One-Acts

36 pages

7 m, 4 w, plus ensemble

Here is a retelling of Shakespeare's tale of the decline of an honorable man into darkness, a study of how far an individual is willing to go in the pursuit of power. This adaptation includes new scenes between Lord and Lady Macbeth and uses an interactive ensemble to play a variety of roles. Only the director’s imagination will be the limit for this piece. It can be staged as elaborately or as simply as desired. The truth is in the words. It was written to be performed at any venue, any time period, and with a multi-cultural cast. Movement, music, and passio...

35 pages

15 m, 7 w, extras, much doubling possible

The survivors of the Titanic disaster tell you in their own words about their escape to lifeboats in this adaptation of the 1912 Senate hearings, which began just one day after they arrived from their fateful trip. "We have nothing to conceal," proclaims White Star Lines President Bruce Ismay, but then has to explain why he was able to get in a lifeboat. Hear Fifth Officer Lowe's report why some lifeboats were not completely filled when they departed and why he fired a pistol to control the crowds. As parts of their testimony are re-enacted, we begin to see t...

52 pages

Flexible casting: 2 - 6 m, 8 - 17 w

Alden and Sidney find themselves developing an unlikely friendship having been marked as outcasts by the “in crowd” at school. We see through their eyes what it is like to be ridiculed and picked on, what it feels like to have your “friends” turn on you because of one simple misstep. But just when life seems most bleak, enter a hero: a quirky, awkward, fun-loving, larger-than-life, sure-to-make-you-laugh superhero for the new millennium: Empathy Girl! Though unable to fly, lacking superstrength or speed, and a little hypoglycemic, Empathy Girl isn’t without a...

52 pages

7 m, 7 w

This play is a new twist on the old-fashioned fairy tale. Two emperors from tiny, neighboring kingdoms are good friends but compete in wearing the latest fashions. Because they each continually want new, sumptuous wardrobes, their kingdoms are broke! Even their wives have to resort to doing dirty castle chores because there’s no money to pay any staff. Finally an elaborate ruse is planned where both emperors are taught a lesson about vanity and trying to impress others by clothes. If there were flashlights and spotlights in this historic time when men wore be...

40 pages

2 m, 6 w, 4 flexible, plus extras

Three teenagers are lured into malevolent Professor Carny Barker’s Once-in-a-Lifetime Traveling Career Fair. There they are tempted with futures of glamour, riches and power by warped and wicked counterfeit pretenders from the military, medical, legal, and business professions. The teens, with the oddball assistance of a janitor, think about what they’re willing to trade off to achieve career “success.” This modern morality play is loaded with slapstick comedy, wry satire and a flexible cast of bizarre characters.

64 pages

9 m, 10 w

Brett Spencer yearns to do more, to be more. So she and her best friend, Nora, form this kind of group thing to help them and their friends get through their senior year of high school without losing their minds. No rules, not even a name, it's just a place to meet and be yourself. Their friends join them - Paige, who tries not to overeat because she feels so empty inside; Juice, just out of a treatment center; Danny, who hangs loose, hangs tough and just hangs on; and others who are seemingly always on the outside looking in at the popular kids...until they ...

25 pages

9 m, 7 w, extras

Get a glimpse of the Civil Rights Movement in 1965 in Selma, Alabama, through the eyes of young Sandra. This play reveals the realities of segregation that prompted ordinary people to risk their security and sometimes their lives in pursuit of justice. Despite her father's disapproval and her mother's reluctance, Sandra skips school to attend Movement rallies, marches with adults to seek voting rights, and participates in "Bloody Sunday," the infamous failed march from Selma to Montgomery. A realistic but upbeat drama that can be a life-changing experience fo...

21 pages

3 m, 3 w, 4 extras

Adapted from the tale by Guy de MaupassantAn arrogant hunter shocks his dinner guests by showing them his prized trophy, a human hand chained to a board and mounted on the wall of his library. The next morning the hunter's mother demands he make amends to the guests and remove the hand. But the police have now heard about it and plan to check it out. The hunter wants to hide the hand but admits to his maid he feels safer keeping it in sight. The hand is the only thing he fears because the person it used to belong wants it back. That night the hunter finds the...

20 pages

3 m, 6 w, some doubling possible

Adapted by Philip Lerman From the classic by Euripides. Troy lies in ruins after its defeat by the Grecian army. All the men have been killed, and the women wait to be transported to Greece, as slaves or concubines. Hecuba, Troy’s former queen, learns the disposition of her surviving family from the Grecian soldier Talthybius. In parting scenes with her daughter and with her son's widow, Hecuba’s spirits are lifted by the courage of these young women. After a blunt exchange with Helen, whose illicit romance with Hecuba’s other son Paris led to Troy’s destruct...

17 pages

1m, 1w

One male actor and one female actor each play two parts that's the challenge and fun of this one-act play. All the action takes place in front of a simple park setting. First a teenage boy and girl discuss their young love, he the romantic, she the practical one. She leaves (late for work) and the actress returns as a middle-aged woman, who gives the young romantic some sage advice on love from her lifetime experience. The boy rushes off to save his girlfriend's job and the actor returns as a middle-aged British man who is wooing the older woman. Their scene ...

35 pages

2 m, 2 w

This show is a lively compilation of the many face of love, taken from the works of William Shakespeare. Selections range from the ridiculous to the sublime: excerpts from A MIDSUMMER NIGHTS DREAM, ROMEO AND JULIET, THE TAMING OF THE SHREW, and LOVE'S LABOR'S LOST alternate with some of the Bard's most beautiful sonnets in this very funny and moving show. This is an entertaining and accessible tribute to Shakespeare and his most irritating muse, Cupid. 30 - 40 minutes.

20 pages

4 m, 4 w, 2 flexible parts and extras

Here's a comedy about good-ol-boy law and (dis)order in the deep South! As various denizens of Redwine County testify, we find out an entire murder trial is based on the "facts" that the local undertaker needs some business and the sheriff's cleaning lady thinks the accused sorta looks like that criminal on TV the other night. Luckily, the defense council is not about to let her new client swing from the hangin' tree! A young newspaper reporter covering this most unusual and hilarious trial serves as narrator.

37 pages

3 m, 5 w

Frisbee Thorne, a young teenager, has a crush on his neighbor, Jill, and hates to see where party-girl Courtney is leading her. As Jill is drawn into Courtney's web of deceit, she starts lying to her parents and friends, turning into the proverbial wolf in sheep's clothing. Along the way she loses her best friend, hurts another and ends up being caught by her parents. She is grounded and faces the results of her parents' lost trust. In the end Frisbee has good advice for all. About an hour.

35 pages

7 m, 2 w

Hilton Cubitt, a squire, has come to Sherlock Holmes for help. Cubitt has found several messages of coded letters drawn in the form of dancing men, undecipherable to him but extremely disturbing to his American wife, Elsie. With his typical brilliance Sherlock Holmes quickly realizes the danger the messages convey, and he and Watson travel to the Cubitt estate. But it is too late. Cubitt is dead and it is believed that Elsie shot him, although it cannot be proved because she herself is unconscious, near death’s door. Holmes sets a trap for an American man ren...

36 pages

6 m, 11 w, extras

Adapted from his full-length play, “Shoestring Theatre.” Sanders, the director of a small community theatre production, is very upset. The budget that is to fund his season opener is being cut by eighty percent. This play is to be an epic retelling of the timeless classic “Cinderella,” but how is he expected to pull off such a spectacle with practically no money? Then Sanders learns that Mrs. Brakes, the owner of the theatre, has embezzled the “Cinderella” money to fund a vacation for herself on the Caribbean. He decides to take matters into his own hands. “I...