Musicals

Many of our musicals have fully orchestrated rehearsal and performance music.  The rehearsal music has vocals so actors can learn the song.  The performance music has instrumental music only which can be used during your production.  

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  Pirates of Chesapeake Bay

Musical Theatre Youth by Wayne Simpson Phil Nelson

59 pages

Flexible cast of 16 or more


The pirates are stealing everything and the town council is helpless until the Sutton children, acting as spies, find out where the goods are being hidden. Ten rousing, original songs plus lots of opportunity for fun as colonial townspeople, pirates, serving maids, sea men, and militiamen, roles unique to this colorful period of American history. Performance time is 60 minutes. 

  Donovan's Daughters (Musical)

Musical by Shirley McNichols Scott Keys

77 pages

12 m, 15 w


In 1865 Seattle, there are ten men to every woman. Surely Shamus Donovan can find his eldest daughter, Kate, a husband ("I'll Never Meet a Man"). An old Irish tradition ("Donovan's Curse") demands that the eldest marry first, but unfortunately, Kate has the disposition of a wildcat ("What I Hate Most"). While his other four lovely daughters are forced to wait ("Waiting Out the Rain"), their amorous suitors are reduced to tutoring them ("Lessons in Survival"). Borrowing from Shakespeare's "Taming of the Shrew," the men give Federal Marshal Danny O'Brien tips o...

  George M. Cohan & Co.

Musical by Chip Deffaa

63 pages

2 men, optional extras


Vibrant and rich with song and dance, this musical tells the life story of the master American showman, George M. Cohan. The framework for the story is an interview between an older Cohan and a persistent young college man named Walter Kerr who wants to write a play about Cohan. In 1937-38, Cohan enjoyed a tremendous success on Broadway, capping a spectacular 50-year career as an entertainer, songwriter, and playwright. Cohan had a good hunch about the admiring young man who would grow up to become a Pulitzer Prize-winning theater critic. Cohan regales Kerr, ...

  Irving Berlin & Co.

Musical by Chip Deffaa

67 pages

12 to 24+ actors: 14 m, 9 w, doubling possible


Inspired by actual events, legendary songwriter Irving Berlin shares his life story with two teens. It's a rags-to-riches tale--terrific for schools, colleges, community theaters, and more--about a poor immigrant kid rising to become the most successful songwriter in the world. Along the way, we get to hear such timeless Berlin songs as "I Love a Piano," "All by Myself," "Play a Simple Melody," "Ragtime Violin," and "Alexander's Ragtime Band." The songs are pure Americana--great for singing and dancing.  

  Sweet Redemption Music Company

Anytime Musical by Marvin Payne, Guy Randle, John Garbett, and Corey Sprague

63 pages

4 m, 3 w, 1 flexible, and chorus from 5 to 20 young people


In this allegorical fantasy an Agent keeps people under control by making them afraid to touch each other. A young woman escapes, however, and begins tending a garden overseen by Mossrag, a wise outsider. The Agent sends a young man to get her back, but instead the couple learn of the sweetness and sorrows of becoming involved in each other’s life. When they try to share these feelings with others, they put the gentle Mossrag in mortal danger. An uplifting show with a fun, contemporary mellow-rock score with such songs as “Love Hurts,” “Superficiality Sells,”...

  Santa and the King

Christmas Holiday Musical by Novelli and Aaron

34 pages

4 m, 3 w, 4 flexible, extras


Santa’s elves, Flip and Twip, are sent to help Mrs. Santa with her last-minute preparations for Christmas Eve. The two elves spin mischief, but real trouble arrives in the form of King Sarak and his spoiled son, Prince Horace. By royal decree, Horace’s Christmas stocking must include all the toys in the land! When Santa refuses, offering instead to visit Prince Horace in the usual manner, the King has the toys seized, thus jeopardizing the merriment of Christmas. With Mrs. Santa’s guidance, plus cooperation between Flip and Twip, as well as lots of audience i...

  Little Red Riding Hood

Classic by Sidney Berger Rob Landes

36 pages

Approx. 3 m, 4 w, 3 flexible


Little Red loves playing in the forest with all her animal friends and doesn’t want any responsibilities—like taking food to Grandma’s house. But a hungry wolf changes that! Posing as an injured sheepdog, he’s able to trap her forest friends into a cave and con Red in to telling him where Grandmother lives. Once there he eats Grandma and Red! Luckily, the ever-cautious Sammy the Skunk saves the day with his brains and his “perfume.” Grandma and Red are rescued from the Wolf’s tummy for a happy ending, including a more responsible Red! A "country and western" ...

  The Saga of Dead Dog Gulch

Musical Theatre Youth by Wayne Simpson Joy Kurtz

52 pages

Flexible cast, approx. 10 m, 4 w (or 7 actors with doubling)


A one-set operetta about the 1880s Colorado mining town of Dead Dog Gulch - oops, we mean, Columbine Valley. You see, the ladies of the Beautification Society have purtied the town - the general store is now a pink "emporium," and even the jail - well, crime is down because no man would be caught dead in it! Now the miners are always fighting, that is, until the cowboys arrive and start shooting and making fun of this sissy town. The kids and ladies solve the problem but pretend the miners did it all. Unison songs. About 60 minutes.

  The Magic Machine

Musical Theatre Youth by Berger and Landes

40 pages

Approx. 6 m, 5 w, 6 flexible, extras. Much doubling possible


Calvin is a slight youngster who can’t compete with the more athletically-inclined kids in the neighborhood. A wise magician lends him an old “Magic Machine.” Through its erratic powers Calvin, his best friend Jenny, and a lost dragon drop into odd versions of three fairy tales. In "The Three Little Bears" Calvin stops the bears from eating them for dinner and teaches the bears how to be happy. In "Rumpelstiltskin" Calvin helps the miller’s daughter by shouting out the evil little man’s name, and in the third story, "Alice in Wonderland," Calvin stops the cou...

  The Kids From Camelot

Musical Theatre Youth by Joseph Kochiss

0 pages

Large, flexible cast (minimum of 15)


Four timid page boys in the Court of King Arthur will soon become squires by performing acts of courage and skill. The girls of the court chide them for their fear and lack of ability. Merlin the Magician helps the boys in adventures that include rescuing their teacher, Lady Katherine; subduing the Grouchlinks, the evil slaves of Morgan LeFey; and slaying a dragon. Very clever lines with comedy situations. Some 13 songs including "I Don't Want to Go," "Knock! Knock!" "The Wishing Song," and "Dragons in England."

 

  In the Middle

Musical Youth by Madeline Rossettini

36 pages

Large, flexible cast (approx. 17 boys and 19 girls)


If you want to know what really goes on in middle school, join these students as they perform insightful songs highlighting their monologues and scenes. "Doing the Tag" introduces friendships and rivalries, "Hanging in the Hallway" finds a girl longing for the boy of her dreams to notice her, and "I'm Hot/I'm Not" shows us all about popularity. "America" tells the troubles facing a foreign-born student, while "Cambiata" deals with the challenge of the unchanged male voice in chorus class. "Hormonal Blues" finds a boy in the throes of first love with a girl he...

  Cinderabbit

Musical Theatre Youth by C. Michael Perry Mimi Bean

45 pages

8 m, 8 w, numerous flexible roles


A wonderful musical adapted from the classic Cinderella story with animal characters. Prince Richard--the Rabbit-Hearted and Princess Tabitha of the Blue Mountain Grove are the center of this adaptation. It seems that when the Grove burned down years ago, Tabitha's parents left her on the doorsteps of the Bugmerks, a family of toads on the edge of a swamp. Life is only bearable for her by her close friend and confidant, Mercedes, a mouse. When the night of the ball comes, the Bugmerks leave poor Cinderabbit behind. And who appears? Gracie--Cinderabbit's Jewis...

  Big Bad Wolf (And How He Got That Way)

Comedy Musical by Greg Palmer John Engerman

70 pages

Approx. 11 characters + townspeople


Here’s a rousing musical defense of the wolf, presented in English Panto style. Panto employs hybridized fairy tales, puns, cross-dressed characters, big-head characters, magical transformations and silliness to the max. With plot aspects from “The Three Little Pigs,” “Red Riding Hood,” “The Boy Who Cried Wolf,” and even “Frankenstein,” the pigs are shown to be the real culprits. They're clever media manipulators with strictly their own swinish interests at heart. The two-member orchestra also becomes a hilarious part of the performance as they interact with ...

  Justice in Dusty Junction

Melodrama Musical by Jim Territo

70 pages

Minimum cast of 13 with doubling: 6 m, 6 w, 1 flex


Dusty Junction is in big trouble! The roaming outlaw Ugly Monroe is terrorizing the citizens. First he shoots stable owner Joe and steals his boots; next he shoots the sheriff and steals his badge; and then he shoots the doc and steals his stethoscope. As the loyal community struggles to hold itself together, timid Deputy Shawn needs to step up and prove he is not Deputy Nancy-boy! He is bolstered by Marlene, the kindly saloon owner; Mindy Sue, his fiery sweetheart; and even Bobby Joe, the cute little boy…er, girl…well, child. The final straw breaks when Ugly...

  Stand Up and Shout – Rumpelstiltskin!

Children Musical by Kinerk and Murray

40 pages

3 m, 2 w, 1 flexible


Get the youngsters in your audience twitching their noses, making engine noises, bowing to the king, catching imaginary gold thread, and shouting out names, especially Rumpelstiltskin! With such audience participation, this fairy tale adaptation is loads of active fun. It features a braggart father, his long-suffering wife, their poor but beautiful daughter, a strict rule-enforcing chancellor; a monarch whose kingdom depends on straw being spun into gold, and of course, the mysterious little man who is willing to perform that exceptional feat – but at a treme...