Musicals
Many of our musicals have fully orchestrated rehearsal and performance music. The rehearsal music has vocals so actors can learn the song. The performance music has instrumental music only which can be used during your production.
The Curious Tale of Rip Van Winkle
Musical by Vincent Bonvissuto
59 pages
7 m, 6 w, 3 boys, 1 girl; extras are highly flexible, allowing for medium (20+) to large (55+) cast sizes; doubling is possible
Set amidst the dark mists of the Catskill Mountains, The Curious Tale of Rip Van Winkle journeys to the colonial Dutch village of Knickerbocker, where legendary loafer Rip Van Winkle holds court. One fateful evening, Rip ventures into the woods, encountering the spirits of Henry Hudson and his crew. After drinking a flagon of "Hudson's Hearty Ale," Rip falls into a 16-year sleep, awakening in the midst of the Revolutionary War! Sparkling with Dutch dances ("Welcome To Knickerbocker") and rousing village choruses ("Responsibility"), this show will lea...
Rumpelstiltskin - A Medieval Musical Fairy Tale
Comedy Musical by Mimi Bean C. Michael Perry
60 pages
3 m, 3 w, 3 flexible, and chorus
"Rumpelstiltskin, A Medieval Musical Fairy Tale" takes place during a May Festival, somewhere centuries ago. two traveling minstrels visit a small community where, with the help of the townspeople, they stage a production of the strange tale of a small man who steals children and sells them -- Rumpelstiltskin. It just so happens that they cast a real evil magician in the title role. Music, romance and magic weave together as the townspeople unite to outwit the man who sells children, both in the imaginary tale and in real life. We invite you to join with us a...
First In Line (Musical)
Musical by Robert Frankel Scott Keys
74 pages
Flexible cast of 20 (minimum with doubling, 5 m, 5 w)
Remember your first day of school, your first date, your first zit? Doesn't it make you want to...sing out loud! By popular demand, Rob Frankel's play "First in Line" is now a rousing musical revue! This collection of songs and scenes ranges from the hilarious to the heartwarming to the downright humilating. From the upbeat opening number, "Break New Ground," to the poignantly tender song, "How Do I Go On?" the score is varied and tuneful. Other numbers include "Friendly Skies," which has the agonizing beat of a first airplane trip; "Having a Crush," which ex...
All Aboard for Broadway!
Musical by Craig Sodaro
69 pages
9 m, 17 w, 10 flexible, chorus
New York, 1917. Big time producer Florence Zweibach is putting on a Broadway show, and lots of hopeful girls long to be part of it. On the way to the audition, Mary Conklin, a sweet, budding ingenue, meets Harry Harrigan, a down-and-out Tin Pan Alley tunesmith, and the romantic sparks start to fly. To escape loan sharks, Harry enlists in the war that's just broken out in Europe, leaving Mary behind with his portfolio of sheet music and the dream of what might have been. Zweibach stars Mary in his patriotic revue and even falls in love with her, much to the ch...
The Kids From Camelot
Musical Theatre Youth by Joseph Kochiss
0 pages
Large, flexible cast (minimum of 15)
Four timid page boys in the Court of King Arthur will soon become squires by performing acts of courage and skill. The girls of the court chide them for their fear and lack of ability. Merlin the Magician helps the boys in adventures that include rescuing their teacher, Lady Katherine; subduing the Grouchlinks, the evil slaves of Morgan LeFey; and slaying a dragon. Very clever lines with comedy situations. Some 13 songs including "I Don't Want to Go," "Knock! Knock!" "The Wishing Song," and "Dragons in England."
H.M.S. Pinafore
Musical by R Eugene Jackson David Blackburn
41 pages
5 m, 3 w, choruses
This lighthearted comic opera by Gilbert and Sullivan has enjoyed great audience appeal since it opened in 1878. This version, with its subtle cuts in the libretto and tasteful song selection, features more simplified harmony for the chorus and in some cases easier keys for teen singers. At a trim 90 minutes, it's a perfect length for today's audiences. The story is as familiar as ever: Old Admiral Sir Joseph Porter plans to marry the much younger Josephine with the consent of her father, Captain Corcoran. But Josephine is in love with Ralph, a common seaman,...
Just So Stories
Musical by Stephenson and Tucker
61 pages
Widely flexible cast (14 or more)
Rudyard Kipling's dramatic and entertaining stories about how the Camel got his hump, how the Elephant got his nose, how the Whale got his spout, and other richly woven tales come to life in this engaging musical. Mr. and Mrs. Kipling and their two bubbly yet unpretentious daughters serve as narrators. The story weaves from animal tales to the final human one, how Man--or in this case an enterprising young girl!--wrote the first letter. Especially engaging is the two-person whale which is a great theatrical device. The show opens with the song, "When the Worl...
I Am a Star! (Musical)
Musical by Billy St. John
72 pages
Flexible cast, approx. 9 m, 9 w, extras
Combine the drama of Shakespeare with the craziness of high school! Jane, a nerdy-looking new student, is all but ignored by the in-crowd. They're too involved with trying to get parts as extras for the movie that's going to be filmed there. Little do they know Jane is really the pampered, glamorous teen soap opera star, Tiffany! She's undercover to prove she can act and hopefully earn the lead in the movie. In drama class, Jane is teamed up with Tim, the class bookworm. They look like losers...until they do their Shakespeare scene. That threatens posse leade...
Pirates of Chesapeake Bay
Musical Theatre Youth by Wayne Simpson Phil Nelson
59 pages
Flexible cast of 16 or more
The pirates are stealing everything and the town council is helpless until the Sutton children, acting as spies, find out where the goods are being hidden. Ten rousing, original songs plus lots of opportunity for fun as colonial townspeople, pirates, serving maids, sea men, and militiamen, roles unique to this colorful period of American history. Performance time is 60 minutes.
Donovan's Daughters (Musical)
Musical by Shirley McNichols Scott Keys
77 pages
12 m, 15 w
In 1865 Seattle, there are ten men to every woman. Surely Shamus Donovan can find his eldest daughter, Kate, a husband ("I'll Never Meet a Man"). An old Irish tradition ("Donovan's Curse") demands that the eldest marry first, but unfortunately, Kate has the disposition of a wildcat ("What I Hate Most"). While his other four lovely daughters are forced to wait ("Waiting Out the Rain"), their amorous suitors are reduced to tutoring them ("Lessons in Survival"). Borrowing from Shakespeare's "Taming of the Shrew," the men give Federal Marshal Danny O'Brien tips o...
Twelfth Night
Comedy Musical Shakespeare by Murray and Large Thomas Large Stephen Murray
65 pages
Large, flexible cast. Approx. 10 m, 10-13 w, 1 flexible, extras
"If music be the food of love, play on!" In this modern-day adaptation of Shakespeare's beloved comedy, the sounds of disco, swing, gospel, Latin and hip-hop music propel an outrageous assortment of characters into each others' arms. A terrible shipwreck strands young Viola on the beaches of Illyria. Desperate to support herself as she searches for Sebastian, her lost twin, she disguises herself as a man named "Cesario." Soon she is working for Duke Orsino, taking his love messages to the Countess Olivia. But the Countess' estate is a tropical madhouse cramme...
George M. Cohan & Co.
Musical by Chip Deffaa
63 pages
2 men, optional extras
Vibrant and rich with song and dance, this musical tells the life story of the master American showman, George M. Cohan. The framework for the story is an interview between an older Cohan and a persistent young college man named Walter Kerr who wants to write a play about Cohan. In 1937-38, Cohan enjoyed a tremendous success on Broadway, capping a spectacular 50-year career as an entertainer, songwriter, and playwright. Cohan had a good hunch about the admiring young man who would grow up to become a Pulitzer Prize-winning theater critic. Cohan regales Kerr, ...
Irving Berlin & Co.
Musical by Chip Deffaa
67 pages
12 to 24+ actors: 14 m, 9 w, doubling possible
Inspired by actual events, legendary songwriter Irving Berlin shares his life story with two teens. It's a rags-to-riches tale--terrific for schools, colleges, community theaters, and more--about a poor immigrant kid rising to become the most successful songwriter in the world. Along the way, we get to hear such timeless Berlin songs as "I Love a Piano," "All by Myself," "Play a Simple Melody," "Ragtime Violin," and "Alexander's Ragtime Band." The songs are pure Americana--great for singing and dancing.
The Saga of Dead Dog Gulch
Musical Theatre Youth by Wayne Simpson Joy Kurtz
52 pages
Flexible cast, approx. 10 m, 4 w (or 7 actors with doubling)
A one-set operetta about the 1880s Colorado mining town of Dead Dog Gulch - oops, we mean, Columbine Valley. You see, the ladies of the Beautification Society have purtied the town - the general store is now a pink "emporium," and even the jail - well, crime is down because no man would be caught dead in it! Now the miners are always fighting, that is, until the cowboys arrive and start shooting and making fun of this sissy town. The kids and ladies solve the problem but pretend the miners did it all. Unison songs. About 60 minutes.
Boogie-Woogie Bugle Girls
Musical by Stephen Murray Craig Sodaro
88 pages
11 m, 17 w, extras as desired
While World War II rages, the Bugle sisters turn their Grandpa Buddy's Seaside Hotel into a canteen where sailors and soldiers can relax. Not only do the girls want to help the war effort, but they want to save the Seaside from the hands of a ruthless businessman, Skylar Schutt, who intends to buy it for back taxes. But when Schutt accuses Grandpa Buddy of being a German spy, the girls - with a little help from the Ladies' League for Coastal Defense - declare all-out war! And it isn't long before a platoon of spies surfaces! It seems everybody becomes suspici...