One-Acts

20 pages

1 m, 6 w

The ladies meet at Suzie's home for a game of poker which they know little if anything about. Suzie's husband, Willoughby, sticks his two-cents-worth in and the game disintegrates into a sharing of make-up and poker-bridge. As usual men are a part of the discussion!  Also join the ladies in these other comedies: "Ladies at Lunch" (#1648) "Ladies on Vacation" (#1649)

40 pages

4 - 5 m, 4 w

Edgar Allan Poe’s famous short story, “The Fall of the House of Usher,” gets turned upside down in this sequel ... of sorts! Far from the Gothic mood of the original story, this is a broad comedy-mystery with a little bit of the macabre thrown in for fun. Some characters from the original story, as well as a few new ones, are now trapped in a different mansion. They’ve been called together on this dark and stormy night by a mysterious host for a reading by Poe. The guests are unknown to each other, yet there must be a connection because one by one they disapp...

40 pages

6 m, 3 w, 4 flexible (or with doubling 2 m, 1 w)

Here is a faithful stage retelling of Mary Shelley’s classic Gothic novel. We meet Victor Frankenstein, who is obsessed with finding the secret to recreating life. Of course, he famously succeeds, but fearing he has overstepped the bounds of science, quickly abandons his creation and the promise to make it a mate. The creature, betrayed and forsaken, vows to ruthlessly destroy all that his creator loves and cherishes. The unrelenting pursuit goes to the very edges of the earth. Clever theatricality, such as using actors as lightning and thunder, and as profes...

36 pages

10 m, 4 w, 1 flex, 1 boy, some doubling possible

Challenger: To Touch the Face of God tells the powerful story of the Challenger disaster of 1986. It dramatizes the stories of the seven individuals who tragically lost their lives in this event, while also drawing attention to the controversial circumstances which led to one of NASA’s blackest days. Although some of the scenes depicted are fictional dramatizations, many of the sentences are the actual words used by the astronauts themselves. Scenes and settings flow seamlessly together with only lighting to distinguish them. The result is a hard-hitting and ...

24 pages

4 w

Ellie is at a party and wanders off to find the bathroom. The room she walks into, however, is not what she expected at all and she soon realizes that she can’t get out. Worse, she is quickly surrounded by three mysterious figures who seem to hold her life in the balance. One condemns her, one defends her, and the third seems to be a judge of some kind. Ellie must persuade the judge that the “moment’s pause” she took before making one crucial decision justifies a second chance. This compelling and powerful piece offers four varied and meaty roles in a play su...

36 pages

4 m, 9 w, 4 flexible, doubling possible

Chelsea is throwing a party while her parents are away, or so she thinks. When uninvited guests start showing up, including her grandma with gout-ridden episodes, a stern police officer with neighborhood complaints, Bonnie and Clyde-like outlaws, and even last year’s grads, Chelsea ends up with a different type of bash all together. And that’s not even including a sleepwalker and paranormal activities. This wild and crazy party is 35 minutes of escalating, nonstop hilarity!

25 pages

5 m, 2 w, extras

Jack Sprat is a peeper, a gumshoe, a bloodhound for rent, a freelance flatfoot, a man on the case, a hired nose -- a detective, actually, and the only detective in Fairyland. So when femme fatale Red Riding Hood hires him to find Grandma, he knows something is up (well, actually his secretary Tinkerbell figures it out first). Red has teamed up with Prince Charming in order to trick Jack into learning the password for the fairy godmother's magic wand. In the end, Jack figures it all out with the help of his friends, Mr. X, really Rumpelstiltskin; Humpty Dumpty...

25 pages

Minimum cast: 1 m, 4 w

The ten-minute play form is more popular than ever, and these 3 lively short plays can be performed together or individually. In "Babysitter Brokerage" (4 w), the bidding war is fast and furious and the contenders are desperate. Who will win the baby-sitting job? In "The Drive-Thru Interview" (1 m, 1 w), a teen job seeker shows she's got what it takes to be the next entrepreneur of the year ... as soon as she finishes cheerleading practice. In "Mr. Perry's Test" (1 m, 3 w), three soon-to-be driving teens meet their match with their instructor. All three plays...

44 pages

6 m, 2 w, 14 flexible

This play begins at the ending of Shakespeare's "Romeo and Juliet" but envisions a modern twist - it's a police drama, in which incompetence and political pressure rule the day. Balthasar and Friar Lawrence still flee the bloody scene in the Capulet family tomb and are apprehended by church security guards. But this time, security calls the police, who proceed to investigate the crime. The police release the friar because they can't imagine how he would be involved and instead try to pin the crime on Balthasar. The mayor, Escalus, is under political pressure ...