One-Acts

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  Conform!

Farce by Reid Conrad

26 pages

4 m, 5 w


"Conform!" is an absurdist farce which takes place in a park where three men in boxes comment on humanity and the passersby who frequent their territory. They urge one and all to conform to the constraints of society, but in the end it is they who must practice what they preach. Through the use of stereotype, cliché and controversial comments, the characters humorously expose their flaws and allow the audience to laugh at some of their own shortcomings. One of three plays highlighted at the Florida State Thespian Conference in 2007 where one judge described i...

  Senior Year Survivor

Comedy by James Rayfield

46 pages

4 m, 3 w


Reality TV has discovered one of the most daunting, desolate, and demanding terrains on planet Earth: America's public schools. Six students from Desert Wasteland High School, sporting various backgrounds and personalities, have been selected for "Senior Year Survivor." Who will be left standing after the slew of competitions and challenges? From homecoming, SAT's, college applications and class rings, to announcements, prom and yearbook, these senior students are braving the whole gauntlet leading up to graduation! The audience gets to participate as judges,...

  Frankenstein Unplugged

Drama by Jonathan Yukich

40 pages

6 m, 3 w, 4 flexible (or with doubling 2 m, 1 w)


Here is a faithful stage retelling of Mary Shelley’s classic Gothic novel. We meet Victor Frankenstein, who is obsessed with finding the secret to recreating life. Of course, he famously succeeds, but fearing he has overstepped the bounds of science, quickly abandons his creation and the promise to make it a mate. The creature, betrayed and forsaken, vows to ruthlessly destroy all that his creator loves and cherishes. The unrelenting pursuit goes to the very edges of the earth. Clever theatricality, such as using actors as lightning and thunder, and as profes...

  The Room

Drama by J. B. Cheaney

28 pages

4 m, 4 w


The room is a refuge, a rather undefined space with no pressure from the outside world. But how long do you need to feel safe before stepping out? Each character must make that decision himself: Ben, the abused child; Cherelle, acerbic but filled with apathy; Tony, who hides his shortcoming with a smart mouth; Sandi, whose pushiness covers low self-esteem; Jon, who has a real edge of menace, and others. An intriguing drama with no set requirements.

  Through the Looking Glass

Classic by Jim Geisel

36 pages

With doubling: 2 m, 4 w.


Before putting "Through the Looking Glass" down on paper in 1860s, Lewis Carroll told a colleague’s young daughter, Alice Liddell (the real Alice in the books), the story of talking chess pieces. The novel, of course, was a sequel to his earlier one, "Alice in Wonderland." This play is set in the early 1920s as a now elderly Alice Liddell reflects on the telling of the story. Faithful to Carroll’s expression of childhood fears of growing up, this adaptation keeps the Victorian charm and merriment by maintaining Carroll’s scenes intact. The audience is transpo...

  Faux Pa

Comedy by Jeffrey Watts

40 pages

6 m, 4 w, 4 flexible, extras,


Mild-mannered suburbanite Rob Clark is shocked when Eugene, an unlikely angel, tells him that he is going to have a baby. Rob and his wife, Cindy, have wanted a child, but they never expected Rob to be the one to get pregnant! Their family physician, Doc Mitchell, an old-fashioned doctor who'd rather be fishing, confirms the pregnancy, but Dr. Stern, a cynical psychologist, says everyone is nuts! Meanwhile, Rob and Cindy, who are trying to come to terms with the situation, are besieged by a parade of curiosity seekers, led by Dr. Stern, while Doc Mitchell com...

  Macbeth Fallout

Drama by Trey Clarkson

41 pages

6-16 m, 5-15 w, flexible casting, some doubling possible.


This one-act version of William Shakespeare’s Macbeth maintains the Bard’s original dialogue but changes the setting to a post-apocalyptic world affected by nuclear fallout. The setting allows for many opportunities for creative staging, props, music, and lighting. Three witches arise from piles of mannequin parts, looking as if they were just pieced together. Use of a shadow scrim intensifies the violent and edgy nature of the play. About an hour.

  How I Learned to Stop Being Afraid of My Gym Teacher

Comedy by Bobby Keniston

36 pages

5 m, 7 w, 4 flexible. Some doubling possible.


Forget the school yard bully! There's always one teacher who can intimidate us! Will, an average high school freshman, used to love going to school…until he stumbled upon the terror of gym class under the formidable Mr. Breakwater's rule. Will's coddling mother and nervous wreck of a father (who hides out in the bathtub) are worried. Will's friends, who call themselves the Geek Squad, want to devise a plan to take Mr. Breakwater down. Can Will find a way to stop being afraid of his gym teacher? With a romance novel-obsessed principal, a jock chorus, and an un...

  I Am Angel

Drama by Alaska Reece Vance

36 pages

3 m, 8 w, 16+ flexible or with doubling 3 m, 6 w, 2 flexible


When Angel was a child, she knew she had wings. She knew she could fly. After telling everyone and enduring mockery, she left her wings on the ground in exchange for fitting in. Now she is in high school, and when she sees her friend Hunter being teased for sharing honest feelings, Angel is torn. Standing up for Hunter now means no longer fitting in, giving up her new possible boyfriend Isaac and alienating the few friends she has. But Angel gains one of the most important insights of all — that she is already loved just for being herself. An Angel Chorus use...