Community Theatre One-Act

36 pages

10 m, 4 w, 1 flex, 1 boy, some doubling possible

Challenger: To Touch the Face of God tells the powerful story of the Challenger disaster of 1986. It dramatizes the stories of the seven individuals who tragically lost their lives in this event, while also drawing attention to the controversial circumstances which led to one of NASA’s blackest days. Although some of the scenes depicted are fictional dramatizations, many of the sentences are the actual words used by the astronauts themselves. Scenes and settings flow seamlessly together with only lighting to distinguish them. The result is a hard-hitting and ...

33 pages

4 m, 4 w, 6 flexible, doubling possible

Charleston, South Carolina, sometime after the Civil War. A poor woman borrows a diamond necklace from a wealthy friend to wear at a party. She hopes that this outing will change the circumstances of her life and fortune, and that the other guests will see that she and her husband really belong within the ranks of the upper classes. But things go awry, and she loses the necklace. Pride will not allow her to tell her friend of the loss. Instead, she has another necklace made to match the one that was lost, and she and her husband spend the next 12 years paying...

33 pages

8 w, 6 flex, extras, doubling possible

This is the story of a killer, her relationship to the family of the victim and her relationship to her own conscience. The play opens in a courtroom with the murder victim’s blind sister, Whitney, giving a family impact statement. Her personal sentence seals the fate of Cheek, the defendant, far worse than any court punishment of “life in prison” could ever do. “I sentence you...to see the image of my sister's face in your hands. I want your hands to be the constant reminder of the horror you saw in her face as you squeezed the life out of her...I want this ...

40 pages

6 m, 3 w, 4 flexible (or with doubling 2 m, 1 w)

Here is a faithful stage retelling of Mary Shelley’s classic Gothic novel. We meet Victor Frankenstein, who is obsessed with finding the secret to recreating life. Of course, he famously succeeds, but fearing he has overstepped the bounds of science, quickly abandons his creation and the promise to make it a mate. The creature, betrayed and forsaken, vows to ruthlessly destroy all that his creator loves and cherishes. The unrelenting pursuit goes to the very edges of the earth. Clever theatricality, such as using actors as lightning and thunder, and as profes...

35 pages

3 m, 1 w

Inevitably, community theatres are destined to have Shakespeare and zombies. This comedy has both! Dr. Marlowe-Thomas, an aspiring new director, is desperate to stage the ultimate Shakespearean production of the "Scottish Play." She is convinced Shakespeare originally wrote his plays to be performed by a cast of actors that included zombies. To that end, she is auditioning Ian, a struggling young actor, using an original manuscript of “Macbeth.” Before they realize it, two actual zombie actors (Rick Burbage and Eddie Booth, both based on historically renowned...

16 pages

4 m, 1 w, 2 flexible

This play is written in the tradition of the great Marx Brothers movies and plays of the ‘30s and ‘40s. The not-so-famous lawyer Julius P.Milksop (Groucho) is defending Luigi and Adolph (Chico and Harpo) in court. They turn the courtroom into a circus of hilarious gags. The two are on trial for stealing jewelry from the famous Buckwalter estate. (Mrs. Buckwalter is a Margaret Dumont-type.) The stage directions for this play could never be complete, so it is up to each production to come up with business, bits, gags, etc., to fill in the gaps, thereby making e...

24 pages

3 m, 3 w

Pat White and Pat Gray have come to the local television set of Rise and Shine, a morning news/entertainment show, to tape a public service announcement for their groups' national convention of crocheters, called the Happy Hookers. When an accident knocks the young, ambitious and somewhat egotistical news anchors out of commission just after the show begins, the two elderly Pats are called on as emergency replacements. Laughs abound as they struggle to read the news, discuss their passion for hooking, and deal with the two anchors whose inhibitions have been ...

24 pages

2m, 2w

Echoes of Ireland is a series of four interrelated monologues that follow the saga of a single Irish family from County Cork in 1860 to present day New York City. Beginning five years after the end of the potato famine in Ireland, Echoes sees the Cunygham clan on their journey across the ocean to the ports of Manhattan, through the lowly existence of immigrant life in the States, to the assimilation and rebirth of their family as American citizens who never forget from whence they came. The journey is part tragedy, part comedy, part history lesson and all und...

28 pages

3 m, 6 w

During the wait for the next subway train, the assembled characters think only of their own plights. There's Estelle, an eccentric woman who sits in the station doing cross-stitch and talking with Grover, a street person; Julia, a wealthy woman whose expensive car has just broken down and who is in a hurry to meet her husband; Calvin, a spoiled brat who is supposed to be meeting business associates of his father's at the airport; Marta, a recent immigrant on her way to a new job in a sweatshop; a novice nun with doubts about her vocation; Jan and Jill, musici...

20 pages

1 m, 6 w

The ladies meet at Suzie's home for a game of poker which they know little if anything about. Suzie's husband, Willoughby, sticks his two-cents-worth in and the game disintegrates into a sharing of make-up and poker-bridge. As usual men are a part of the discussion!  Also join the ladies in these other comedies: "Ladies at Lunch" (#1648) "Ladies on Vacation" (#1649)

28 pages

6 m, 5 w doubling possible to 4 m, 3 w

This powerful one-act is based on the first pages of Victor Hugo's "Les Miserables." The year is 1815 and Jean Valjean has been imprisoned nineteen years for stealing a loaf of bread to feed his sister's starving family. Now, after being released, Valjean finds it impossible to find lodging or food. Society has treated him like an animal and he feels like one. Finally he finds refuge at the Bishop's home. The clergyman welcomes him with kindness and even trust, using his best silver candlesticks at the evening meal, much to the dismay and warnings of the susp...

44 pages

4 m, 3 w

Two married couples pool their resources to buy a diner in the middle of the desert. Excited and enthusiastic at first, they come to realize their dream isn’t turning out to be the success they wanted. Unable to afford to fix the diner’s broken sign or pave the dusty parking lot, the hoped-for customers continue to drive by without stopping. Inside the diner, with failing equipment and dwindling funds, the two couples discover they can’t even sell the building for a portion of what they paid for it. They are about to give up in desperation when a handsome, ch...