One-Acts

36 pages

Cast of 12 plus ensemble. Most roles are gender flexible except for those noted. Doubling possible.

James, a young boy, suffers from Angelman Syndrome. This neurodevelopmental disorder causes problems with speech and mobility forcing him to spend his life in a wheelchair. The story shifts from James’ imagination where he dreams of being a superhero called “The Amazing Angel-Man” to the real world, where the realities of his condition have a serious impact on his family, particularly his father. As the play progresses, these two separate worlds start to overlap, leading to an uplifting resolution that upholds the values of hope and imagination. The play was ...

49 pages

4 m, 4 w, 1 flex

Failing the literature test, students Brandon, Abbey, Tyler, Hannah, Steve, Kristen, Nick and Lily decide to impress their teacher by performing "Great Expectations." Will Mrs. Eliot go for it, especially after being told by Tyler that he’d rather be at the dentist? With only eight actors, the students dash from one role to another trying to re-enact major scenes to show off their knowledge of the great work. When the plot gets too complicated for the classroom, the students stop and just explain it in their own hilarious terms. And when the action gets to be...

25 pages

Minimum cast: 1 m, 4 w

The ten-minute play form is more popular than ever, and these 3 lively short plays can be performed together or individually. In "Babysitter Brokerage" (4 w), the bidding war is fast and furious and the contenders are desperate. Who will win the baby-sitting job? In "The Drive-Thru Interview" (1 m, 1 w), a teen job seeker shows she's got what it takes to be the next entrepreneur of the year ... as soon as she finishes cheerleading practice. In "Mr. Perry's Test" (1 m, 3 w), three soon-to-be driving teens meet their match with their instructor. All three plays...

40 pages

6 m, 3 w, 4 flexible (or with doubling 2 m, 1 w)

Here is a faithful stage retelling of Mary Shelley’s classic Gothic novel. We meet Victor Frankenstein, who is obsessed with finding the secret to recreating life. Of course, he famously succeeds, but fearing he has overstepped the bounds of science, quickly abandons his creation and the promise to make it a mate. The creature, betrayed and forsaken, vows to ruthlessly destroy all that his creator loves and cherishes. The unrelenting pursuit goes to the very edges of the earth. Clever theatricality, such as using actors as lightning and thunder, and as profes...

36 pages

6 m, 11 w, extras

Adapted from his full-length play, “Shoestring Theatre.” Sanders, the director of a small community theatre production, is very upset. The budget that is to fund his season opener is being cut by eighty percent. This play is to be an epic retelling of the timeless classic “Cinderella,” but how is he expected to pull off such a spectacle with practically no money? Then Sanders learns that Mrs. Brakes, the owner of the theatre, has embezzled the “Cinderella” money to fund a vacation for herself on the Caribbean. He decides to take matters into his own hands. “I...

35 pages

3 m, 3 w

Brandon Butterworth has apparently been playing the field. On one fateful night, his multiple girlfriends (grouchy Lucy, ditzy Rebecca, and shy Constance) accidentally discover each other. The three ladies realize their boyfriends, all named Brandon, are actually the same guy. Instead of fighting and bickering amongst themselves, they hatch a plan for revenge, teaming up to teach the three-timer a lesson. Brandon is about to have a very bad day, indeed ... unless his own plan works! A sarcastic bartender and a biker-type customer round out the cast.

28 pages

1 m, 3 w, 5 flexible, extras

Wait—start worrying! No wait—don’t worry. Let Crisis, Inc. worry for you. This farce takes place in the lobby of a business which provides the service of panicking for people. When you have a panic situation and you can’t focus on what to do next, you hire Crisis Inc. to do the panicking so you can move along and get your work done. Two business people come to the company's office – and each of them responsible for the other's crisis situation. Realizing the potential for fireworks should the two meet, the receptionist tries hard to keep them apart. Classic f...