the weather; the Knights of the Round Table form a basketball team, the Camelot Pacers; and everyone is getting e-mail. All goes well until King Arthur and Sir Boss travel through Camelot, disguised as peasants, so the King ...

68 pages

6 m, 18 w, doubling possible

Adapted from the book by Eleanor Porter. It's the early 1900s and young, frightened Pollyanna Whittier arrives in Vermont, full of hope that her new life with Aunt Polly will help ease the pain of her parents' deaths. But Polly Harrington has only taken her niece out of a sense of duty and quickly regrets it. The girl immediately begins making friends with the very people Polly Harrington has worked hard to either ignore or run out of town. Pollyanna seems to find joy in everything and gradually brings the town to life. But when Aunt Polly finds her niece hel...

54 pages

4 m, 3 w

Hailed by George Orwell as “the wittiest play” G.B. Shaw ever wrote, Arms and the Man is a true classic in the history of theater, blending social commentary, romantic comedy, fun and lively characters, and crackling dialogue that leaps off the page! We are in the 1880s, and Raina Petkoff is a young Bulgarian woman, worried about the war her father and fiancé are currently fighting. No sooner is she warned that enemy soldiers may be nearby, than Captain Bluntschli, a war-weary enemy, breaks in and holds her hostage. To their surprise, and the audienc...

52 pages

Flexible casting

Adapted from tales by Catherine Wells, Guy de Maupassant, and W.W. Jacobs. Three terrifying tales are set on or around Halloween in a New York brownstone. In "The Actor," (2 m, 3 w, 1 flexible), a young girl, who lives with her eccentric parents in a house rumored to be haunted, asks a famous actor to frighten her by portraying the house ghost at a Halloween party. She gets a lot more than she bargained for when she is truly frightened out of her wits. In "The Hand," (3 m, 3 w, 4 non-speaking), an arrogant hunter has his prized trophy mounted on the wall of h...

73 pages

Widely flexible cast from 28 to 41

The classic and timeless tale of Shakespeare's two star-crossed lovers takes on new life in this clear and concise adaptation. Audiences will understand and love this show with its lack of archaic phases or dated references. Reduced to two acts, this version makes our greatest play more accessible for modern audiences. Actors new to Shakespeare will appreciate the added stage directions as well. This is a Romeo and Juliet for today. Running time is between 90 minutes and 120 minutes, depending on further optional cuts clearly explained in the script.

64 pages

Company of between 18 - 35 actors

Here is a combination of three of Mark Twain's books blended into one story that continues Huck and Tom's great adventures. Huck and Tom are called to Arkansas because something mysterious is happening to Uncle Silas. As only Huck and Tom can, they set about solving the mystery that involves twin brothers, the maniacal Widow Dunlap and her nere-do-well son. This story is as poignant and humorous as Huck Finn, but without any of the racial overtones that in some areas has made Twain a controversial author. About 90 minutes.