One-Act Plays

36 pages

6 m, 9 w

An ensemble group of outlandish zany actors seek to answer this question: "Why do we have a social order in which we rank ourselves from the most dominant to the least?" They attempt to do this by acting out both hilarious and serious life situations. They do this in order to answer questions presented by the all powerful Voice. Using the Socratic Method the Voice teaches by asking questions, never answering them. In trying to answer the first question they are actually delving into the most awesome question of all, "What is the meaning of life?" The answer: ...

35 pages

Flexible cast of about 15. Doubling possible, extras if desired.

Mark Polluter is an environmental disaster, and Mother Nature's overseer, a former school teacher, plans a little revenge. With a smile on her face, she turns him into a tree, then a fish, and finally a bird. In each transformation, Mark is visited by a few of the species, like Sally Starfish, an actress, and St. Louee Cardinal, a baseball-playing bird. As one of them, Mark learns firsthand the nasty effects of his human carelessness. Easy, fun costuming and lots of comedy makes this topical play perfect for touring.

16 pages

4 m, 1 w, 2 flexible

This play is written in the tradition of the great Marx Brothers movies and plays of the ‘30s and ‘40s. The not-so-famous lawyer Julius P.Milksop (Groucho) is defending Luigi and Adolph (Chico and Harpo) in court. They turn the courtroom into a circus of hilarious gags. The two are on trial for stealing jewelry from the famous Buckwalter estate. (Mrs. Buckwalter is a Margaret Dumont-type.) The stage directions for this play could never be complete, so it is up to each production to come up with business, bits, gags, etc., to fill in the gaps, thereby making e...

36 pages

7 m, 4 w, plus ensemble

Here is a retelling of Shakespeare's tale of the decline of an honorable man into darkness, a study of how far an individual is willing to go in the pursuit of power. This adaptation includes new scenes between Lord and Lady Macbeth and uses an interactive ensemble to play a variety of roles. Only the director’s imagination will be the limit for this piece. It can be staged as elaborately or as simply as desired. The truth is in the words. It was written to be performed at any venue, any time period, and with a multi-cultural cast. Movement, music, and passio...

28 pages

6 w, 11 flex

Bethany, a stressed out student, is trying to complete a school project with two less-than-helpful classmates. The three students are taken by surprise when Bethany’s phone and all of its widgets come to life. The trio soon finds themselves trapped inside of a bizarre video game filled with talking widgets, not-so-magical creatures, and a friendly chicken. Can they beat the game, return to reality, and learn how to work together more effectively along the way?

22 pages

2 m, 2 w, 1 flexible

Four speech and drama students and their coach are preparing for a tournament. Charles is the team's supremely confident extemporaneous speaker. Patty is the group's entry into the category of original oratory. Cathy is both a debater and, at least in her own mind, a talented actress. And then there's Chris Higgins, a former football player whose mother is forcing him to participate in public speaking as a way of overcoming his stuttering problem. Unable to join in the athletics that used to bring him glory, he's reluctantly joined this group, a group which h...

21 pages

3 m, 3 w

Two girls pursue art careers in New York, sharing a dingy, one-room flat. One grows sick when her paintings fail to sell. Only a vigorous desire to live can enable her to survive. She counts dead ivy leaves on a vine outside the window, convinced when the last leaf falls she will die. The morning after a fierce wind storm, when surely all the leaves will be gone, she sees a single leaf remaining. (Enjoy more O. Henry in "The New York Stories.")

27 pages

9 women and large ensemble of 15+

Set in the Sierra Madre Mountains, this historic drama follows the lives of an intrepid band of female guerilla fighters who choose to pick up rifles to defend the poor and disenfranchised from the clutches of the corrupt Mexican government and their soldiers. The play explores what it means to be a woman, known as a “soldadera” (female soldier), in the face of great adversity, for they battle not only the enemy but also their own memories of loss, love, family, and betrayal. Each character allows a different facet of womanhood to shine -- innocence, first lo...

30 pages

7 m, 4 w (or with doubling, 4 m, 3 w)

Adapted from the original play by Moliere. Monsieur Argan is an imaginary invalid. Indeed, he is a hypochondriac suffering pains in every part of his body. He wants his daughter, Angelique, to marry the stupid son of a doctor, and not Cleante, the man she truly loves. Argan's second wife, Beline, would like to put Angelique in a convent. But through the tricks and hijinks of Toinette, the maid, and Beralde, Argan's brother, all of the schemers are exposed and in the process the cast and the audience have had a rollicking good time.

27 pages

2 m, 2 w, ensemble cast of 4-15 flex

Boy Meets Girl! Boy Loses Girl! But will Boy get Girl back again? Nothing is that easy. Through Barbara and Walter, co-narrators, a boy and girl demonstrate love – from the basic Neanderthal beginnings, to the use of Shakespeare to describe it, then to the Dark Ages, World War II, and into the future – all while an ensemble cast brings humor and action onto the stage. This fast-paced one-act play provides flexibility as any number of actors can be a part of the chorus or perform one of the many smaller roles.

21 pages

3 m, 3 w, 4 extras

Adapted from the tale by Guy de MaupassantAn arrogant hunter shocks his dinner guests by showing them his prized trophy, a human hand chained to a board and mounted on the wall of his library. The next morning the hunter's mother demands he make amends to the guests and remove the hand. But the police have now heard about it and plan to check it out. The hunter wants to hide the hand but admits to his maid he feels safer keeping it in sight. The hand is the only thing he fears because the person it used to belong wants it back. That night the hunter finds the...

25 pages

9 m, 7 w, extras

Get a glimpse of the Civil Rights Movement in 1965 in Selma, Alabama, through the eyes of young Sandra. This play reveals the realities of segregation that prompted ordinary people to risk their security and sometimes their lives in pursuit of justice. Despite her father's disapproval and her mother's reluctance, Sandra skips school to attend Movement rallies, marches with adults to seek voting rights, and participates in "Bloody Sunday," the infamous failed march from Selma to Montgomery. A realistic but upbeat drama that can be a life-changing experience fo...

40 pages

2 m, 6 w, 4 flexible, plus extras

Three teenagers are lured into malevolent Professor Carny Barker’s Once-in-a-Lifetime Traveling Career Fair. There they are tempted with futures of glamour, riches and power by warped and wicked counterfeit pretenders from the military, medical, legal, and business professions. The teens, with the oddball assistance of a janitor, think about what they’re willing to trade off to achieve career “success.” This modern morality play is loaded with slapstick comedy, wry satire and a flexible cast of bizarre characters.

52 pages

7 m, 7 w

This play is a new twist on the old-fashioned fairy tale. Two emperors from tiny, neighboring kingdoms are good friends but compete in wearing the latest fashions. Because they each continually want new, sumptuous wardrobes, their kingdoms are broke! Even their wives have to resort to doing dirty castle chores because there’s no money to pay any staff. Finally an elaborate ruse is planned where both emperors are taught a lesson about vanity and trying to impress others by clothes. If there were flashlights and spotlights in this historic time when men wore be...

35 pages

15 m, 7 w, extras, much doubling possible

The survivors of the Titanic disaster tell you in their own words about their escape to lifeboats in this adaptation of the 1912 Senate hearings, which began just one day after they arrived from their fateful trip. "We have nothing to conceal," proclaims White Star Lines President Bruce Ismay, but then has to explain why he was able to get in a lifeboat. Hear Fifth Officer Lowe's report why some lifeboats were not completely filled when they departed and why he fired a pistol to control the crowds. As parts of their testimony are re-enacted, we begin to see t...