Products tagged with 'Classic'

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  "Macbeth" at the Midnight Carnival

Classic Horror Shakespeare by Steven Fogell

55 pages

29 or more characters, much doubling possible.


Incorporating the work by William Shakespeare. An eerie traveling carnival, run by the frightening Madame LeBeau, arrives outside of a small American town in the early 1900s. Several children sneak into the carnival and quickly discover a wicked world of darkness and mystery. Trance-like, the townspeople are soon pulled to the tent and end up as characters in the tale of "Macbeth." The Mayor and his wife become Macbeth and Lady Macbeth; Mrs. Cambridge, the local widow, becomes Hecate; and other citizens become Macduff, Banquo, Ross, the Apparition, and others...

  Magic of Beauty and the Beast

Classic by Carter Burch

45 pages

5 m, 3 w


Here is the timeless story of how a young maiden named Beauty bravely lives in the castle of a frightening Beast, and how her gradual love for him breaks the curse he is under, turning him back into a prince. The Beast is kind and likable even when he's furry. Beauty lives up to her name in spirit and self-reliance. There's also an evil wizard, Beauty's blustery and somewhat silly father, and Beauty's sisters, Patience and Charity, who have neither! Even more humor is added by two assistants, Fenwick and Bozmo, who spend a good portion of the play under a cur...

  The Man That Corrupted Hadleyburg

Classic by Dave Brandl

59 pages

6 m, 9 w, extras


Based on the story by Mark Twain.  The small town of Hadleyburg is world famous for its honesty, but it is a reputation that has never faced real temptation...until the day a stranger arrives. He leaves a large sack containing gold coins and a note with the last words spoken by an unknown local citizen who had once helped the stranger. Now he wants to find and repay his benefactor. The citizens of Hadleyburg had long boasted that they were incorruptible; however, greed, suspicion, and lying quickly surface. In Twain's true Americana style, the social and mora...

  Master Skylark of Stratford

Classic by Sylvia Ashby

60 pages

From a large cast of 24 or more to an ensemble cast of 5-6 m, 5-6 w.


Adapted from a novel by John Bennett. Here is an excellent picture of the Shakespearean era from a young person’s point of view without being about the Bard himself. Young Nick is so enamored of the theatre that when his strict father forbids him from attending, Nick runs away from his home in Stratford-upon-Avon. When a disreputable actor, just released from jail, discovers Nick’s beautiful voice, he calls him Master Skylark and forces him to perform with his troupe. Nick's captors treat him well, but he longs for freedom and his home. His voice eventually b...

  Pinocchio

Classic by William Springer

49 pages

2 m, 2 w, 7 flexible parts, doubling possible


The characters in this version of Pinocchio are guaranteed to delight everyone. They include Pinocchio, an innocent kid who believes anything; three irrepressible urchins, Zip, Petey, and Dew "Duh"; the Fox and Cat, a comical pair of con artists; and the Blue Fairy, a grandmotherly type who keeps coughing whenever she emerges from a puff of smoke. Easy sets, easy to tour. About 50 minutes. 

  Louisa's Little Women

Classic by Beth Lynch and Scott Lynch-Giddings

75 pages

6-12 m; 9 w; 6 or more women as extras


By itself, the sweetness and wholesomeness of "Little Women," the story of a tomboy and her three sisters coming of age during the Civil War, might be a little too saccharine for a cynical modern audience. But this warm, intelligent play is grounded by scenes from Alcott's real life, as a daughter of an abolitionist father, as a published author in a male-dominated business world, as a volunteer nurse during the war, and as a suffragette. Woven into her novel, we see just how radical these independent girls were for their time.