Craig Sodaro is one of Eldridge Publishing's most popular and prolific playwrights with over 60 titles currently in print. Most of his work is ideal for children's theatre and school performances, and several plays have been turned into musicals. His audience participation plays are extremely well received. For community theatre plays he writes under the pen name of Sam Craig. Mr. Sodaro taught for 33 years in public schools, but now writes full time. He and his wife Sue have four grown daughters. Here he speaks in his own words about his love of writing. "I always wanted to write. From the first time I read my first full-fledged book - a long-forgotten mystery - I wanted to be an author. I've always had an imagination that runs overtime. My mind has always been more interested in the possibilities of what if two times two equaled five rather than four. "I grew up in Chicago, but I don't think the Midwest has had a great deal of influence on my writing. I was fortunate enough to travel as a youngster, and the places we visited - the West, East, and South, all seemed steeped in atmosphere and dramatic possibilities. Eventually, I traveled to Alaska, Europe, and Africa, and each experience planted seeds for future stories. "I wrote my first play in high school - an anti-administration absurdist comedy performed in my last period art class. Our teacher turned a deaf ear to the proceedings, but we all caught her laughing. I liked this idea of audience response, and during college, I entered a playwriting contest. I won the fifty dollar prize and saw my characters come to life under the blue, red, and amber stage lights. I knew that this was the direction my writing obsession would have to take. "Success on stage would have to wait for a number of years, however, since I married, began teaching, and had four children and received many, many rejections slips. Eventually I found a formula that worked: large cast mystery with mainly female parts, one setting, and a lot of one-liners. Since then, I've written a hundred and thirty plays, many of which have been published and/or produced. I've had the thrill of walking down 54th Street in New York to a flag-adorned theater where one of my plays premiered. I've received terrific letters from kids who have had parts in the plays I've written, and I've found myself in Amazon.com. "Once in a while people ask me how I write so fast. I guess it’s that I have a lot of stories to tell. And idea will grab me, and then for quite some time—even while working on another script—I’ll keep thinking about the characters and develop the major plot points in my imagination. Once I sit down to the computer to write, the characters really tell the story almost too quickly for me to write down what they’re saying. And that's what I think playwriting is all about. It's telling a story in the simplest but most dramatic way possible. There's a ninety minute or so limit on reaching the climax, and for literature that's quick. I write fast simply so I can find out what's going to happen at the end, just like anybody who watches the play."
74 pages
12 m, 13 w
Katie O'Brien and her four daughters land in America with plenty of hope and little else. They quickly fall prey to a scheming landlord, but despite this, one of Katie's daughters, Colleen, falls in love with his son -only to realize he may be as conniving as his father. Another daughter, Mary, finds herself torn between helping their desperate neighbors and keeping the trust of her family. The other daughters must cope with schoolmates who hate immigrants and a young bunch of pickpockets. Despite all the hardships, however, each of the newcomers ultimately c...
67 pages
9 m, 15 w
Count Sid Onitt is trying to mend his vampire ways so he can become a member of Parliament, but it isn't easy when his servant Igor and five vampire widows are hanging around (literally) his dreary castle, ready for some fresh necks. So you can imagine the excitement when ten - dare we say, red-blooded - American students stay overnight as part of their tour of England! To get the attention of one of the girls, two of the guys hatch a perfect little romantic plot, especially since it coincides with Vlad night when Vampire Vlad, the granddaddy of all vampires,...
61 pages
4 m, 17 w, 2 flexible
Jimmy Martin's the coolest cat in the class of '63 at Buddy Holly High, until he's turned into a real creep--a classic nerd named Clarence Doogle. And his cool friends are turned into his school supplies! The spell will last until a "fair damsel" asks Clarence Doogle out. All the kids are aware of the Creep's existence, but are shocked when he actually enters the malt shop one day to try to get a date. Meanwhile, three con-ladies pose as Hollywood talent scouts and announce auditions at the malt shop the following day. The thugs kidnap the richest student for...
41 pages
Flexible cast up to 42
Here's an hour-long adaptation of the Charles Dickens' novel that's as practical as it is entertaining. While staying close to the original novel in dialogue, this version adds additional speaking roles. Along with the hard-hearted Scrooge, the Christmas Spirits, the Cratchit family and the beloved Tiny Tim, there are carolers, goblins, and guests as well as two storytellers, Mrs. Candlewick and Mrs. Peartree, who help keep the action flowing. Because the cast is so flexible, you can combine roles for a small cast or expand it into an all-grade performance. C...
57 pages
10 m, 18 w, 4 flexible, doubling possible
It's 1927 and the 42nd Street Orphanage for Girls in New York is a bleak place. The McGrew Sisters, who head the orphanage, are mean and stingy to the teenage girls in their charge. Enter a new orphan, young Ginny Hobbs, with a trunk full of "magic" -- costumes and props from the vaudevillian circuit her late parents used to work. As the girls perform a few skits, two con artists form a plan. They'll get the girls to do an original show called "Broadway Lullaby," get it fully insured, and when it flops, collect all the money. But the girls have other plans! T...
64 pages
7 m, 11 w, 5 flexible parts
Fellow Americans! Your President has more problems than the Treasury Department can count! When he ends up stranded in the sleepy mountain town of Turtle Creek he finds the folks there none too happy 'bout the new highway passing them by. To make matters worse, his daughter's rebellious boyfriend shows up with his own political agenda. Also popping in unexpectedly is a lady CEO who's into acquisitions - and her next planned take-over is the White House as the new first lady! Add an inept Secret Service agent, two chiseling advisors, and an underworld kingpin ...