Community Theatre Full Length

74 pages

3 m, 2 w

In this award-winning farce, famed philosopher (and very self-important!) Voltaire has fled from the court of Frederick II, King of Prussia, with a stolen and highly sensitive manuscript of the King's poems. Determined to embarrass the monarch before the world, Voltaire finds his journey to France halted in the city of Frankfurt by Baron von Freytag, representative of the Prussian King. Before too long, the Baron’s over-eagerness to obey his master’s wishes and the enormity of Voltaire’s ego combine to create utter chaos, which becomes...

57 pages

Multi-racial cast of 7 m, 7 w, 6 flexible

Jim and Lillian Fowler are having a dinner party to welcome their daughter home from college and meet her fiance. Lillian's brother, Walt, a physician, is also there, even though he and Jim get under each other's skins, especially when Walt needles Jim about losing a recent election to become prosecutor because of his conservative racial views. When Janice and her fiance David arrive, the strain increases as the idealistic young law student from "up North" treats the Wycrofts, the family who works for the Fowlers, as equals. The Wycrofts are already uneasy, f...

59 pages

6 m, 7 w

The drama is based on an actual trial that occurred in Franklin County, Virginia in 1851. Indiana Choice, a black woman, claims that she and her three children are free. She sues Gresham Choice, her alleged owner, for not only her freedom but that of her three children. Gresham, a prominent citizen with political aspirations, denies Indiana is a free black. The events of the trial are recalled by Margaret Oxley who attended this trial as a child. Oxley is especially fond of Jubal Early, the lawyer for Indiana. As the trial progresses, a variety of witnesses a...

68 pages

Approx. 10 m, 4 w, extras. Much doubling possible.

One of the world's great comedies. The wealthy Monsieur Jourdain hires teachers to train him in the Arts, and succeeds only in making himself appear foolish to everybody but himself. Then he tries to court an elegant Countess, making himself even more foolish. The play also contains a rambunctious mixture of Molière’s dramatic modes: Roman–style farce, commedia dell’arte gags, romantic high comedy, two mini–operas, and great quantities of topical satire. In its time it was a social satire today we can appreciate the satire but enjoy the hilarity. The play end...