71 pages
3 m, 12 w, 2 flex and ensemble cast of 5 or more
Amelia Jones’s life is falling apart. Her father has left, her mother is usually drunk, and her brother, a high school senior before being expelled, must now try to support the family, such as it is. Then there’s Courtney and her posse who are dedicated to bullying Amelia, who finds herself with few friends. Now, another challenge. In a long-standing school tradition, each freshman must make a presentation on an American hero. Failing to choose a hero for herself, Amelia is assigned the historic female pilot, Amelia Earhart. Soon Earhart begins showing up in ...
34 pages
Flexible cast from 18 (with doubling)
The stage comes alive with passengers and crew of the Titanic, speaking to us directly about the disaster. We see the magnificent vessel through the eyes of both the first class passengers and the third class. When Frederick Fleet spots the iceberg, all the officers are called upon to carry out the most dreaded command Capt. Smith ever had to issue: "Get the lifeboats ready!" The ending is an emotional powerhouse as the cast recites name after name of those who survived à and those who did not. Representational sets. (Excerpted from the full-length play, "Tit...
36 pages
8 m, 6 w
A group of outcast high school students in a small Texas town have formed “The Losers’ Club.” On homecoming evening, these 12 students kidnap the star football player, Joe Taylor, and homecoming queen nominee, Tawny Harris, who have ignored, bullied, and ridiculed members of the club for years. Lead by Trenton, a 17-year-old Goth, the club members put the condescending Joe and Tawny on trial for “crimes committed against their fellow students.” Each member of the “jury” details how he or she has been harassed by Joe, Tawny, and their friends, and how their li...
26 pages
6 female speaking roles, unlimited female ensemble
Set in the realm of Purgatory, the all-female cast of Desdemona, Emilia, Juliet, Lady Macbeth, and Ophelia explore the roles women choose in their pursuit of love and self-identity. Taking its inspiration from Dante’s Inferno, this visceral play allows powerful actors to reach heightened levels of awareness as they grapple with the ideas of an individual’s purpose in their mortal life and the ramifications it carries over into the immortal world. About 40-50 minutes.
19 pages
2 m, 3 w
Josh has a box in his basement containing a number of objects that have meaning for him. As he takes them from the box characters appear who seem to know him, and yet not know him; characters from the past who are still, for Josh at least, very much in the present. Jane, Chloe and Rob don’t know each other, but they all know Josh, and as the story progresses we learn the awful fate they all share, as he moves through the ritual which seems so familiar to him. The appearance of Leah, Josh’s sister, seems at first to comfort him, but then agitate him. Despite L...
36 pages
Cast of 12 plus ensemble. Most roles are gender flexible except for those noted. Doubling possible.
James, a young boy, suffers from Angelman Syndrome. This neurodevelopmental disorder causes problems with speech and mobility forcing him to spend his life in a wheelchair. The story shifts from James’ imagination where he dreams of being a superhero called “The Amazing Angel-Man” to the real world, where the realities of his condition have a serious impact on his family, particularly his father. As the play progresses, these two separate worlds start to overlap, leading to an uplifting resolution that upholds the values of hope and imagination. The play was ...