Craig Sodaro is one of Eldridge Publishing's most popular and prolific playwrights with over 60 titles currently in print. Most of his work is ideal for children's theatre and school performances, and several plays have been turned into musicals. His audience participation plays are extremely well received. For community theatre plays he writes under the pen name of Sam Craig. Mr. Sodaro taught for 33 years in public schools, but now writes full time. He and his wife Sue have four grown daughters. Here he speaks in his own words about his love of writing. "I always wanted to write. From the first time I read my first full-fledged book - a long-forgotten mystery - I wanted to be an author. I've always had an imagination that runs overtime. My mind has always been more interested in the possibilities of what if two times two equaled five rather than four. "I grew up in Chicago, but I don't think the Midwest has had a great deal of influence on my writing. I was fortunate enough to travel as a youngster, and the places we visited - the West, East, and South, all seemed steeped in atmosphere and dramatic possibilities. Eventually, I traveled to Alaska, Europe, and Africa, and each experience planted seeds for future stories. "I wrote my first play in high school - an anti-administration absurdist comedy performed in my last period art class. Our teacher turned a deaf ear to the proceedings, but we all caught her laughing. I liked this idea of audience response, and during college, I entered a playwriting contest. I won the fifty dollar prize and saw my characters come to life under the blue, red, and amber stage lights. I knew that this was the direction my writing obsession would have to take. "Success on stage would have to wait for a number of years, however, since I married, began teaching, and had four children and received many, many rejections slips. Eventually I found a formula that worked: large cast mystery with mainly female parts, one setting, and a lot of one-liners. Since then, I've written a hundred and thirty plays, many of which have been published and/or produced. I've had the thrill of walking down 54th Street in New York to a flag-adorned theater where one of my plays premiered. I've received terrific letters from kids who have had parts in the plays I've written, and I've found myself in Amazon.com. "Once in a while people ask me how I write so fast. I guess it’s that I have a lot of stories to tell. And idea will grab me, and then for quite some time—even while working on another script—I’ll keep thinking about the characters and develop the major plot points in my imagination. Once I sit down to the computer to write, the characters really tell the story almost too quickly for me to write down what they’re saying. And that's what I think playwriting is all about. It's telling a story in the simplest but most dramatic way possible. There's a ninety minute or so limit on reaching the climax, and for literature that's quick. I write fast simply so I can find out what's going to happen at the end, just like anybody who watches the play."
68 pages
10 m, 12 w, 5 flexible, doubling possible
Caesar is sent back to earth in human form to find out what true love is all about. His job: make sure Diana Flinchart, a sophomore at Rome College, is happy. Diana is pledging a sorority headed by Lisa Lennox, the campus goddess who is going with Dexter, the "Big Man on Campus." Diana's father, the dean of the college, equates happiness with lots of friends, particularly Dexter. Imagine how happy he is when Dexter asks Diana to the spring formal. Of course, sparks fly when Lisa finds out and when Caesar learns Dexter's real motives for asking Diana out. The ...
59 pages
45 speaking parts (minimum 7 m, 14 w with doubling)
Modern language and loads of humor make this version of the Greek tale one that today's audience is sure to enjoy. Hercules' girlfriend, Megara, has been poisoned by a jealous Hera and now he must complete eight tasks for Hera or lose Megara's love forever. The problem is, Hercules is a bit of a wimp and it doesn't look as if he will be performing any great feats of strength much less act particularly clever. Yet, he humbles the cocky Stymphalian birds, gets the best of the shady Arcadian stag, resists the Erymanthian Bore, cleans up King Augeus' act and give...
55 pages
15 m, 25 w, 2 flexible, doubling
Loosely based on Dickens' "Oliver Twist." It's 1955 and young Oliver is taken from a dismal orphanage by the oppressive MacDonald family. Oliver dreams of having a family like the one on the TV series, "We Love the Brewsters," and runs away to Hollywood hoping to join them. Instead, he meets up with Nancy, a waitress at Tinseltown Malt Shop, and Bill Sikes and his band of pickpockets. Oliver has the good fortune to try to pick the pocket of the producer of the Brewster show, and Oliver actually lands a spot in the perfect television family. But just when life...
70 pages
17 m, 22 w, 8 either, doubling possible
Geoffrey Chaucer introduces us to a group of 14th century pilgrims preparing for their journey to Canterbury the next day. He proposes that each tell a story going to and from the shrine, but the group is so anxious they begin immediately. The Physician begins with the tale of a wicked judge who desires his scribe's sweetheart for himself. Can the young scribe save her from the unwanted marriage? The Pardoner tells the next tale of three thieves who plan to find Death and kill him, but their greed leads them directly to him. The Nun tells the story of Chantic...
59 pages
14 m, 13 w, much doubling possible
It's the 1880s and Dot Dallrimple and her friend May Fielding are Christmas shopping. A miserly store owner, Mr. Tackleton, has eyes for May and has her fiance Edward kidnapped and sent off to sea, never to return to England. Ten years pass with no word from Edward. Poor May has remained single, even though Tackleton has continued to court her. Meanwhile, Dot has married John Peerybingle and his delivery business has prospered. Two days before Christmas he brings home a ragged, mute stranger. In one awkward moment, John see his wife throw her arms around the ...
69 pages
9 m, 16 w, and extras
Wealthy but ditzy Patricia Smitherton-Smatherton and her granddaughters realize something is very wrong when movers begin to repossess the furniture. Perkins, the perfect butler, tries to tell madam the problem lies with Stan D. Mann, her unscrupulous business manager. They don't believe him until they learn Stan plans to sell their house to a flashy Hollywood producer. The girls decide the only way to come up with the mortgage money is to send their grandmother away and turn the mansion into "Disco Dawg." They decorate the place in the current "groovy" `70s style, and everyone who's any...