4 m, 8 w
At the end of the 1940s an old theatre building is about to be torn down. As the theatre's acting troupe is packing up the props, costumes and set pieces, an old magician's trunk is wheeled onstage. Suddenly, members of the company are turning up dead. Margaret, the director's assistant, is the only witness to these crimes, seeing with her own eyes how Eve was strangled, Madigan bludgeoned, and Stan shot. Yet no one will believe her, especially when there is no trace of any of the bodies! This edgy, film noir-style mystery earned straight superiors from the j...
4 m, 5 w
"Conform!" is an absurdist farce which takes place in a park where three men in boxes comment on humanity and the passersby who frequent their territory. They urge one and all to conform to the constraints of society, but in the end it is they who must practice what they preach. Through the use of stereotype, cliché and controversial comments, the characters humorously expose their flaws and allow the audience to laugh at some of their own shortcomings. One of three plays highlighted at the Florida State Thespian Conference in 2007 where one judge described i...
4 m, 8 w, 4 flexible
At the end of the 1940s an old theatre building is about to be torn down. As the theatre’s acting troupe is packing up the props, costumes and set pieces, an old magician’s trunk is wheeled onstage. Suddenly, members of the company are turning up dead. Margaret, the director’s assistant, is the only witness to these crimes, and no one will believe her! Can she solve the mystery, or at least convince her fellow cast and crew about the sinister happenings, before the entire company is doomed? And when ghosts from the past mysteriously return, will former victim...
8 - 9 m, 12 w, extras
The townspeople having been living in their quiet Spanish village for centuries under the hechizo, avoiding aging, disease, and death. But when Tomaso decides to leave after Rosita denies him, the spell is broken. The Eights come again, offering protection in exchange for the death of one of the villagers -- one that is selected by the townspeople themselves. Two Americans have unexpectedly arrived and are invited to stay at the inn, drink the wine, take part in the fiesta, and cast their votes. While Papa tries to unite the village, jealous Obella has her ow...
2 m, 2 w, ensemble cast of 4-15 flex
Boy Meets Girl! Boy Loses Girl! But will Boy get Girl back again? Nothing is that easy. Through Barbara and Walter, co-narrators, a boy and girl demonstrate love – from the basic Neanderthal beginnings, to the use of Shakespeare to describe it, then to the Dark Ages, World War II, and into the future – all while an ensemble cast brings humor and action onto the stage. This fast-paced one-act play provides flexibility as any number of actors can be a part of the chorus or perform one of the many smaller roles.
5-6 m, 4 w, optional extras
The Imarovas were once the royal family and held sway over the social and political arenas of the country. But a new regime gained power and the Imarova children became captives in their own home. They live under a repressive guard, yet each sibling remembers or knows a different kind of love: romantic love, paid love, love of a child and pet, and most of all, Anabella’s childlike, colorful love of life itself. It is only their family wealth and figurehead status that keep them from joining the work colonies. Today is Anabella’s fourteenth birthday and as the...
Approx. 4 m, 2 w, 20 flexible.
The game of “Machine” is a staple of drama classes, but in this 1950s sci-fi flavored one act the Machine, played by a group of actors, becomes a character itself. Professor Chester Pochesnik has been laboring over his Machine in the lab. He and Team Leader Osten are happy to announce to the Board that the Machine has reached its potential. Board Leader Evens is thrilled and awards Professor Pochesnik the apprentice he has longed for. Apprentice Timothy Albright, however, not only circumvents the Professor’s ideas and authority, he steals the Professor’s girl...
6 m, 4 w
PT Dingle is a misfit, an outcast, a social pariah. Things look bleak for him, especially on the dating front, until, with the help of his best friend and fellow misfit, Morton J. Lewison, PT discovers his superhuman alter ego, The Fismit. Will PT become accepted by his peers and get Diana, the girl of his dreams? You’ll have audiences laughing at and cheering on Fismit (The Misfit Superhero)! About 40 minutes.
7 m, 12 w
Stanley, an aspiring American writer vacationing in Paris, creates a wonderful assortment of characters to escape the recent downturn in his relationship with April. On the sidewalk of a busy café Stanley encounters several intriguing women, foreign spies, and an angry gendarme, but none can help him forget April. Even his buddy Art is of no use, running off with the April character Stanley has created. Can the real April bring Stanley back to reality? Your audiences will delight in the explosion of colorful characters and the imaginary efforts of Stanley to ...
7-8 m, 11 w.
In a small police station Julius Buttrum is having his usual difficult time meeting the demands of both his superior, Lt. Frank Rhule, and his girlfriend, Emily. The capture of the notorious Big Al Gang in this sleepy coastal community has touched off a panic at the station. As it is Christmas, Julius is the one who has to watch the gang throughout the holiday. However, the mild-mannered police officer is under the impression that the Big Al Gang is actually Santa Claus, his helpers and reindeer. Can Santa save Julius from his much put-upon life and bring him...
6 m, 2 w, 6 flexible, many extras
Born a hunchback, Quasimodo finds himself in love with Fleur, a wealthy socialite hoping for a position with the queen. Frollo, Quasimodo’s brother, seeks to influence the queen, and Fleur easily agrees to be his pawn but refuses to become his wife. Enraged, Frollo tricks Quasimodo into a plan to kill Fleur. Seeking to free Quasimodo from his heartache, Esmerelda, a kind, brave gypsy woman, also designs to kill Fleur. Easy staging with a single bench. Based on the characters in “The Hunchback of Notre-Dame” by Victor Hugo.
5-6 m, 4 w, extras
The Imarovas were once the royal family and held sway over the social and political arenas of the country. But a new regime gained power and the Imarova children became captives in their own home. They live under a repressive guard, yet each sibling remembers or knows a different kind of love: romantic love, paid love, love of a child and pet, and most of all, Anabella’s childlike, colorful love of life itself. It is only their family wealth and figurehead status that keep them from joining the work colonies. Anabella’s fourteenth birthday brings with it unex...