Full Length (11-20 Actors)

47 pages

10 m, 15 w, or with doubling 6 m, 6 w

This is Ruben Delgado’s final day in New York City. He left home eight months earlier to seek his fame and fortune, convinced he could sell his 896-page novel, but all he found was rejection. As he retrieves his single box of possessions and his original manuscript, he sees his car being towed. In an attempt to stop from losing his means of escape from the city, he tosses his unbound manuscript out of his 23rd floor apartment window. As sheets of paper rain down on the city, we are transported into the novel one page at a time. There are now three interwoven ...

74 pages

16 m, 4 w + extras

Here is Shakespeare's classic story of Hamlet, Prince of Denmark, with all of the psychology, guilt and tragedy that one is accustomed to in the original story. Nothing vital has been cut, but the play has been shortened, maintaining an incredible through-line of action. This version sails along. Perfect for high school and college theatre departments. A special CD of music and sound effects is available to enhance your production. (Music sample at right is "Ophelia's Theme.") About 2 hours.

80 pages

5 m, 9 w, extras

Billionaire industrialist Wentworth Jefferson invites private investigator Joey (Jo Ellen) Reynolds to a party at his mansion where she meets, and secretly photographs, the people he believes might wish to see him dead. Frozen for a moment, as if caught on film, we meet the suspects: his flighty wife, Mamie; her children, playboy Sam Kane and sculptress daughter, Selena; his bitter ex-wife, Julia Jefferson; society columnist Felica Phillips, whom he once jilted; his spinsterish personal assistant, Debra Mason; and a senior executive in his firm, Paul Carter, ...

62 pages

5 m, 9 w, 1 flexible.

The story is really a question of belief. Does one believe in the tale of a galloping Hessian who rides through the woods ever searching for his lost head? Will the world end when a comet streaks the sky or a meteor falls to Earth? And what is it about the town of Sleepy Hollow that its residents are "given to all sorts of marvelous beliefs, the people are subject to trances and frequently see strange sights and hear music ... voices in the air." Come visit this enchanted region of the Hudson River Valley and decide for yourself if this is a place of dreamers...

53 pages

Gender-flexible roles; approx. 3 m, 15 w, doubling possible

Prudence E. Witch is sick and tired of being burned in the oven while Hansel and Gretel run free. She decides to re-write some of the best loved children’s tales into a more modern narrative. Come join Chicken Little, the Three Pigs, Jack and Jill, Cinderella, Hansel and Gretel, the Wicked Witch of the West, and Prudence as they discover a new reality. Chicken Little finds that with a little therapy she can believe in herself. Foxy Loxy turns a new leaf…as a therapist. Two of the three little pigs practically insist on being eaten, and Cinderella rethinks the...

80 pages

17 roles (approx. 8 m, 9 w)

A "melodrama plus," this play cleverly intertwines a classic "losing the homestead" plot with a realistic subplot in which high school drama students are putting on (what else?!) a melodrama. The Colonel and his daughter Belle are trying to keep the family restaurant (and Belle's heart) from the clutches of the villain I.C. Blizzard, a fast food franchiser. The hero, Beau, suffers from a perpetual crisis of confidence that he deals with by cooking and obsessive psychoanalysis. The student characters trade insults that imperfectly hide a budding romance. Holdi...

48 pages

14 speaking roles, extras

Here's Romeo and Juliet, along with Hamlet and Ophelia, updated as today's high school campus personalities! Written in couplets, the ferocious rhymes create much of the humor. With its nice mix of characters, the high school faculty will even want to join in the performances. The script also includes many opportunities to insert local information and take jabs at rival schools, making your performance unique to your school and magnifying the fun. Split stage and pantomime scenes help keep the play moving, and there's room for creative staging and slapstick. ...