School

36 pages

7 m, 7 w, 3 flexible, extras

In this lightly-interactive dinner theatre play, King Scrydan is so cheap that he can’t even pay attention. And if he did, he would know that everyone calls him Scrooge behind his back. Coming from beyond Jamaica, his dearly-departed brother Marley tells him, “Bredda, yuh inna big chobble. Yuh be too gravelicious. But me cyan 'elp yuh wit dat problem.” Luckily, Marley has brought along his Jamaican-to-English interpreter who can translate. Marley warns Scrydan that if he does not change his skinflint ways, it will lead to a fate worse than death. Scrydan will...

37 pages

2 m, 3 w, 2 flexible

There's more to Rapunzel than just her long, long, hair! Locked in a high tower as a baby, she grew up, raised by Gothel, the witch, and her parents who talked to her from the ground. Rapunzel's father, fancying himself a scholar, taught her how all the planets revolve around a flat earth, and her mother, who thought herself wise in the ways of the world, taught Rapunzel never to have an opinion of her own. One day a goofy prince rides in on stick horse and vows to free her. But here's where the traditional story changes. Our heroine frees herself and learns ...

36 pages

With doubling: 2 m, 4 w.

Before putting "Through the Looking Glass" down on paper in 1860s, Lewis Carroll told a colleague’s young daughter, Alice Liddell (the real Alice in the books), the story of talking chess pieces. The novel, of course, was a sequel to his earlier one, "Alice in Wonderland." This play is set in the early 1920s as a now elderly Alice Liddell reflects on the telling of the story. Faithful to Carroll’s expression of childhood fears of growing up, this adaptation keeps the Victorian charm and merriment by maintaining Carroll’s scenes intact. The audience is transpo...

26 pages

4 m, 5 w

"Conform!" is an absurdist farce which takes place in a park where three men in boxes comment on humanity and the passersby who frequent their territory. They urge one and all to conform to the constraints of society, but in the end it is they who must practice what they preach. Through the use of stereotype, cliché and controversial comments, the characters humorously expose their flaws and allow the audience to laugh at some of their own shortcomings. One of three plays highlighted at the Florida State Thespian Conference in 2007 where one judge described i...

40 pages

6 m, 3 w, 4 flexible (or with doubling 2 m, 1 w)

Here is a faithful stage retelling of Mary Shelley’s classic Gothic novel. We meet Victor Frankenstein, who is obsessed with finding the secret to recreating life. Of course, he famously succeeds, but fearing he has overstepped the bounds of science, quickly abandons his creation and the promise to make it a mate. The creature, betrayed and forsaken, vows to ruthlessly destroy all that his creator loves and cherishes. The unrelenting pursuit goes to the very edges of the earth. Clever theatricality, such as using actors as lightning and thunder, and as profes...

44 pages

Approx. 7 m, 4 w, 1 flexible plus ensemble.

As Lord of the Underworld, Hades’ life is perpetually dark and dismal. His only companions are an ensemble of the dead composed of many of the Greek heroes of the Trojan War as well as the bitter and resentful queens, Helen, Cassandra, and Clytemnestra. They are all tortured souls, especially after being in the lowest dregs of hell for centuries. Then Hades kidnaps Persephone, the goddess of spring, who is young and carefree. Although initially she is desperately unhappy, Hades works hard to make her comfortable, and they learn the intricacies involved in dea...

28 pages

4 m, 4 w

The room is a refuge, a rather undefined space with no pressure from the outside world. But how long do you need to feel safe before stepping out? Each character must make that decision himself: Ben, the abused child; Cherelle, acerbic but filled with apathy; Tony, who hides his shortcoming with a smart mouth; Sandi, whose pushiness covers low self-esteem; Jon, who has a real edge of menace, and others. An intriguing drama with no set requirements.

36 pages

3 m, 8 w, 16+ flexible or with doubling 3 m, 6 w, 2 flexible

When Angel was a child, she knew she had wings. She knew she could fly. After telling everyone and enduring mockery, she left her wings on the ground in exchange for fitting in. Now she is in high school, and when she sees her friend Hunter being teased for sharing honest feelings, Angel is torn. Standing up for Hunter now means no longer fitting in, giving up her new possible boyfriend Isaac and alienating the few friends she has. But Angel gains one of the most important insights of all — that she is already loved just for being herself. An Angel Chorus use...

50 pages

Flexible cast, 5 m, 4 w, 9 flexible, doubling possible

(Based on Carlo Gozzi's "Il Re Cervo") King Seren depends on the uncanny ability of a magic statue to decipher a dishonest heart while trying to pick a queen for his kingdom. He desires nothing more that a young lady who truly loves him. When he finds her he calls for a royal hunt in the forest in celebration. The jealous Periglio is out to hunt kings and not stags. The spell of the court magician falls into the hands of the untrustworthy Periglio and he uses the spell to change the King to a stag and himself into the king. Chaos breaks out in the kingdom as ...

36 pages

5 m, 7 w, 4 flexible. Some doubling possible.

Forget the school yard bully! There's always one teacher who can intimidate us! Will, an average high school freshman, used to love going to school…until he stumbled upon the terror of gym class under the formidable Mr. Breakwater's rule. Will's coddling mother and nervous wreck of a father (who hides out in the bathtub) are worried. Will's friends, who call themselves the Geek Squad, want to devise a plan to take Mr. Breakwater down. Can Will find a way to stop being afraid of his gym teacher? With a romance novel-obsessed principal, a jock chorus, and an un...

23 pages

4 w

A one-act play about cyber-bullying. For two weeks Amy’s life has been unbearable. An intimate conversation she had online with a boy she likes has been shared so many times that she is now the laughingstock of the school. To make matters worse, she has been receiving threatening text messages, and her family has been plagued by a series of anonymous phone calls which have been intimidating and offensive. The play opens as Amy sits alone in a classroom. She is soon joined unexpectedly by Kara, who is apparently looking for a prom committee meeting. However, w...