58 pages
1 m, 7 w, 28 flexible
"The Birds" was originally written by Aristophanes as a satire on man's society. In this loose adaptation, three children embark on a journey that leads them to the Great Bird's Nest in the Sky. There they hope to live away from all the constraints of home and school, but instead of living "free as a bird," they find the birds trying to outdo humans in a far more complicated society. The cast is a mixture of children, meddling gods and goddesses, and a rich array of bird characters. Aristophanes' humor and satire are left intact as the play pokes gentle fun a...
23 pages
2 m, 7 w, doubling possible
Adapted Renee Rebman from the story by Edith Wharton. A period piece set in the 1920s, this play provides an opportunity for two old friends, Mrs. Ansley and Mrs. Slade, to sit in an outdoor cafe in Rome and reminisce about the past. Now both widowed, the women begin to examine their strangely intertwined lives. A dramatic and emotional confrontation reveals a startling secret that is explored through well-staged flashbacks. A twist of fate long buried in the past leads to a surprising ending that will leave their friendship marked and the women changed forev...
57 pages
Flexible cast of 15, extras, doubling
Adapted from the novel by Mark Twain. Sir Boss, a computer wiz, is transported back in time to the age of King Arthur and his Knights of the Round Table. After proving his "magic" is more powerful than Merlin's, Sir Boss begins to modernize Camelot. The new TV station has Morgan La Faye as chief newscaster and Merlin as the "predictor" of the weather; the Knights of the Round Table form a basketball team, the Camelot Pacers; and everyone is getting e-mail. All goes well until King Arthur and Sir Boss travel through Camelot, disguised as peasants, so the King ...
38 pages
4 m, 2 w, 3 flexible. Some doubling possible.
This play presents a new, fun version of the story of Aladdin! While Aladdin is a lazy, unmotivated young man, his sister, Maliha, is resourceful, courageous, and compassionate, looking after him upon the death of their parents. One day an unscrupulous sorcerer pretends to be their long-lost uncle. He cons Aladdin into retrieving a buried lamp and traps him in the bowels of the earth. Thanks to Maliha and a friendly snake, Aladdin is rescued by rubbing the ring the stranger lent him. The Genie of the Ring becomes Aladdin’s slave but is befriended and freed by...
27 pages
3 m, 8 w, 5 flexible, doubling possible
Adapted from the English fairy tale. Baroness Agatha, a rich and powerful noblewoman, learns from a hermit that her newborn son, Alex, will marry Marie, a mere peasant's daughter. The Baroness will have none of this! She intends to kill her, but the baby somehow survives being thrown into a river and ends up being raised by a fisherman and his wife. Fifteen years later, Alex accidentally sees Marie and instantly falls in love with her. The Baroness again arranges to have Marie murdered, but a helpful innkeeper intercepts the fateful letter and changes it to r...
73 pages
Widely flexible cast from 28 to 41
The classic and timeless tale of Shakespeare's two star-crossed lovers takes on new life in this clear and concise adaptation. Audiences will understand and love this show with its lack of archaic phases or dated references. Reduced to two acts, this version makes our greatest play more accessible for modern audiences. Actors new to Shakespeare will appreciate the added stage directions as well. This is a Romeo and Juliet for today. Running time is between 90 minutes and 120 minutes, depending on further optional cuts clearly explained in the script.
64 pages
Company of between 18 - 35 actors
Here is a combination of three of Mark Twain's books blended into one story that continues Huck and Tom's great adventures. Huck and Tom are called to Arkansas because something mysterious is happening to Uncle Silas. As only Huck and Tom can, they set about solving the mystery that involves twin brothers, the maniacal Widow Dunlap and her nere-do-well son. This story is as poignant and humorous as Huck Finn, but without any of the racial overtones that in some areas has made Twain a controversial author. About 90 minutes.
61 pages
Widely flexible cast (14 or more)
Rudyard Kipling's dramatic and entertaining stories about how the Camel got his hump, how the Elephant got his nose, how the Whale got his spout, and other richly woven tales come to life in this engaging musical. Mr. and Mrs. Kipling and their two bubbly yet unpretentious daughters serve as narrators. The story weaves from animal tales to the final human one, how Man--or in this case an enterprising young girl!--wrote the first letter. Especially engaging is the two-person whale which is a great theatrical device. The show opens with the song, "When the Worl...
84 pages
13 m, 21 w. (With doubling 5 m, 8 w. )
TELL-TALE is loosely based on the life and death of Edgar Allan Poe. It is, in essence, Poe’s last confession. It takes place in the Baltimore hospital where he lies in a delirium before his death. Poe is forced to look at his life, his mistakes, his outrageous behaviors, and, in the end, he must try to find peace. This peace in death comes by way of the only peace he had in life -- telling a story. Poe starts his story by casting himself as the dashing, tragic hero, but as the play progresses, his own memories slip from his control, turning on him and forcin...