Classics

34 pages

2 m, 2 w, 4 flexible

The House of Frankenstein is in turmoil. Victor Frankenstein, engaged to a woman he deeply loves, has fallen into a fit of despair. The cause of Victor’s behavior is, in fact, a Creature he brought to life. Contrary to what Victor intended, however, his Creature is hideous to look upon. So much so, that the Creature has covered his face so he won’t have to see his own reflection. Desperate, the forlorn Creature strikes a bargain with Victor: If the young scientist will create a suitable bride for him, the Creature will retire with her to the cold and distant ...

80 pages

3 m, 4 w, 1 flexible, 2 boys, 1 girl

This version breathes new life into the supreme classic by Henrik Ibsen. Of course no one can improve Ibsen's original story of Nora Helmer, living an unexamined life of domestic comfort but being ruled by her husband, Torvald. The foundation of everything she has believed in is put to the test when she is unable to pay back a loan she made in secret to save her husband’s life. She has to contrive ways to pay back the money, for if a solicitor reveals her secrets, the household will be torn apart. Rather than stiff and stodgy dialogue from other translations ...

57 pages

Flexible cast of 15, extras, doubling

Adapted from the novel by Mark Twain. Sir Boss, a computer wiz, is transported back in time to the age of King Arthur and his Knights of the Round Table. After proving his "magic" is more powerful than Merlin's, Sir Boss begins to modernize Camelot. The new TV station has Morgan La Faye as chief newscaster and Merlin as the "predictor" of the weather; the Knights of the Round Table form a basketball team, the Camelot Pacers; and everyone is getting e-mail. All goes well until King Arthur and Sir Boss travel through Camelot, disguised as peasants, so the King ...

68 pages

6 m, 18 w, doubling possible

Adapted from the book by Eleanor Porter. It's the early 1900s and young, frightened Pollyanna Whittier arrives in Vermont, full of hope that her new life with Aunt Polly will help ease the pain of her parents' deaths. But Polly Harrington has only taken her niece out of a sense of duty and quickly regrets it. The girl immediately begins making friends with the very people Polly Harrington has worked hard to either ignore or run out of town. Pollyanna seems to find joy in everything and gradually brings the town to life. But when Aunt Polly finds her niece hel...

54 pages

4 m, 3 w

Hailed by George Orwell as “the wittiest play” G.B. Shaw ever wrote, Arms and the Man is a true classic in the history of theater, blending social commentary, romantic comedy, fun and lively characters, and crackling dialogue that leaps off the page! We are in the 1880s, and Raina Petkoff is a young Bulgarian woman, worried about the war her father and fiancé are currently fighting. No sooner is she warned that enemy soldiers may be nearby, than Captain Bluntschli, a war-weary enemy, breaks in and holds her hostage. To their surprise, and the audienc...

27 pages

3 m, 8 w, 5 flexible, doubling possible

Adapted from the English fairy tale. Baroness Agatha, a rich and powerful noblewoman, learns from a hermit that her newborn son, Alex, will marry Marie, a mere peasant's daughter. The Baroness will have none of this! She intends to kill her, but the baby somehow survives being thrown into a river and ends up being raised by a fisherman and his wife. Fifteen years later, Alex accidentally sees Marie and instantly falls in love with her. The Baroness again arranges to have Marie murdered, but a helpful innkeeper intercepts the fateful letter and changes it to r...

15 pages

2 m, 2 w, 2 flexible, 3 narrators

In ancient Thebes, Antigone determines to give a sacred burial to her brother, Polynices, who had died on the battlefield. But her uncle Creon, the tyrant king, forbids her to do so under pain of death, because, he says, Polynices is a traitor. Antigone gives up her family, her fiancé and even her own life to do what she believes is right.

52 pages

Flexible casting

Adapted from tales by Catherine Wells, Guy de Maupassant, and W.W. Jacobs. Three terrifying tales are set on or around Halloween in a New York brownstone. In "The Actor," (2 m, 3 w, 1 flexible), a young girl, who lives with her eccentric parents in a house rumored to be haunted, asks a famous actor to frighten her by portraying the house ghost at a Halloween party. She gets a lot more than she bargained for when she is truly frightened out of her wits. In "The Hand," (3 m, 3 w, 4 non-speaking), an arrogant hunter has his prized trophy mounted on the wall of h...

73 pages

Widely flexible cast from 28 to 41

The classic and timeless tale of Shakespeare's two star-crossed lovers takes on new life in this clear and concise adaptation. Audiences will understand and love this show with its lack of archaic phases or dated references. Reduced to two acts, this version makes our greatest play more accessible for modern audiences. Actors new to Shakespeare will appreciate the added stage directions as well. This is a Romeo and Juliet for today. Running time is between 90 minutes and 120 minutes, depending on further optional cuts clearly explained in the script.