by Roy Mark HANGMAN, a theatrical marvel written by A. W. Richardson, Esq., and skillfully directed by Stephan Turner, unfolds its gripping narrative within the walls of the AUA Language School Theater in Chiang Mai. The play's first act, set in the fiery courtroom of Judge Cromwell (Bernie Miller), introduces a complex web of characters and animosities that sets the stage for an enthralling evening. The conflict between Prosecutor Brad Simmons, played with intensity by Wesley Perkins, and the expertly portrayed defense attorney, Sarah Martin Davies (Pamela Teves), creates an electric atmosphere in the courtroom. Judge Cromwell attempts to maintain order amidst the brewing storm, showcasing the intricate dynamics at play.
The stakes are undeniably high in HANGMAN, pivoting on the freedom of Mary Beth, masterfully portrayed by Lisa Denmark. Accused of a brutal execution-style slaying of her husband, Mary Beth becomes the central figure in this gripping courtroom drama. On the witness stand, Mary Beth initially presents herself as a meek and timid lady—speaking so softly it was difficult to discern what was said-- an impression that lingers throughout the courtroom. However, in moments of intensity, subtle bursts of anger emerge, hinting at an unexplored and potentially volatile side of her character.
The defense, led by Sarah Martin Davies, navigates the legal landscape with finesse, using a "blame the victim" defense to counter the limitations imposed by state law prohibiting a “Battered Wife” defense. The second act unfolds in the jury room, a pressure cooker of conflicting opinions and personalities. Oscar William Raven's masterful portrayal of juror Peter Townsend adds a layer of tension, clashing with the formidable Jean (Alex Oberheinrich). The dynamics among the jurors, skillfully led by foreman Mrs. Robert “Aubry” Woodbine (Barbara A.K. Franklin), unfold with a blend of humor and intensity.
Nami Bates' performance as Francine Laduke is particularly noteworthy, seamlessly transitioning from a seemingly insignificant juror to a pivotal character with a powerful revelation about her personal struggles. The emotional depth portrayed by Ms. Bates is a testament to her acting prowess.
to cast their verdict. The entire cast, including standout performances by Wesley
In a bold twist, the play concludes without a jury decision, allowing the audience to cast their verdict. The entire cast, including standout performances by Wesley Perkins, Pamela Teves, Alex Oberheinrich, and Barbara A.K. Franklin, receives a well-deserved standing ovation.
A special acknowledgment is reserved for Oscar William Raven, whose portrayal of juror Peter Townsend reached the caliber of a Leonardo DiCaprio. Raven's performance showcased his acting prowess and drew parallels with the talent and charisma reminiscent of DiCaprio's younger days. It's a testament to Raven's skill that his presence on stage left a memorable impact. The collective excellence of these standout performances, combined with the meticulous direction of Stephan Turner, underscores the richness of the theatrical arts in Chiang Mai. The standing ovation was not just a mark of appreciation but a genuine recognition of the exceptional talents that graced the stage.
Director Stephan Turner's unseen contributions, from lighting to set design, underscore his pivotal role in the success of HANGMAN. The production is a testament to the wealth of talent within Chiang Mai's English-speaking acting community. In conclusion, HANGMAN is a theatrical masterpiece, leaving audiences with a plethora of superlatives—outstanding, masterful, magnificent. The play delivers an enjoyable evening at the theater, showcasing the remarkable talents of the cast and the visionary direction of Stephan Turner. Chiang Mai is fortunate to have such a gem in its vibrant arts scene.