Products tagged with 'Drama'

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  The Phantom of the Opera

Drama by Dirk Kuiper

73 pages

4 m, 4 w, 3 flexible, numerous extras


Young, gifted opera singer Christine Daae has just filled in for La Carlotta, the reigning prima donna, to a stupendous ovation at the Paris Opera. Christine has been tutored by an instructor whom she thinks of as the "Angel of Music." She convinces him to let her see his hidden world, for she realizes he is the feared "Opera Ghost," though he tells her his real name is Erik. Reluctantly, he takes her to his lair where she sees the wonder of a world that totally revolves around music. Curious, she pulls off the mask he wears and sees the hideous visage beneat...

  Moby Dick: The Legend of the White Whale

Drama by Trey Clarkson

37 pages

11 characters, 4-6 ensemble


It’s 1851 and a young man walks into a Nantucket pub inquiring about how to board a vessel and go to sea on an adventure. What he finds is not the inspiring advice he bargained for. Ishmael, a hardened veteran of the sea, tells a cautionary tale of foreboding and woe about his own first-time voyage on the infamous "Pequod" under the maniacal leadership of Captain Ahab. As the story unfolds, the young man plays the role of Ishmael and is fully immersed in the retelling of Melville’s classic tale. Will the young man listen to the warning or will he choose to ve...

  Titanic: Tragedy and Trial

Drama by Pat Cook

65 pages

Large, flexible cast


In Act One, "Voices From the Titanic," the stage comes alive with the passengers and crew who address the audience directly. We see the magnificent, "almost unsinkable" ship through the eyes of both the first-class and third-class passengers. When the ship's lookout, Frederick Fleet, spots the iceberg, all the officers are called upon to carry out the most dreaded command Capt. Smith ever had to issue: "Get the lifeboats ready!" The ending is an emotional powerhouse as the cast recites name after name of those who survived ... and those who did not. In Act Tw...

  Social Pariahs

Drama by Jared Mallard

46 pages

4 m, 8 w, 2 flexible, extras


Stan is a social pariah. He is beaten up at the school bus stop, never chosen for any team, and ignored every day at lunch. Then Chloe enrolls at the school. Being called names? No problem. She has flippant retorts and happily collects the offensive epithets in a notebook. Someone in her face? Her dad taught her how to physically twist a bully’s arm. Amid her tough, cool exterior, however, she also has compassion. Stan and Chloe become allies and gradually fall in love, and as is often the case with first loves, they feel as if everything good in their world ...

  Things We Couldn't Say

Drama by James Schaap

51 pages

3 m, 3 w, 1 flexible


The biographer of the story of Berendina (Diet) Eman is interrupted by Diet herself as he begins a lecture about the Second World War and Nazi resistance in occupied Europe. Diet explains that her efforts to hide Jewish people were not unique, but were undertaken by many ordinary people. To explain, she begins to tell the exciting stories of her Resistance work. As she does, her younger self appears and narrates stories in ways which occasionally vary from the descriptions offered by her older self. In addition, her fiancé, Hein Sietsma, appears, and all thre...

  The Prisoner's Hands

Drama by E. Jack Williams

33 pages

8 w, 6 flex, extras, doubling possible


This is the story of a killer, her relationship to the family of the victim and her relationship to her own conscience. The play opens in a courtroom with the murder victim’s blind sister, Whitney, giving a family impact statement. Her personal sentence seals the fate of Cheek, the defendant, far worse than any court punishment of “life in prison” could ever do. “I sentence you...to see the image of my sister's face in your hands. I want your hands to be the constant reminder of the horror you saw in her face as you squeezed the life out of her...I want this ...