Craig Sodaro is one of Eldridge Publishing's most popular and prolific playwrights with over 60 titles currently in print. Most of his work is ideal for children's theatre and school performances, and several plays have been turned into musicals. His audience participation plays are extremely well received. For community theatre plays he writes under the pen name of Sam Craig. Mr. Sodaro taught for 33 years in public schools, but now writes full time. He and his wife Sue have four grown daughters. Here he speaks in his own words about his love of writing. "I always wanted to write. From the first time I read my first full-fledged book - a long-forgotten mystery - I wanted to be an author. I've always had an imagination that runs overtime. My mind has always been more interested in the possibilities of what if two times two equaled five rather than four. "I grew up in Chicago, but I don't think the Midwest has had a great deal of influence on my writing. I was fortunate enough to travel as a youngster, and the places we visited - the West, East, and South, all seemed steeped in atmosphere and dramatic possibilities. Eventually, I traveled to Alaska, Europe, and Africa, and each experience planted seeds for future stories. "I wrote my first play in high school - an anti-administration absurdist comedy performed in my last period art class. Our teacher turned a deaf ear to the proceedings, but we all caught her laughing. I liked this idea of audience response, and during college, I entered a playwriting contest. I won the fifty dollar prize and saw my characters come to life under the blue, red, and amber stage lights. I knew that this was the direction my writing obsession would have to take. "Success on stage would have to wait for a number of years, however, since I married, began teaching, and had four children and received many, many rejections slips. Eventually I found a formula that worked: large cast mystery with mainly female parts, one setting, and a lot of one-liners. Since then, I've written a hundred and thirty plays, many of which have been published and/or produced. I've had the thrill of walking down 54th Street in New York to a flag-adorned theater where one of my plays premiered. I've received terrific letters from kids who have had parts in the plays I've written, and I've found myself in Amazon.com. "Once in a while people ask me how I write so fast. I guess it’s that I have a lot of stories to tell. And idea will grab me, and then for quite some time—even while working on another script—I’ll keep thinking about the characters and develop the major plot points in my imagination. Once I sit down to the computer to write, the characters really tell the story almost too quickly for me to write down what they’re saying. And that's what I think playwriting is all about. It's telling a story in the simplest but most dramatic way possible. There's a ninety minute or so limit on reaching the climax, and for literature that's quick. I write fast simply so I can find out what's going to happen at the end, just like anybody who watches the play."
71 pages
11 m, 14 w
When wealthy Mr. Lloyd offers the students at Peter Paul Prep $5,000 to be split among any organizations whose members can spend a single night in the House on Gallows Hill, the students jump at the chance. The only problem is the house is haunted, and everyone's who's ever tried to stay overnight has disappeared. Undaunted, the students assemble in Reginald Ravenscroft's house, unaware that his ghost along with the ghosts of his daughter, his servant Patience, and the man his servant loved, Joshua, have all joined the party. Though the psychic connection clu...
73 pages
11 m, 13 w, 4 flexible, much doubling possible
Adapted from the novel by Wilkie Collins. It's the late 1800s and young Walter Hartright, on his way to a new teaching position, meets a mysterious woman dressed in white. Terrified, she asks him the way to London and mentions that she once was very happy at the very house Walter is going to. Later, Walter meets his pupils: Marian Halcombe and her half-sister Laura Fairlie, the latter who strongly resembles the woman in white. Walter soon falls in love with Laura, but his happiness is dashed when he finds out her engagement to Sir Percival Glyde has been arra...
61 pages
4 m, 10 w
When movie mogul Mandrake Masterfiend, producer of the schlockiest horror movies in history, invites some of Hollywood's craziest characters to his birthday party, the evening's a killer--literally. That's because he also invites Rona LaMona, the most vicious gossip columnist in the business who writes weekly under the title "The Poisoned Pen," to stir up the pot a bit. Though the actors, designers, and directors of some of Masterfiend's greatest successes enthusiastically reenact some great scenes from his movies, they suddenly find themselves playing suspec...
62 pages
3 m, 11 w, doubling possible
Ivy McEwin, a college history major, is so intrigued by a photograph of a young woman who lived during the Civil War that she travels to the woman's home, Ravensgate, an old Southern plantation. Ivy hopes to unlock the secrets of the woman's life, but instead meets the woman in death. The current owners, who are trying to restore the house into a bed and breakfast, have already noticed a number of strange things going on: the mournful sounds of a woman weeping at night; the frequent, unrelenting beating of a heart, and the rocking of an empty chair. As ghosts...
43 pages
28 parts (doubling possible)
Hi-ho, hi-ho, it's off to have fun we go with this modern version of the beloved fairy tale! When the Huntsman fails to bump off the beautiful Princess Snow White (although he still gets his ticket to Bermuda), the vain queen decides to do the job herself. Dressed as an Old Hag, she cons Snow White into buying a candy bar as a girl scout fund-raiser. Like, who can resist chocolate, especially if it's for a good cause? But at the first bite, the princess falls into a deep slumber. Luckily Snow White has lots of friends. The seven dwarfs immediately call 911, b...
55 pages
15 m, 25 w, 2 flexible, doubling
Loosely based on Dickens' "Oliver Twist." It's 1955 and young Oliver is taken from a dismal orphanage by the oppressive MacDonald family. Oliver dreams of having a family like the one on the TV series, "We Love the Brewsters," and runs away to Hollywood hoping to join them. Instead, he meets up with Nancy, a waitress at Tinseltown Malt Shop, and Bill Sikes and his band of pickpockets. Oliver has the good fortune to try to pick the pocket of the producer of the Brewster show, and Oliver actually lands a spot in the perfect television family. But just when life...
71 pages
7 m, 9 w, 25 flexible, doubling possible
Adapted from the stories by Rudyard KiplingHere's an energetic dramatization of the classic tale of Mowgli, the man-cub, who was abandoned as a baby in the jungle and raised by wolves. With Baloo, the bear, and Bagheera, the panther, as mentors, the growing boy has no trouble avoiding Shere Khan, the tiger, who wants to eat him. But when his two protectors leave him alone in the jungle to test his mettle, Mowgli suddenly finds he's got more trouble than he knows how to handle. The monkeys kidnap him and haul him off to the Forbidden City. Then two hyenas, who...
73 pages
8 m, 9 w, extras
Bring the mysterious Phantom to your stage in this Broadway-quality musical with eight original songs. A Phantom, who inhabits the depths of a TV studio, creates murder and mayhem when he seizes a beautiful soap opera heroine, for whom he has an obsessive love. The cast and crew, including a haughty, aging actress, a scatterbrained secretary, an uptight director, a long-suffering writer, a leading man who is a star on a rival soap, and others are thrown into chaos. A laid-back police detective decides he'll trap the Phantom at a masquerade ball! Lighthearted ...
76 pages
11 m, 22 w, 2 flexible. (Minimum cast 2 m, 5 w, 2 flexible.)
A King, grieving over the death of his son, demands that a weaver create a tapestry that will provide comfort. The woman weaves six tales into her tapestry. The first tells the story of young woman who must learn about herself. The second concerns two farmers who have a chance at a tremendous fortune, but it may cost them everything. Other tales teach more lessons. Finally the Woman weaves the story of Tatiana, a mother who loses her daughter and almost succumbs to her own grief. Upon completion of the tapestry, the King must decide whether he has found conso...
20 pages
3 m, 11 w
Take seven inept campers who must win a variety show competition on which the whole camp's reputation is based and what have you got? Instant disaster! Luckily for the campers, Jo White, who would rather sing than whistle while she works, has escaped to their cabin. Hilarity and confusion follow, but the camp's reputation is saved!
78 pages
14 m, 16 w, 10 flexible, much doubling possible
Adapted from the novel by Charles Dickens. One of Dickens' most unforgettable stories is now achievable for the high school stage. Lucy Manette, half-English, half-French, rescues her father after he has spent years in prison in France. They want to live simply and quietly in England, but the long, bloody hand of the French Revolution reaches out to them, thrusting them into ever-increasing danger. The story's essence - love, loyalty, friendship, patriotism, and the human spirit - from the mindless, mob-driven depths to the highest, most noble peak of Sydney...
64 pages
9 m, 12 w, 2 flexible parts
Professor Boris Conklin can now revitalize DNA samples from anyone (or anything!) in history, returning that person to life. Unfortunately, those who invested in Conklin's work want him to revitalize world-class monsters like Frankenstein, Dracula, the Mummy, and others to serve as attractions at his estate turned into an amusement park - Monster Park. But the Professor's down-and-out niece, Marlene, wants the estate for herself and plots to have her uncle hauled off to a sanitarium. She chooses the very weekend a test family is due to get a sneak preview of ...