Plays of Social Significance

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  Time to Heal

Drama by Burton Bumgarner

57 pages

Multi-racial cast of 7 m, 7 w, 6 flexible


Jim and Lillian Fowler are having a dinner party to welcome their daughter home from college and meet her fiance. Lillian's brother, Walt, a physician, is also there, even though he and Jim get under each other's skins, especially when Walt needles Jim about losing a recent election to become prosecutor because of his conservative racial views. When Janice and her fiance David arrive, the strain increases as the idealistic young law student from "up North" treats the Wycrofts, the family who works for the Fowlers, as equals. The Wycrofts are already uneasy, f...

  Too Free For Me

Drama by R Rex Stephenson

59 pages

6 m, 7 w


The drama is based on an actual trial that occurred in Franklin County, Virginia in 1851. Indiana Choice, a black woman, claims that she and her three children are free. She sues Gresham Choice, her alleged owner, for not only her freedom but that of her three children. Gresham, a prominent citizen with political aspirations, denies Indiana is a free black. The events of the trial are recalled by Margaret Oxley who attended this trial as a child. Oxley is especially fond of Jubal Early, the lawyer for Indiana. As the trial progresses, a variety of witnesses a...

  Carl

Drama by E. Jack Williams

24 pages

5 m, 4 w, extras if desired.


Inspired by a true story, "Carl" tells of a young man's experience with being teased and bullied throughout school. The play opens with a 10-year reunion, then flashes back to his high school days, episodes in the lunchroom and classroom. We even see a brief bit of Carl's home life. Through the moving portrayal of Carl's life and ultimate suicide, members of the audience are compelled to examine their reactions to people who may be different. "Carl" is the winner of Minnesota's "Arc of Excellence Community Media Award."

  Commencement

Drama by Tim Mogford

29 pages

4 m, 4 w (all teen roles)


It’s Steph’s high school graduation party. Her friends are all around, her family will be back shortly, and she is supposed to be adding the final touches to the house. But this “commencement” is anything but easy or simple. She and her boyfriend Brandon have news that will devastate her father, has already caused an upheaval with her mother and sister, and will no doubt upset her best friend Gina’s careful plans. Everyone has an opinion about what Steph should do, but naturally everyone tells her it’s “her decision.” As the news filters through her network o...

  Family Outing

Drama by Dolores Klinsky Walker

39 pages

3 m, 4 w


Ashley, one of the hottest girls in school, is shocked when, on their first date, Peter doesn't respond to her overtures. Peter, a pastor's son, knows the reason why: he thinks he is gay. He’s still hoping it’s not true, that no one will ever have to know he even suspected it. But what about Ashley? After storming out of his house, will she tell the whole school? Then there’s Craig, the youth leader at church, who saw Ashley rush out. He thinks Peter tried to go too far. How could he possibly understand Peter’s fears? But bit by bit Peter’s secret is revealed...

  Gone Tomorrow

Drama by Daniel S Kehde

26 pages

1 m, 5 w, 1 flexible, extras and audience members


Rick, an intelligent ninth grade student athlete, has his first sexual encounter with Amanda, a senior. He has four more relationships before he graduates. By the spring of his senior year, when he tests HIV positive, he has inadvertently exposed more than fifty of his classmates to AIDS. That number has little impact on most audiences until the end of the play when fifty audience members are called to the stage from the names on cards they are handed. When the name on the card is read by the actor playing the doctor, the audience member holding the card shou...

  I Know This For Sure

Drama by Peggy Welch Mershon

16 pages

4 w


Sarah, a student at a girls' prep school, isn't going home for Christmas. Her boyfriend has dumped her, her grades have bombed, and being at home with her alcoholic stepfather is unendurable. Sarah's friends try to talk her into leaving with them, but Sarah has a different trip in mind, a permanent one where she won't feel sad anymore. Then Miranda, a hippie vision from the '60s, drops in. Her message is infused with humor but unmistakable: There's no makeup exam for suicide. Finally, she tells Sarah, "I know this for sure: You've got a great future ahead of ...