22 pages
6 actors
The legend of Pyramus and Thisby is known today primarily because William Shakespeare used it in his comedy "A Midsummer Night’s Dream." As a part of Shakespeare’s play, six workers, sometimes called “mechanicals” or “clowns,” decide to present a play for the festivities that will follow the wedding of the Duke of Athens. In this one-act, we see the mechanicals getting their parts, then rehearsing in the woods the night before the wedding. Of course, these men know nothing about acting or play production, and, as a result, the audience is treated to a rousing...
26 pages
4 m, 4 w
Professor Featherflowers comes on stage and begins her lecture, "How to Write a Play." You're snoring already, right? That's exactly what the Stage Manager is worried about when he peeks through the curtain and tells the Professor to "jazz it up," that she needs to open with a joke. The professor then tells him she did. "You see," she says, "You don't really exist - I made you up. YOU are my opening joke!" Needless to say, he doesn't believe her and calls for his sound person, Shirley, to come out. The Professor then tells them both that they aren't real and ...
19 pages
11 parts, approx. 6 m, 5 w
Seven teens are brought to police headquarters to tell what they know of their friend's deadly encounter with drugs and alcohol at a party the night before. Through police questioning and the attorney's defense, we find that while no one gave Julia Dark the drugs, no one stopped her from using them either. Some of the "friends" include the cheerleader, the smart aleck, the football player, the president of the student council, and others. The teens know all about the dangers of drugs, but they don't understand the responsibilities of friendship. A compelling ...
26 pages
7 m, 7 w
Twelve teachers hold a closed hearing to decide the fate of a high school student accused of showing up drunk at a school play rehearsal and destroying a valuable prop. If they decide to expel her, the vote must be unanimous. However, the teachers have different backgrounds, varied experiences, and assorted motivations. From the thoughtful remedial education teacher to the quick-to-judge assistant coach, how will such a diverse group make such an important decision? About 40 minutes.
28 pages
3 m, 6 w
During the wait for the next subway train, the assembled characters think only of their own plights. There's Estelle, an eccentric woman who sits in the station doing cross-stitch and talking with Grover, a street person; Julia, a wealthy woman whose expensive car has just broken down and who is in a hurry to meet her husband; Calvin, a spoiled brat who is supposed to be meeting business associates of his father's at the airport; Marta, a recent immigrant on her way to a new job in a sweatshop; a novice nun with doubts about her vocation; Jan and Jill, musici...
33 pages
2 m, 4 w, 2 flexible, extras, doubling possible
Here is a hip, contemporary adaptation of O'Henry's famous short story. Bonnie, Bridget and Billy Driscoll are living in a dumpy apartment, their credit cards charged to the max, trying to make it on their own in New York. When Bridget brings home Dolly, a seemingly sweet lost little girl, (perhaps a bit "high strung"), the siblings soon realize that she is the daughter of an extremely wealthy New Yorker. While Billy plays cowboys and "indigenous people" with Dolly, the sisters jokingly write a ransom note on the computer for the modest amount of $25,000, eno...
36 pages
5 m, 7 w, 4 flexible. Some doubling possible.
Forget the school yard bully! There's always one teacher who can intimidate us! Will, an average high school freshman, used to love going to school…until he stumbled upon the terror of gym class under the formidable Mr. Breakwater's rule. Will's coddling mother and nervous wreck of a father (who hides out in the bathtub) are worried. Will's friends, who call themselves the Geek Squad, want to devise a plan to take Mr. Breakwater down. Can Will find a way to stop being afraid of his gym teacher? With a romance novel-obsessed principal, a jock chorus, and an un...
23 pages
4 w
A one-act play about cyber-bullying. For two weeks Amy’s life has been unbearable. An intimate conversation she had online with a boy she likes has been shared so many times that she is now the laughingstock of the school. To make matters worse, she has been receiving threatening text messages, and her family has been plagued by a series of anonymous phone calls which have been intimidating and offensive. The play opens as Amy sits alone in a classroom. She is soon joined unexpectedly by Kara, who is apparently looking for a prom committee meeting. However, w...
36 pages
7 m, 4 w, plus ensemble
Here is a retelling of Shakespeare's tale of the decline of an honorable man into darkness, a study of how far an individual is willing to go in the pursuit of power. This adaptation includes new scenes between Lord and Lady Macbeth and uses an interactive ensemble to play a variety of roles. Only the director’s imagination will be the limit for this piece. It can be staged as elaborately or as simply as desired. The truth is in the words. It was written to be performed at any venue, any time period, and with a multi-cultural cast. Movement, music, and passio...
32 pages
2 m, 2 w, 9 or more flexible
Adapted from the short story by Frank Stockton. A king, known for his cruel nature, finds out that his daughter, the princess, is in love with a common courtier. After much thought he devises a sinister punishment for the young man, as well as for his own daughter. The young man is to be brought to a public arena and forced to choose between two doors. Behind one door is life and marriage to a lady who is a sworn enemy of the princess. Behind the other door is certain death from a ferocious tiger. The princess finds out what is behind each door and plans on s...
43 pages
13 females (also two offstage voices, 1 m, 1 f)
This play gives a voice to young women's hopes and dreams, fears and failures, fantasies and hard-knocks. The girls arrive at a theatre to audition for a promising new play. Each girl has come with her own ambitions, even secrets. But upon arrival, the girls learn that the director will be late. The stage manager takes them through a series of improvisations. But the girls, confused and anxious, are soon left to "wait." Each one must decide how she will respond to the situation and to each another. As the play progresses barriers are broken down, friendships ...
32 pages
3 m, 3 w
"All you have to do is look in his eyes and you can see the wheels turning a million miles a minute. Problem is, not too many people take the time to look for his eyes, past his arms and legs. Sometimes, even me." These are Danny Osgood's thoughts concerning his brother, David,who is entering mainstream high school despite his physical handicaps. When Danny is mistakenly given the credit for David's poetry, friends and family are forced to realize that they, too, need to look past the handicap to the young man within. A poignant, powerful award-winning play.
46 pages
21 characters; 10 m, 11 f, extras, doubling possible
A high school drama teacher directs her students in rehearsing a version of Romeo and Juliet. A creative writing teacher encourages her students to compose poems that reflect their personal lives. And a man, the narrator, weaves these school experiences –and his own– into a play he has written. The result is a beautiful mosaic of the familiar lives of students and culture inherent in high schools. The play deals with tragedy, bullying, sexuality, grieving, and perseverance with vital sensitivity. A mix of ...
23 pages
4 m, 3 w
Investigator Keith Schwartz has been sent to look into the alleged suicide of Mr. Nazareth, a patient at the Fallen Oaks Correctional Facility for the Criminally Insane. But there are complications: The body has disappeared from the morgue, staff and patients are hiding something, and even the head psychiatrist seems reluctant to talk. Schwartz interviews the patients to discover what really happened that night. This one-act, single set drama is both a whodunit mystery and a retelling of the gospel for a modern audience.
17 pages
1 m, 1 w, 1 flexible
As the play opens Rosie, riding a stick horse, and Oliver, pushing a wheelbarrow, are walking around a square stage. The fact that they are in the game of Monopoly should slowly manifest itself in various funny ways, but what starts as a cute comedy turns into an existential quest for self-meaning. Oliver, the idealistic one, believes that there must be a life beyond his own mundane existence. Rosie, the cautious one, is addicted to "passing go" and is afraid to leave the familiar. Their love is evident, and yet part of the conflict. Through the course of the...