One-Act Plays

28 pages

4 m, 4 w

The room is a refuge, a rather undefined space with no pressure from the outside world. But how long do you need to feel safe before stepping out? Each character must make that decision himself: Ben, the abused child; Cherelle, acerbic but filled with apathy; Tony, who hides his shortcoming with a smart mouth; Sandi, whose pushiness covers low self-esteem; Jon, who has a real edge of menace, and others. An intriguing drama with no set requirements.

20 pages

5 flexible parts

Three students have been hired to take care of Mr. Patterson's purebred dog for the weekend at his estate while he is out of town. The kids, a bumbling lot at best, stick the dog in the yard so they can watch a game on TV and have the stuffy butler serve them lots of snacks. But when they hear about a dog run over down the street and can't see Mr. Patterson's dog in the yard anywhere, they start to worry. At that moment, Mr. Patterson calls to say he's coming home early. The pandemonium that follows makes this a play of non-stop laughter.

37 pages

11 characters, 4-6 ensemble

It’s 1851 and a young man walks into a Nantucket pub inquiring about how to board a vessel and go to sea on an adventure. What he finds is not the inspiring advice he bargained for. Ishmael, a hardened veteran of the sea, tells a cautionary tale of foreboding and woe about his own first-time voyage on the infamous "Pequod" under the maniacal leadership of Captain Ahab. As the story unfolds, the young man plays the role of Ishmael and is fully immersed in the retelling of Melville’s classic tale. Will the young man listen to the warning or will he choose to ve...

40 pages

6 m, 3 w, 4 flexible (or with doubling 2 m, 1 w)

Here is a faithful stage retelling of Mary Shelley’s classic Gothic novel. We meet Victor Frankenstein, who is obsessed with finding the secret to recreating life. Of course, he famously succeeds, but fearing he has overstepped the bounds of science, quickly abandons his creation and the promise to make it a mate. The creature, betrayed and forsaken, vows to ruthlessly destroy all that his creator loves and cherishes. The unrelenting pursuit goes to the very edges of the earth. Clever theatricality, such as using actors as lightning and thunder, and as profes...

28 pages

3 m, 6 w

During the wait for the next subway train, the assembled characters think only of their own plights. There's Estelle, an eccentric woman who sits in the station doing cross-stitch and talking with Grover, a street person; Julia, a wealthy woman whose expensive car has just broken down and who is in a hurry to meet her husband; Calvin, a spoiled brat who is supposed to be meeting business associates of his father's at the airport; Marta, a recent immigrant on her way to a new job in a sweatshop; a novice nun with doubts about her vocation; Jan and Jill, musici...

36 pages

5 m, 6 w, 8 flexible, (doubling possible)

Reality TV stars Roy and Rita Rafferty are full of energy and excitement for their home improvement audience. However, the ratings for “Roy and Rita's Ridiculous Remodel Show!” are looking bleak. After filming only ten episodes, the network has informed them that unless they can boost their ratings – drastically! – this episode will be their last. Roy and Rita consult with their production team and, as a last ditch effort, decide to do a kitchen remodel in 24 hours and film it all live! But can they pull it off with an oddball construction crew? The electrici...

33 pages

2 m, 4 w, 2 flexible, extras, doubling possible

Here is a hip, contemporary adaptation of O'Henry's famous short story. Bonnie, Bridget and Billy Driscoll are living in a dumpy apartment, their credit cards charged to the max, trying to make it on their own in New York. When Bridget brings home Dolly, a seemingly sweet lost little girl, (perhaps a bit "high strung"), the siblings soon realize that she is the daughter of an extremely wealthy New Yorker. While Billy plays cowboys and "indigenous people" with Dolly, the sisters jokingly write a ransom note on the computer for the modest amount of $25,000, eno...

40 pages

8 m, 5 w, 1 flexible

In this delirious one-act comedy-murder mystery, evil doctor Gregory Namlive uses a tycoon's questionable death (was it suicide or murder, and if murder, who killed him?) to frame his archnemesis, world-famous detective Shawn Richardson for murder. At the same time, he means to steal Shawn's unfaithful wife Susan, the town's most infamous "street walker," (known to everyone but Shawn) out from under his nose. He invites a motley crew of suspicious characters up to his mansion to hunt for clues regarding the murder. Also on the scene are a scheming butler and ...

40 pages

6 m, 4 w, 4 flexible, extras,

Mild-mannered suburbanite Rob Clark is shocked when Eugene, an unlikely angel, tells him that he is going to have a baby. Rob and his wife, Cindy, have wanted a child, but they never expected Rob to be the one to get pregnant! Their family physician, Doc Mitchell, an old-fashioned doctor who'd rather be fishing, confirms the pregnancy, but Dr. Stern, a cynical psychologist, says everyone is nuts! Meanwhile, Rob and Cindy, who are trying to come to terms with the situation, are besieged by a parade of curiosity seekers, led by Dr. Stern, while Doc Mitchell com...

36 pages

10 m, 4 w, 1 flex, 1 boy, some doubling possible

Challenger: To Touch the Face of God tells the powerful story of the Challenger disaster of 1986. It dramatizes the stories of the seven individuals who tragically lost their lives in this event, while also drawing attention to the controversial circumstances which led to one of NASA’s blackest days. Although some of the scenes depicted are fictional dramatizations, many of the sentences are the actual words used by the astronauts themselves. Scenes and settings flow seamlessly together with only lighting to distinguish them. The result is a hard-hitting and ...

36 pages

13 - 22 plus extras

Susan and Xander patiently sit through their dad’s meeting, a gathering of local dentists, where it is decided that the best way to keep patients from being scared of regular checkups is for the dentists to dress as clowns while working. Refreshments are offered, but deciding to not eat Bernice Hoffenbridle’s cookies might be the best decision the kids have ever made, especially when they hear that her new bakery is conveniently located right between the nuclear waste treatment plant and the experimental chemistry lab. But the adult dentists do indulge in the...

26 pages

8 characters: 1 m, 5 w, 2 flexible

It’s Marcus’ first day on the job at The Twilight Cone, an unusual ice cream shop owned by his Great-Aunt Diane. Marcus has already been trained on the milkshake machine and scooping ice cream when suddenly his eccentric aunt needs to run to the store. She reluctantly decides to let him open the shop but makes him promise not to serve any flavor but vanilla. When five young women come in to the shop, Marcus’ promise is quickly forgotten. Little does he know that each unique milkshake flavor causes an unusual reaction. The Narrator, unnoticed by all, enters an...

31 pages

From 5 - 13 actors.

Speed dating is a great way for singles to meet other people. Each "date" only lasts a few minutes, and if it doesn't work out, you can hope the next one will be better. For Cindy, those minutes feel like an eternity as she is subjected to a seemingly endless parade of jerks and losers. First there’s Marcus, whose questions seem more like an interrogation; then Trevor, whose career motivation extends only to getting the next new video game. Third is Scissor, an artistic man with an inflated sense of ego, followed by Ernest, a socially awkward guy who thinks s...

20 pages

3 m, 4 w, 1 flexible part

"Next!" is about a series of college freshmen who are auditioning for a play ... the oddest group of wannabe actors you'll ever meet. From the girl who has the ultimate case of stage fright to the basketball star who's just doing it on a dare, this witty comedy is destined to be a success on any stage! No setting needed other than your own stage. The part of the director can be played from a first row seat.

41 pages

6-16 m, 5-15 w, flexible casting, some doubling possible.

This one-act version of William Shakespeare’s Macbeth maintains the Bard’s original dialogue but changes the setting to a post-apocalyptic world affected by nuclear fallout. The setting allows for many opportunities for creative staging, props, music, and lighting. Three witches arise from piles of mannequin parts, looking as if they were just pieced together. Use of a shadow scrim intensifies the violent and edgy nature of the play. About an hour.