32 pages
2 m, 2 w, 9 or more flexible
Adapted from the short story by Frank Stockton. A king, known for his cruel nature, finds out that his daughter, the princess, is in love with a common courtier. After much thought he devises a sinister punishment for the young man, as well as for his own daughter. The young man is to be brought to a public arena and forced to choose between two doors. Behind one door is life and marriage to a lady who is a sworn enemy of the princess. Behind the other door is certain death from a ferocious tiger. The princess finds out what is behind each door and plans on s...
30 pages
2 m 2 f (can be expanded)
Martin Luther King and Malcolm X are forever linked in the history of the Civil Rights movement. This play featuring four actors playing different roles from history and present day examines the legacy of these two men and attempts to judge where we are today in terms of realizing their dreams. Utilizing the spoken words of both Dr. King and Malcolm X, "How Long Must We Wait" looks both backward and forward in coming to grips with race in America. This is the last in a series of plays that includes "Freedom Riders" and "No Easy Road to Freedom" and is intende...
40 pages
5 m, 5 w
Dramatized by Dave Brandl From the story by Mark Twain. It's the 1800s and two wealthy British siblings, Annabel and Edward, make a bet between them whether a destitute man can survive a month in London if they give him a million-pound bank note. Because the man cannot account for the note being in his possession, he cannot cash it at the bank, yet he must be able to live on it for thirty days and keep out of jail. If he succeeds, they will offer him a high-paying position. They find the perfect candidate in Henry Adams, an American whose wits not only enable...
41 pages
4-11 flexible
Phoebe finds herself struggling through her first day of middle school. She is labeled by her dad, her teacher, and other students in the school. She finds herself accepting all the labels put on her, including IMPOSSIBLE, CHILD, SCARED, ALONE, SHAME, PANIC, FAT, I DON’T MATTER, TOO SMART, DISAPPOINTED, WORTHLESS, UGLY, and SLUT. In a moment of crisis, she picks up a bottle of pills, only to be interrupted by Clarice, a friend or ghost who helps Phoebe discover the unexpected value of her life. Highlighting cyberbullying, this play illustrates how real-life s...
28 pages
4 m, 4 w
The room is a refuge, a rather undefined space with no pressure from the outside world. But how long do you need to feel safe before stepping out? Each character must make that decision himself: Ben, the abused child; Cherelle, acerbic but filled with apathy; Tony, who hides his shortcoming with a smart mouth; Sandi, whose pushiness covers low self-esteem; Jon, who has a real edge of menace, and others. An intriguing drama with no set requirements.
36 pages
With doubling: 2 m, 4 w.
Before putting "Through the Looking Glass" down on paper in 1860s, Lewis Carroll told a colleague’s young daughter, Alice Liddell (the real Alice in the books), the story of talking chess pieces. The novel, of course, was a sequel to his earlier one, "Alice in Wonderland." This play is set in the early 1920s as a now elderly Alice Liddell reflects on the telling of the story. Faithful to Carroll’s expression of childhood fears of growing up, this adaptation keeps the Victorian charm and merriment by maintaining Carroll’s scenes intact. The audience is transpo...
41 pages
With doubling: 4 m, 4 w
Set in and around a 1965 Ford Mustang, the play is made up of five scenes, each a decade apart. Each scene depicts events in the lives of people who own, drive, or come in contact with the classic car. Actors portray parents, young children, punks, spoiled brats, criminals, policemen, and winners and losers of all varieties. Throughout its existence the Mustang encounters newlyweds, birth, death, a devastating flood, destruction and restoration. From the first scene when Nicholas, a teen much too poor to ever own such a car, to the last where his grandchildre...
44 pages
4 m, 3 w
Two married couples pool their resources to buy a diner in the middle of the desert. Excited and enthusiastic at first, they come to realize their dream isn’t turning out to be the success they wanted. Unable to afford to fix the diner’s broken sign or pave the dusty parking lot, the hoped-for customers continue to drive by without stopping. Inside the diner, with failing equipment and dwindling funds, the two couples discover they can’t even sell the building for a portion of what they paid for it. They are about to give up in desperation when a handsome, ch...
25 pages
2 m, 3 w
An award-winning play about a relevant problem, teen suicide. Without even any skid marks to show he tried to brake his speeding car, the invincible Dave is dead. Although the school play has been cancelled, the other kids try out a few dramatic scenes to see if they can't pull something together. Dave is "with" them, making his usual wisecracks. As the kids start to work through their grief and shock, they unite, realizing how precious life is. And Dave is left alone, wishing for another chance.
27 pages
1 w, 4 flexible
Jocelyn has just applied to become Earth's first interplanetary foreign exchange student on the planet of Castino. Before she can actually start classes at the school for extraterrestrials, however, she must convince a panel of aliens that she is worthy of the honor. Even more of a challenge might be to convince these aliens that humans are a race they want to allow into their social circle. Jocelyn realizes right away that she might be in trouble when the aliens appear to have trouble grasping the meaning of the human word "war." Here is a comedy that examin...
29 pages
4 m, 3 w and 1 m, 2 w
Here are two short, comic plays that have won high school state festivals and competitions: THIEF BETWEEN THE FLOORS (4 m, 3 w) What would you do after the elevator stopped, the door locked, and someone said "Hands up!"? A thief robs everyone in the elevator, but they talk him out of keeping their money and valuables. They then use the same possessions to bribe the thief into saying they were the heroes. About 15 minutes. THREE IN AN ELEVATOR (1 m, 2 w) A man and his wife are stuck in an elevator with the man's first wife. The problem is that he never told hi...
39 pages
3 m, 4 w
Ashley, one of the hottest girls in school, is shocked when, on their first date, Peter doesn't respond to her overtures. Peter, a pastor's son, knows the reason why: he thinks he is gay. He’s still hoping it’s not true, that no one will ever have to know he even suspected it. But what about Ashley? After storming out of his house, will she tell the whole school? Then there’s Craig, the youth leader at church, who saw Ashley rush out. He thinks Peter tried to go too far. How could he possibly understand Peter’s fears? But bit by bit Peter’s secret is revealed...
29 pages
7 m, 12 w
Stanley, an aspiring American writer vacationing in Paris, creates a wonderful assortment of characters to escape the recent downturn in his relationship with April. On the sidewalk of a busy café Stanley encounters several intriguing women, foreign spies, and an angry gendarme, but none can help him forget April. Even his buddy Art is of no use, running off with the April character Stanley has created. Can the real April bring Stanley back to reality? Your audiences will delight in the explosion of colorful characters and the imaginary efforts of Stanley to ...
37 pages
1 m, 3 w, 13 flexible
Mega-millionaire Ronald Frump (known as "The Ronald"), a tough businessman, has purchased a company called All the Fairy Tales in the World, Inc., and it isn't making a profit. With the assistance of his loyal (and wimpy) secretary, Miss Filposh, he brings in a group of recent college graduates to try and spice up the story of "Little Red Riding Hood." The graduates use "Macbeth" as the basis of their version and arrive at "Macwolf." Unfortunately Little Red, now a tough Jersey girl, isn't afraid of anything, and the tale falls flat. Next, Frump brings in a g...
26 pages
1 m, 5 w, 1 flexible, extras and audience members
Rick, an intelligent ninth grade student athlete, has his first sexual encounter with Amanda, a senior. He has four more relationships before he graduates. By the spring of his senior year, when he tests HIV positive, he has inadvertently exposed more than fifty of his classmates to AIDS. That number has little impact on most audiences until the end of the play when fifty audience members are called to the stage from the names on cards they are handed. When the name on the card is read by the actor playing the doctor, the audience member holding the card shou...