54 pages
4 m, 3 w
Hailed by George Orwell as “the wittiest play” G.B. Shaw ever wrote, Arms and the Man is a true classic in the history of theater, blending social commentary, romantic comedy, fun and lively characters, and crackling dialogue that leaps off the page! We are in the 1880s, and Raina Petkoff is a young Bulgarian woman, worried about the war her father and fiancé are currently fighting. No sooner is she warned that enemy soldiers may be nearby, than Captain Bluntschli, a war-weary enemy, breaks in and holds her hostage. To their surprise, and the audienc...
49 pages
2 m, 2 w, 7 flexible parts, doubling possible
The characters in this version of Pinocchio are guaranteed to delight everyone. They include Pinocchio, an innocent kid who believes anything; three irrepressible urchins, Zip, Petey, and Dew "Duh"; the Fox and Cat, a comical pair of con artists; and the Blue Fairy, a grandmotherly type who keeps coughing whenever she emerges from a puff of smoke. Easy sets, easy to tour. About 50 minutes.
15 pages
2 m, 2 w, 2 flexible, 3 narrators
In ancient Thebes, Antigone determines to give a sacred burial to her brother, Polynices, who had died on the battlefield. But her uncle Creon, the tyrant king, forbids her to do so under pain of death, because, he says, Polynices is a traitor. Antigone gives up her family, her fiancé and even her own life to do what she believes is right.
64 pages
Company of between 18 - 35 actors
Here is a combination of three of Mark Twain's books blended into one story that continues Huck and Tom's great adventures. Huck and Tom are called to Arkansas because something mysterious is happening to Uncle Silas. As only Huck and Tom can, they set about solving the mystery that involves twin brothers, the maniacal Widow Dunlap and her nere-do-well son. This story is as poignant and humorous as Huck Finn, but without any of the racial overtones that in some areas has made Twain a controversial author. About 90 minutes.
59 pages
5 m, 5 w, 12 or more flexible. (With doubling, 7 actors)
"The Velveteen Rabbit" is Margery Williams' endearing tale of love between a boy and his favorite toy. At first the Rabbit is new and lonely in the toy chest, where the other toys deride his inability to "do" anything ... until the Skin Horse teaches him "It isn't what you do, it's who you are," and sings to him about becoming REAL. Sure enough, in time, the Boy begins to love the Rabbit, and when he says to Nana, "He's not a toy!" the dream comes true. When the Boy gets scarlet fever, the Rabbit's constant vigil helps save him. But later the Doctor orders th...
30 pages
With doubling 3 m, 7 w
Adapted by Burton Bumgarner From the short story by H.H. Munro (Saki). Here is a delicious tale of conventional manners and expectations turned topsy-turvy. When an upper-class family goes to meet their new English governess, they mistakenly bring home Lady Carlotta. Her eccentricities at first delight the parents, whose four children have been the cause of past governesses' psychological breakdowns. The mother likes the idea of education being interesting and relevant to children; the father prefers discipline. Carlotta claims to teach by the "Schartz-Metter...