By Dennis Bush
Here is a complete three to five-week lesson plan resource book which includes puzzles, activities, and guides for teaching drama to English or beginning drama classes. It teaches basic theatrical history, etiquette, memorization, characterization, theatrical vocabulary and much more. The first section is for the teacher's use, while the second section (with new page numbers) consists of reproducible worksheets for your students. The curriculum culminates in your class being anxious and ready to produce, both onstage and off, their first play.
Your actors will delve into these pieces with relish and your audiences will identify with all the characters, humorous and heartbreaking alike. All of the material has been workshopped and performed by high school-age actors as well as by professional performers. The collection features 16 monologues and 5 scenes for 2 characters. Of the monologues, 9 are for females and 7 for males, though some gender switching is workable. The material runs the gamut from quirky comedy to emotional and dramatic. Many of the pieces center on relationships, everything from "...
Participating in improvisation is fun...it has to be for students to be so enthusiastic about it. But what do they learn? They learn to have the power to create. They move from puppet to playwright they no longer mimic the words and ideas but find a language of their own they initiate and shape the ideas of their scene they create the characters, the comedy, the conflict. They are empowered they are set free to experiment with ideas and language and relationships. Here is a sequential structure of lesson plans for teaching acting through improvisation to stud...
This dynamic collection of 25 stand-alone scenes and monologues is a perfect resource for classroom, competition, or stage. The diverse material was carefully selected from playwright Bryan Starchman’s most popular shows. From playful monologues, such as “The Lunch Lady Cometh," to the more profound “And I Did Nothing,” this book provides material relevant to teenagers. Scenes include options for two to five, mostly gender-flexible actors, and use minimal sets and costumes. All of the scenes have been deftly edited so that it is not necessary to be familiar w...
Here is a resource chock full of games, poems, improvisations and acting stories just perfect for beginning theatre classes. Although creative dramatics, by definition, should come from the participants, this book gives plenty of pump-priming material to use to get started. The materials are specifically designed to help budding actors, especially introverted students, gain knowledge and confidence in a familiar classroom setting, where "show-offs" can't grab the spotlight of attention as easily. The games and exercises can also serve as fun, rewarding breaks...
This collection of more than 20 original monologues features clean comedy for younger actors based on literary, historical and real life situations. From the guaranteed-to-make-you-smile “Book Report” series to the buoyant monologues about family situations, this collection is just perfect for grade school actors. These gender-flexible pieces range from 1 to 4 minutes in duration, and there are even some shorter “mini-logues,” for first-time or very shy performers. Ideal for speech classes, school programs, recitals, auditions, or as short fillers for various...
By Dwayne Yancey
Welcome to “Kidskits,” a collection of ten humorous skits for stage or classroom. The short, reproducible skits can be put together with a limited number of rehearsals and require little in the way of props, costumes, lighting or sound. To avoid the problem of memorizing lines, students may hold their scripts for most performances. A touch of melodrama can only enhance the scripts’ inherent silliness. Suitable for children of various ages and reading ability, including classes of emotionally and/or physically challenged students. Skits include:
All of the plays have 11 to 25+ roles which are mostly flexible in gender to include as many students as possible
A perfect resource book for producing plays in your grade school or junior high classroom. All of the plays have 11 to 25+ roles which are mostly flexible in gender to include as many students as possible. The plays have interesting plots and short, easy-to-learn lines. Your student actors will have fun developing and portraying the varied characters. Titles in Vol. II include: “Cabin Calamity,” in which two families with twins vacationing together in the woods come under suspicion. In “Diner’s Delight,” a couple of bumbling thieves try to holdup a diner. In ...
All of the plays have 14 to 25+ roles which are mostly flexible in gender to include as many students as possible
Here's the perfect resource book for producing plays in your grade school or junior high classroom. Five short, reproducible plays are included. All of the plays have 14 to 25+ roles which are mostly flexible in gender to include as many students as possible. The plays have interesting plots and short, easy-to-learn lines. Your student actors will have fun developing and portraying the varied characters. The titles include: "Hospital Hijnx," with nurses, doctors, punks and a baby left at a hospital. "Murder on the Mountain," with various guests, staff and pol...
2 m, 5 w
Five well-loved fairy tale princesses have had it! Married one year, they are definitely not living happily ever after. Rapunzel is tired of her long hair, Pia is tired of peas under her mattresses or any other test, Cinderella is tired of cleaning, and Aurora of Sleeping Beauty fame is just tired period! Snow White, leader of the princesses, helps them present their cases to King Frog while Prince Charming tries to defend himself and his brothers. But why should the princesses wait for the king's decision? They take matters into their own hands to live happi...