Craig Sodaro is one of Eldridge Publishing's most popular and prolific playwrights with over 60 titles currently in print. Most of his work is ideal for children's theatre and school performances, and several plays have been turned into musicals. His audience participation plays are extremely well received. For community theatre plays he writes under the pen name of Sam Craig. Mr. Sodaro taught for 33 years in public schools, but now writes full time. He and his wife Sue have four grown daughters. Here he speaks in his own words about his love of writing. "I always wanted to write. From the first time I read my first full-fledged book - a long-forgotten mystery - I wanted to be an author. I've always had an imagination that runs overtime. My mind has always been more interested in the possibilities of what if two times two equaled five rather than four. "I grew up in Chicago, but I don't think the Midwest has had a great deal of influence on my writing. I was fortunate enough to travel as a youngster, and the places we visited - the West, East, and South, all seemed steeped in atmosphere and dramatic possibilities. Eventually, I traveled to Alaska, Europe, and Africa, and each experience planted seeds for future stories. "I wrote my first play in high school - an anti-administration absurdist comedy performed in my last period art class. Our teacher turned a deaf ear to the proceedings, but we all caught her laughing. I liked this idea of audience response, and during college, I entered a playwriting contest. I won the fifty dollar prize and saw my characters come to life under the blue, red, and amber stage lights. I knew that this was the direction my writing obsession would have to take. "Success on stage would have to wait for a number of years, however, since I married, began teaching, and had four children and received many, many rejections slips. Eventually I found a formula that worked: large cast mystery with mainly female parts, one setting, and a lot of one-liners. Since then, I've written a hundred and thirty plays, many of which have been published and/or produced. I've had the thrill of walking down 54th Street in New York to a flag-adorned theater where one of my plays premiered. I've received terrific letters from kids who have had parts in the plays I've written, and I've found myself in Amazon.com. "Once in a while people ask me how I write so fast. I guess it’s that I have a lot of stories to tell. And idea will grab me, and then for quite some time—even while working on another script—I’ll keep thinking about the characters and develop the major plot points in my imagination. Once I sit down to the computer to write, the characters really tell the story almost too quickly for me to write down what they’re saying. And that's what I think playwriting is all about. It's telling a story in the simplest but most dramatic way possible. There's a ninety minute or so limit on reaching the climax, and for literature that's quick. I write fast simply so I can find out what's going to happen at the end, just like anybody who watches the play."
63 pages
5 m, 7 w
World-famous author Charles Dickens falls asleep during an interview with London Times reporter Edwina Drood. He dreams a variety of his characters as passengers aboard a ship heading to England, but they are now in a future he doesn't quiet understand. Miss Havisham and her adopted daughter Estella are luring Uriah Heep into a trap. Mr. McCawber is running from Madame Defarge, to whom he owes money. Captain Fagin tries to avoid the crewman Oliver Twist, who has become very adept at pickpocketing. Nancy, the barkeep, and Belle, the barmaid, are hiding secrets...
62 pages
3 m, 11 w, doubling possible
Ivy McEwin, a college history major, is so intrigued by a photograph of a young woman who lived during the Civil War that she travels to the woman's home, Ravensgate, an old Southern plantation. Ivy hopes to unlock the secrets of the woman's life, but instead meets the woman in death. The current owners, who are trying to restore the house into a bed and breakfast, have already noticed a number of strange things going on: the mournful sounds of a woman weeping at night; the frequent, unrelenting beating of a heart, and the rocking of an empty chair. As ghosts...
68 pages
3 m, 11 w
As the Nazi noose tightens around the neck of the common German, the effects are felt even in a classroom at the Scholoss Strasse School for Girls. Dorchen Werth, a young teacher just beginning her career, sees her students as a microcosm of society. Eleanore is in love with the local Hitler Youth leader; Hilde is a hard worker who strives to protect her young sister, Gertrude; Lilli is desperate to find a man who will show her affection; Paula has aspirations to attend the university; Renita is afraid because of her heritage; Annabelle is torn by divided loy...
60 pages
3 m, 8 w, 1 flexible
When the high school principal asks students Dani, Jenna, and Ruby to include new student Lydia in their save-the-planet activities, they’re none too pleased. Dani thinks Lydia is out to trap her boyfriend Dante, whose best friend Gavin is completely smitten with the new girl. The four girls end up trying to clean an old ranger cabin in a nearby state park. But unknown to them, a lot more guests will be secretly visiting the cabin on the same night, all with different objectives – including Dante and Gavin, cat burglar sisters Sissy and Sassy, two bewildered ...
61 pages
3 m, 9 w
Tycoon Willard Witherspoon has been looking for his great-niece Earnestine since she was lost with her parents in the Amazon eighteen years earlier. Though her parents died, Willard has good reason to believe that Earnestine survived. With the help of his secretary Dudley and his housekeeper Beulah, Willard launches a search for his Earnestine so he can leave his fortune to her when he dies. After a media announcement, Earnestines appear from every corner of the country, but Willard finally settles on four to invite to his mansion for the weekend. Earnestine ...
55 pages
6 m, 6 w
A mysterious stranger, swathed from head to toe in clothes and dark glasses, seeks a room at a peaceful English inn. He claims to be a scientist. When the curious innkeeper's wife spies upon him, she is terrified to find he has no face. The stranger then reveals he is indeed invisible and proceeds to menace the countryside. A young, handsome doctor must finally stop him. Special effects are no problem. When the Invisible Man speaks but is not seen, he is behind a screen. The fight scenes "between" the Invisible Man and the other lodgers is action your actors ...