All of the Above
When a high school election shifts from policy to personality, Lauren finds herself fighting a charismatic opponent who uses digital rumors and tyrannical tactics to divide the student body. Through a metaphorical multiple-choice test, the play examines how easily truth is traded for a vibe and how silence can become a vote for the loud. In a world of rigid categories, these students must decide if they’ll fill in the answers they’re given or find the courage to write their own. With simple scenic requirements, contemporary characters, and a gender flexible cast of unlimited size, this potent play is perfect for high school drama programs and one-act competitions.
Performance Time: 30-35 minutes.
Productions
Behind The Scenes
With Bradley Hayward
What inspired you to write this play?
I wanted to create a conceptual play that holds up a mirror to our modern world, specifically the whirlwind of politics and social media that we all navigate daily. There's so much noise out there right now, and I felt a strong pull to channel that energy into something unifying and full of light. Ultimately, "All of the Above" was born out of a desire to foster a space where we can all pause, connect, and understand each other a little better.
What's your favorite part or line in the play? Why?
There are so many, it’s difficult to choose! But I think my favorite moment is when the silenced forces in the story finally come together to be heard. It’s a very powerful, uplifting turning point. I also hold a very special place in my heart for Amirah’s monologues about her immigrant experience; they carry so much vulnerability. As does Tyler’s fierce refusal to be told what to wear. It’s a wonderful reminder of the joy of pure self-expression.
Where did the characters come from? Are they based on people you know?
They are a mosaic of people I’ve encountered over the years. Many of them were inspired by the faces I see on my social media feeds. Those people you might not know super well in real life, but because you see their posts, their triumphs, and their daily lives, you feel this deep, human connection to them. I wanted to capture that modern phenomenon and bring those familiar, everyday souls to life on stage.
What did you try to achieve with this play?
My biggest goal was to give a voice to those who often feel silenced or left out of the conversation. I wanted to achieve a sense of inclusivity. In a world that can sometimes feel divided, I wanted "All of the Above" to be a reminder that our stories are interconnected, and that hope and love will always be our strongest tools for moving forward together.
Do you have anything else you'd like to add?
I just hope that when audiences leave the theater, they feel a little lighter, a bit more connected to the people sitting next to them, and inspired to bring a little more kindness into both their physical and digital worlds.