From a large cast of 24 or more to an ensemble cast of 5-6 m, 5-6 w.
Adapted from a novel by John Bennett. Here is an excellent picture of the Shakespearean era from a young person’s point of view without being about the Bard himself. Young Nick is so enamored of the theatre that when his strict father forbids him from attending, Nick runs away from his home in Stratford-upon-Avon. When a disreputable actor, just released from jail, discovers Nick’s beautiful voice, he calls him Master Skylark and forces him to perform with his troupe. Nick's captors treat him well, but he longs for freedom and his home. His voice eventually b...
2 m, 2 w, 1 flexible, doubling possible
In spite of Dr. Winona Smedlap's repeated warnings to her team of lab assistants not to go near the Time Mobile until it was "totally, thoroughly, and undeniably ready," she forgot to mention that it also applied to responding to strange noises coming from inside of it. That's exactly what Bill was investigating when he mysteriously disappeared, his friend Pemberton nervously explains. As if Bill's unexpected trip into time weren't alarming enough, it seems he has managed to trade places with none other than England's most famous playwright, William Shakespea...
2 m, 2 w
This play is a gathering of some of the most clever characters ever written! It provides examples of the clownish, comic characters written by William Shakespeare in many different kinds of productions through the ages. Far from circus clowns in face paint, these are clowns in the broadest sense, varying in sizes, shapes, ages and types. A few of the characters include the rude Mechanicals in “A Midsummer Night’s Dream,” Constable Dogberry in “Much Ado About Nothing,” the boastful Sir Jon Falstaff in “The Merry Wives of Windsor,” the boisterous sisters Bianca...
2 m, 2 w
This show is a lively compilation of the many face of love, taken from the works of William Shakespeare. Selections range from the ridiculous to the sublime: excerpts from A MIDSUMMER NIGHTS DREAM, ROMEO AND JULIET, THE TAMING OF THE SHREW, and LOVE'S LABOR'S LOST alternate with some of the Bard's most beautiful sonnets in this very funny and moving show. This is an entertaining and accessible tribute to Shakespeare and his most irritating muse, Cupid. 30 - 40 minutes.
4 m, 4 w, extras
This richly-textured play weaves the dark energy of one of Shakespeare's most intense plays with compelling, current-day characters and problems. Andreya, a selfish student who gets what she wants by being manipulative and cruel, is affronted when she doesn't get the lead female role for the school's production of "Othello." Instead, the part of Desdemona goes to Miranda, a quiet but talented teen whose dysfunctional family has kept her out of many school activities. The part of Othello goes to Aaron, a well-rounded and popular student. As the rehearsals prog...
14 speaking roles, extras
Here's Romeo and Juliet, along with Hamlet and Ophelia, updated as today's high school campus personalities! Written in couplets, the ferocious rhymes create much of the humor. With its nice mix of characters, the high school faculty will even want to join in the performances. The script also includes many opportunities to insert local information and take jabs at rival schools, making your performance unique to your school and magnifying the fun. Split stage and pantomime scenes help keep the play moving, and there's room for creative staging and slapstick. ...
5 m, 8 w, 8 flexible
Cinderella (that isn't her real name!) labors away for her wicked aunt and evil cousins, sneaking free moments whenever she can to read. Her aunt believes learning just monopolizes the time a woman can spend being beautiful and burns all the books in their cottage. Cinderella manages to save a copy of "Romeo and Juliet," but eventually even that is burned. With a little help from a silly fairy godmother, Cinderella attends a palace ball and impresses the Prince with her intellect. After she flees the ball, the Prince pursues her, looking not for a woman who c...
6 m, 2 w, 14 flexible
This play begins at the ending of Shakespeare's "Romeo and Juliet" but envisions a modern twist - it's a police drama, in which incompetence and political pressure rule the day. Balthasar and Friar Lawrence still flee the bloody scene in the Capulet family tomb and are apprehended by church security guards. But this time, security calls the police, who proceed to investigate the crime. The police release the friar because they can't imagine how he would be involved and instead try to pin the crime on Balthasar. The mayor, Escalus, is under political pressure ...
5 m, 3 w, 1 flexible
William Shakespeare retired at about age 48. Why did this prolific genius stop writing? How did he get along with his long-neglected wife, Anne, once he gave up the stage? “The Shakespeares” imagines what The Bard’s last years were like in Stratford-upon-Avon. The play is full of inside jokes for Shakespeare fans. But even for those unfamiliar with his plays, there are laughs (and a few tears) as we watch this profoundly mismatched couple try to make a go of it. Shakespeare’s confidante, daughter Susanna, realizes that her father’s creative spirit is being cr...
5 m, 3 w, 2 flexible
Mayhem and comedy are guaranteed when a small troupe of animal actors perform "The Taming of the Shrew" for King Louie, a lion, and Queen Marie, a lioness. Bartholomew, a fox, and Cassandra, a cat, are the leaders of an acting troupe consisting of a sarcastic crow, a bumbling bear, a young rabbit, and a sleepy dog. Include a diva cat opera singer, Miss Bianca, and the fur is guaranteed to fly! As the stage story of "The Taming of the Shrew" unfolds, we see that the actors are like the characters they portray. We also see how much can go wrong when performing ...