Shakespeare

74 pages

16 m, 4 w + extras

Here is Shakespeare's classic story of Hamlet, Prince of Denmark, with all of the psychology, guilt and tragedy that one is accustomed to in the original story. Nothing vital has been cut, but the play has been shortened, maintaining an incredible through-line of action. This version sails along. Perfect for high school and college theatre departments. A special CD of music and sound effects is available to enhance your production. (Music sample at right is "Ophelia's Theme.") About 2 hours.

69 pages

Large, flexible cast.

The famous story of the brave but flawed man, who, even though he decides to murder his king for his kingdom, nevertheless thinks of himself a good man. Edited for time and archaic expressions this version of "The Scottish Play" moves quickly and tensely. A special CD containing sound effects and music is available to enhance your production. (Music sample is "Macbeth's Castle Underscore.") About 1 hour and 45 minutes. 

41 pages

6-16 m, 5-15 w, flexible casting, some doubling possible.

This one-act version of William Shakespeare’s Macbeth maintains the Bard’s original dialogue but changes the setting to a post-apocalyptic world affected by nuclear fallout. The setting allows for many opportunities for creative staging, props, music, and lighting. Three witches arise from piles of mannequin parts, looking as if they were just pieced together. Use of a shadow scrim intensifies the violent and edgy nature of the play. About an hour.

64 pages

10 m, 3 w, 11 flexible, extras

This adaptation of William Shakespeare's zesty classic comedy remains true to the original, but with its tighter construction is more easily accessible to junior and senior high school actors. Set in Padua, Italy, in the late 1500s, the story concerns the shy Bianca and the mean-spirited Katharina, the two daughters of a rich merchant named Baptista. Though Bianca is being courted by a number of young men, Baptista announces that she may not marry until Katharina is wed. None of the men in town are willing to marry Katharina, so Bianca remains unwed, even as ...

58 pages

9 m, 8 w, 5 flexible, extras

Adapted from the play by William Shakespeare. A ship at sea is suddenly swept up in a fierce tempest. The King of Naples, the Duke of Milan, and others become shipwrecked upon a mysterious island. Unbeknownst to them, the island is ruled by Prospero and Prospera, the rightful Duke and Duchess of Milan. With their magical powers they have cast the royals upon the island with an ultimate plan. But will Prospero and Prospera's scheme be cut short by their own prisoner/slave, Caliban, who along with the drunken butler, Stephano, have hatched a scheme of their own...

36 pages

7 m, 4 w, plus ensemble

Here is a retelling of Shakespeare's tale of the decline of an honorable man into darkness, a study of how far an individual is willing to go in the pursuit of power. This adaptation includes new scenes between Lord and Lady Macbeth and uses an interactive ensemble to play a variety of roles. Only the director’s imagination will be the limit for this piece. It can be staged as elaborately or as simply as desired. The truth is in the words. It was written to be performed at any venue, any time period, and with a multi-cultural cast. Movement, music, and passio...

73 pages

Widely flexible cast from 28 to 41

The classic and timeless tale of Shakespeare's two star-crossed lovers takes on new life in this clear and concise adaptation. Audiences will understand and love this show with its lack of archaic phases or dated references. Reduced to two acts, this version makes our greatest play more accessible for modern audiences. Actors new to Shakespeare will appreciate the added stage directions as well. This is a Romeo and Juliet for today. Running time is between 90 minutes and 120 minutes, depending on further optional cuts clearly explained in the script.

20 pages

3 m, 2 w, 2 flexible

An ideal version for introducing younger audiences to one of Shakespeare's best-known comedies. A narrator helps keep the action going and explains some lesser known words. The story, of course, is this: Petruchio, who wants a rich wife, marries Katharina, "the shrew." Then he has to tame her. And that he does by spirit, good-nature, and wit. The holy terror is subdued but perhaps Katharina saw in Petruchio what she liked in a man and allowed herself to be tamed. This is a loud and energetic romp from beginning to end. Can be presented with a detailed or simp...