Trey Clarkson
A working education professional and administrator with over twenty years of experience in Fine Arts including: Theater, Public Speaking, English, and Technical and Artistic Design. He currently serves as an adjunct faculty member at Old Dominion University, Regent University, and Tidewater Community College, as well as being the theater teacher at Great Bridge High School. He held the position of Administrative Director at the Barry Robinson Fine Arts Center over a decade. As a graduate of both James Madison University and Regent University, he was conferred degrees in English, Theater, and Secondary Education. He has completed a postgraduate Master’s degree in Theater, Philosophy, and Film. As an advocate for theater and because of his appreciation for the proliferation of the arts, he is also a local director, an actor, and a published playwright.
Rosie the Riveter (One-Act)
by Trey Clarkson
43 pages
6 m, 8 w, and ensemble cast of 6 w or more
It’s January 1942, in the throes of World War II. Eddie, the owner of Eddie’s Auto Parts Factory in Cook County, Illinois, is struggling now that there is a freeze on the manufacturing of car parts. His secretary, Rosie, wonders if the factory can secure a government contract and be converted to make airplane parts instead— if only they can find the manpower. At a time when the radio and the mail were the main sources of information, and ration books were in every household, Rosie is willing to shed tradition, roll up her sleeves and do her part. She is chos...
Rosie the Riveter
Drama by Trey Clarkson
64 pages
6 m, 8 w, and ensemble cast of 7 w or more
It’s January 1942, in the throes of World War II. Eddie, the owner of Eddie’s Auto Parts Factory in Cook County, Illinois, is struggling now that there is a freeze on the manufacturing of car parts. His secretary, Rosie, wonders if the factory can secure a government contract and be converted to make airplane parts instead— if only they can find the manpower. At a time when the radio and the mail were the main sources of information, and ration books were in every household, Rosie is willing to shed tradition, roll up her sleeves and do her part. She is chose...
Discovering Amelia
Drama by Trey Clarkson
71 pages
3 m, 12 w, 2 flex and ensemble cast of 5 or more
Amelia Jones’s life is falling apart. Her father has left, her mother is usually drunk, and her brother, a high school senior before being expelled, must now try to support the family, such as it is. Then there’s Courtney and her posse who are dedicated to bullying Amelia, who finds herself with few friends. Now, another challenge. In a long-standing school tradition, each freshman must make a presentation on an American hero. Failing to choose a hero for herself, Amelia is assigned the historic female pilot, Amelia Earhart. Soon Earhart begins showing up in ...
Moby Dick: The Legend of the White Whale
Drama by Trey Clarkson
37 pages
11 characters, 4-6 ensemble
It’s 1851 and a young man walks into a Nantucket pub inquiring about how to board a vessel and go to sea on an adventure. What he finds is not the inspiring advice he bargained for. Ishmael, a hardened veteran of the sea, tells a cautionary tale of foreboding and woe about his own first-time voyage on the infamous "Pequod" under the maniacal leadership of Captain Ahab. As the story unfolds, the young man plays the role of Ishmael and is fully immersed in the retelling of Melville’s classic tale. Will the young man listen to the warning or will he choose to ve...
Macbeth Fallout
Drama by Trey Clarkson
41 pages
6-16 m, 5-15 w, flexible casting, some doubling possible.
This one-act version of William Shakespeare’s Macbeth maintains the Bard’s original dialogue but changes the setting to a post-apocalyptic world affected by nuclear fallout. The setting allows for many opportunities for creative staging, props, music, and lighting. Three witches arise from piles of mannequin parts, looking as if they were just pieced together. Use of a shadow scrim intensifies the violent and edgy nature of the play. About an hour.